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Canon EOS R5 C VR Creator Kit with RF 5.2mm f/2.8 Dual Fisheye Lens

BH #CAER5CVRCK • MFR #5077C017
Canon EOS R5 C VR Creator Kit with RF 5.2mm f/2.8 Dual Fisheye Lens
Key Features
  • EOS R5 C Mirrorless Cinema Camera
  • Supports 8K60 Internal Raw Recording
  • RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens
  • Stereoscopic 3D 180° VR Capture
Capture impressive stereoscopic 3D images using the EOS R5 C VR Creator Kit with RF 5.2mm f/2.8 Dual Fisheye Lens from Canon. Designed for VR content creators, this kit pairs the full-frame EOS R5 C camera with the 5.2mm Dual Fisheye lens and a voucher for the EOS VR Utility software or EOS VR Adobe Premiere Pro plug-in.
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Canon R5 C Overview

By B&H Photo's
Canon EOS R5 C Mirrorless Cinema Camera
Ready for Anything
For all the wedding videographers, drone camera operators, and multimedia journalists who have professional photo still and cinema video production needs, get ready for a new type of shooting experience with the EOS R5 C Mirrorless Cinema Camera from Canon. With a simple switch, the R5 C is a full featured still photo camera with all the settings of the R5 EOS mirrorless camera. When switched in the other direction, it becomes a full-frame 8K60 Cinema EOS camera that internally records 12-bit Cinema RAW Light footage. There's no more need to carry a second camera with you to your production when stills and video are available within a single compact design.

The R5 C enhances a number of features in comparison to its siblings the R5 and C70, including 4K120 recording, HDMI RAW output, Canon Log 3 HLG/PQ support, unlimited recording time, a timecode port, Dual Pixel CMOS AF with eye detection, an active cooling system, a high-power LP-E6NH battery, 13 reassignable buttons, and a multi-function shoe for XLR adapters. The camera also retains the reliable features of those cameras such as Wi-Fi/Bluetooth, footage compatibility with DaVinci Resolve and Canon apps, an electronic RF mount, CFexpress/SD card slots, a similar button layout, and more. The EOS R5 C is also moisture and dustproof to the same level as its cinema cousin, the EOS C70. And all this is packed into a tiny 1.7 lb body that is just asking to become your go-to drone camera.

Common Features & Technology as the EOS R5
Canon's 45MP full-frame CMOS imaging sensor is at the heart of the EOS R5 C camera's superb image quality, which also leads the way for impressive 8K60 RAW cinematic video shooting.
  • Focus and speed are paramount in the EOS R5 C camera, providing impressive still-image continuous capture at speeds of up to 20 fps
  • Dual Pixel CMOS AF II capability, to track split second movements of even the most elusive subjects
  • With 1053 Automatic AF zones, it is easy to photograph people with the use of Eye, Face, and Head Detection AF, or intuitively track the whole body, face, or eyes of cats, dogs, or birds with Animal Detection AF
  • For those with the need for speed, Canon has also included still-image vehicle subject detection to assist with accurate tracking of cars and motorcycles
  • Connectivity like 5 and 2.4GHz Wi-Fi and Bluetooth is also included for the transfer of still images
Video Control for the Dedicated Video Professional
As soon as the EOS R5 C's main switch is moved to the "video" position, the familiar Cinema EOS menu system and interface take over. Expected high-level video features such as waveform monitors, video codec options, and extensive audio control become available, greatly expanding the EOS R5 C's video potential for the experienced camera operator or video content creator. During "photo" operation, menus are nearly the same as they are on the EOS R5 camera.
Ergonomic EOS Design
The EOS R5 C camera's body design is incredibly compact and lightweight. When paired with a Canon RF lens (or EF lens using the Mount Adapter EF-EOS R), it offers outstanding performance that fits easily and comfortably in your hand, making handheld shooting a breeze whether shooting video or still images. Its electronic viewfinder is optically extended, for eye-level viewing similar to the conventional EOS R5 camera, and it uses the same ergonomic grip design.
CMOS Sensor and DIGIC X Processor
The 8K CMOS sensor and DIGIC X processor produce high-quality video at up to 8K60 resolution. Use of the Cinema RAW Light format with its high-efficiency mode enables internal card recording without an external recorder. The EOS R5 C camera supports HDR recording in Hybrid Log Gamma (HLG) and Perceptual Quantization (PQ) format, which helps ensure full color rendition and wide latitude with a great range from black to pure white, outstanding for the delivery of livestreams, broadcasts, and post-production projects.
8K60 RAW Recording
Cinema RAW Light in 8K is amazing for post-production grading and archiving, or MP4, which is optimized for faster online use. 5.9K in Super 35mm mode and 2.9K in Super 16mm mode are also available for internal recording to CFexpress cards. Cinema RAW Light video files have been optimized for better efficiency to achieve 12-bit recording in all frame rates. Thanks to three newly developed Cinema RAW Light modes (High-quality RAW HQ, standard-quality RAW ST, and Light recording RAW LT), users can select the RAW video mode according to their shooting needs. Lighter, smaller proxy video files can also be recorded while shooting 8K.

The EOS R5 C camera supports RAW output via HDMI and ProRes RAW recording with compatible external recorders such as Atomos devices. By connecting the EOS R5 C camera with a supported external recorder, users can shoot in Apple ProRes RAW at up to 8K30. Proxy data can also be simultaneously recorded to an SD card in-camera, providing efficient post-production operations.
Note:
Only Atomos NINJA V+ is supported as of January 2022. A separate HDMI cable is required to connect to the NINJA V+.
Different File Formats and Simultaneous Recording
Along with Cinema RAW Light, which provides light data sizes for RAW recording, the EOS R5 C camera supports MXF-based XF-AVC as well as the highly versatile MP4. The EOS R5 C camera is also capable of recording two independent video files simultaneously, such as Cinema RAW Light and MP4 at various resolutions including 4K and HD, as well as lightweight proxy files for various professional workflows. XF-AVC offers robust 10-bit 4:2:2 files in a .MXF wrapper for simple compatibility with non-linear editing systems (NLEs) and existing workflows.
Internal Cooling Fan Enables Nonstop 8K60 Recording
The EOS R5 C camera features a cooling fan built into the body, forcing out the heat from inside, enabling continuous and virtually limitless shooting of high-definition 8K60 video without interruption.
Expanded Interface for Professional Needs
The EOS R5 C camera provides a timecode input/output terminal for easy synchronization when shooting with multiple cameras and other interfaces. A cable protector is also included as standard to prevent cable disconnection or damage to the terminal if strong force is applied when connecting interface or HDMI cables.
Multi-Function Shoe for Audio Recording
Canon's multi-function shoe with digital audio interface supports the optional TASCAM CA-XLR2d-C professional audio XLR microphone adapter for up to 4-channel audio. This optional accessory adds two full-sized XLR terminals with phantom power and shotgun mic mount, enabling digital 4-channel and 24-bit audio recording to meet professional video production needs.
Multiple Power Options
The addition of Cinema RAW Light recording at higher resolutions and frame rates demands additional power for full lens functionality. In full-frame 8K60, Super 35 5.9K60, and Super 16 2.9K120 with Cinema RAW Light recording, standard LP-E6NH, LP-E6, or LP-E6N battery packs will not be able to power the electronics of RF lenses or EF lenses attached via an adapter. You can use purely mechanical lenses without issue at these settings.

To gain full electronic lens functionality with all Cinema RAW Light resolutions and frame rates, you can use utilize the CA-946 power adapter with the new DR-E6C DC coupler for mains or pro D-Tap battery power sources, or you can use a power bank such as the Anker PowerCode 26800mAh PD or omnicharge Omni Mobile 25600mAh.

13 Full-Featured Assignable Buttons
The EOS R5 C camera is designed with operational flexibility in mind, conforming to each individual professional workflow, including 13 marked, assignable buttons that allow for user-friendly customized operation.
4K and 2K Oversampling
The EOS R5 C camera reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording. A high-definition debayer algorithm has been included and the 4K generated from the abundant RGB data of the 8K sensor enables more refined imaging capabilities with less incidence of moiré, false colors, "jaggies", and noise.
Up to 4K120 Slow and Fast Motion Recording Mode in 4:2:2 10-Bit
The EOS R5 C camera can record High Frame Rate (HFR) movies at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor. Great for shooting scenes full of fast-paced action, the EOS R5 C camera's fast and intuitive autofocus remains enabled even during HFR recording, making it ideal when shooting from a gimbal or drone, delivering outstanding focus accuracy at HFR or at common frame rates.
Simultaneous Audio Recording Enabled with HFR
Unlike some other cameras where audio is not recorded during HFR shooting, the EOS R5 C camera can record .WAV audio as a separate file from video, virtually eliminating the need for separate audio recording and delivering HFR video and audio files in one convenient device when shooting slow motion or fast motion video.
Canon Log 3 Expands Expressive Possibilities
The EOS R5 C camera features Canon Log 3, which is found in many Canon cameras and works with multiple Canon EOS and Cinema EOS cameras. The wide dynamic range can be used for a wider range of grading after shooting. Canon Log 3 is a gamma that is designed for simple grading, such as tightening dark areas and adjusting tones. It carries on Canon Log's ease of use with less noticeable noise. It can also be used when shooting with other Cinema EOS system cameras such as the EOS C300 Mark III and EOS C70 cameras.
Enhanced Image Stabilization
Enhanced image stabilization is achieved through coordinated control when Canon's RF lenses with optical IS are combined with the EOS R5 C camera's electronic IS when shooting XF-AVC or MP4 formats. With an RF lens that has optical IS and the electronic IS in the EOS R5 C camera, coordinated control helps achieve the optimum hand-shake correction effects. This helps achieve better anti-vibration performance than with conventional IS-equipped EF lenses (using optional Mount Adapter EF-EOS R) and electronic IS together.
Canon VR with RF5.2mm F2.8 L Dual Fisheye Lens Support and Workflow
The EOS R5 C camera is an excellent camera pairing with Canon's RF5.2mm F2.8 L Dual Fisheye Lens to achieve stereoscopic 3D 180° VR video (viewing in 3D requires the use of a compatible Head Mount Display). A plug-in for Adobe Premiere Pro and Canon's EOS VR Utility are available to streamline the workflow from shooting to editing.
Dual Pixel CMOS AF with iTR AF X
Canon's Dual Pixel CMOS AF technology uses every pixel on the imaging sensor to detect focus, and also to capture actual image information achieving both high precision focusing and high image quality. With most Canon RF and EF lenses, AF for video can be carried out over approximately 80% of the vertical and horizontal area of the screen.
  • Touch AF allows positioning an AF point by simply touching the LCD screen, in addition to quick manual positioning with the 8-way multi-controller on the rear of the camera.
  • The camera features Eye AF/Head Detection AF, developed with the use of deep learning technology to improve subject tracking.
  • It also provides human detection (eyes/face/head), allowing it to track subjects accurately even when AF control is not available.
  • Users can track focusing as desired depending on their subject or shooting situation. A wide variety of AF modes enable autofocus shooting that flexibly responds to the subject's movement.
  • Users can leave focusing to the camera and concentrate on their camera work.

 

Still Imaging Features
High Still-Image Quality Featuring a 45MP Full-Frame CMOS Sensor & DIGIC X Processor.
Still-imaging features and operation are nearly identical to Canon's EOS R5 camera. The EOS R5 C camera features the same Canon-developed CMOS sensor with approx. 45 effective megapixels, and a DIGIC X Image Processor to enhance the speed of operations across the board. This means fast, efficient performance and phenomenal image quality for big prints, impressive video, and more.
DIGIC X Image Processor with an ISO Range of 100-51200; Expandable to 102400
Delivering high standard and expanded ISOs (for still images), and a broad range of options to help enhance shooting in varied and fast-changing lighting situations, the EOS R5 C camera can shoot at expanded sensitivities down to ISO 50 (L) and up to 102400 (H).
High-Speed Continuous Shooting
  • High-speed continuous shooting of up to 12 fps with Mechanical Shutter and up to 20 fps Electronic (Silent) Shutter
  • High-speed continuous shooting with full AF subject detection and tracking, at all still-image quality settings
  • A high-precision Dual Pixel CMOS AF system allows the EOS R5 C camera to reliably capture approximately 100% of the still-image area, with most Canon lenses
Same Subject Detection and Tracking AF as the Canon EOS R5
The same subject detection and tracking AF as the Canon EOS R5 Camera, even at shooting speeds as fast as 20 fps.
Head and Eye Detection
Select "People" as the EOS R5 C's "subjects to detect," and like the EOS R5, it can focus on a detected person's eyes, face, head (if a face is obscured), or even entire body if a head cannot be detected.
Animal Detection
For still images, the same revolutionary Animal Detection AF as the EOS R5 can identify and focus upon eyes, faces, or bodies of birds, cats, and dogs, and can do so over virtually the entire image area with many Canon lenses. This opens up game-changing possibilities for wildlife images, even with subjects as challenging as birds in flight.
Vehicle Detection
Carried over from the high-performance Canon EOS R3 camera, the EOS R5 C adds Vehicle Detection AF as a subject detection option, during still-image shooting. Cars and motorcycles, especially in racing applications, can be identified and tracked, even at high speeds. User-selectable Spot Detection lets the R5 C's AF detect the helmets of an exposed rider or driver, and put focus upon them, instead of the leading edge of the vehicle.
AF Area Flexibility
Select the size of the active AF area from a precise single AF point to the entire available AF area and rapidly move a user-selected area via the 8-way multi-controller on the back of the camera. The EOS R5 C has the same range of choices for still-image AF method selection as the EOS R5 camera.
AF Area Coverage of Approx. 100% x 100% for Still Images
The EOS R5 C camera features an expansive focus area of approximately 100% horizontal and 100% vertical when working with select RF and EF lenses, during still-image shooting. With older EF lenses, or with EF Extender types I and II, the EOS R5 C focuses on approx. 80% horizontally and 80% vertically of the image. This means fast and impressive focusing even when composing your subject far from the center of the frame.
EV -6 Low-Light Autofocus
Great for night photography or in very low-light settings, the EOS R5 C camera's brilliant AF can operate for still images in light as dim as a light rating of EV -6 where other AF systems may fail or search. Still-image AF is possible with lens + Canon RF tele extender combinations having maximum effective apertures as slow as f/22 - meaning AF is still possible with the RF 800mm f/11 IS STM + RF 2x Extender.
Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens

Unlock new dimensions in visual storytelling with the RF 5.2mm f/2.8 L Dual Fisheye 3D VR from Canon. Currently compatible with the EOS R5 Mirrorless Digital Camera, this L-series lens is the world's first digital interchangeable lens that can capture stereoscopic 3D 180° VR imagery to a single image sensor. The dual high-performance L-series fisheye lenses combine imagery onto a single image sensor delivering impressive results to a single file. This helps simplify your workflow by eliminating the need to sync and stitch multiple video files. Creators can go from traditional stills or video shooting to stereoscopic 3D capture with a simple lens swap, and the pairing of this lens with the EOS R5 provides for high resolution video recording at up to DCI 8K 30fps and DCI 4K 60 fps.

With firmware 1.5.0 or higher and one of Canon's VR software solutions, you can create immersive 3D that can be experienced when viewed on compatible head mount displays including the Oculus Quest 2 and more. Viewers will be able to take in the scene with a vivid, wide field of view by simply moving their heads. Creatives, industry professionals, and newcomers to VR can create an immersive experience, capturing dynamic scenes for entertainment, tourism, training and education, real estate, storytelling, or anywhere you want to bring your audience to.

3D 180° VR Capture
Designed for use with the Canon EOS R5 Mirrorless Digital Camera, this lens gives you the ability to create an immersive 3D experience. When captured imagery is viewed on compatible head mount displays such as the Oculus Quest 2 and more, a viewer can feel like they are a part of the story that you create. With stereoscopic 3D 180° VR, your audience can see life-like depth and can move their head to look around the viewing environment. The lens features a beautifully engineered and optimized folded optical design, with separate left and right optical systems. This enables you to capture stereoscopic 3D imagery with a 180° field of view to a single full-frame image sensor.
VR with Ease
Pairing this one lens to an EOS R5 camera provides you with the ability to deliver a single file. This lets you create a powerful and convenient solution compared to traditional VR systems that capture a 3D scene with two separate fisheye lenses, recorded to two separate cameras, which write two separate files. This saves you time and effort behind the camera and in post-production by helping to solve issues such as multi-camera positioning, multi-lens syncing, image stitching, audio syncing, encoding, and more.
EOS R5 Camera with Updated Firmware (Version 1.5.0 or Later)
To help improve the user experience when shooting with the RF 5.2mm f/2.8 L Dual Fisheye 3D VR lens, special features have been added to the firmware to optimize VR shooting. This firmware provides metadata information for the software to convert the image from fisheye to equirectangular. One of the features enabled with the use of this lens is a Magic Window on-screen overlay, accessed by tapping the INFO button that assists in framing the central resting position, which shows an approximate field of view in the composition. The user can magnify at 6x and 15x magnification and also use MF Peaking while magnified. Additionally, you can swap between the left and right lenses with a simple tap of the INFO button while magnified, which is incredibly useful when manually focusing the lens.
Canon's EOS VR System
Canon's EOS VR System is comprised of this lens plus an EOS R5 camera with updated firmware and subscription-based software, either Canon's EOS VR Utility or EOS VR plug-in for Adobe Premiere Pro, both of which are currently in development. Availability and details to follow on or about early 2022. This powerful and convenient combination provides much desired flexibility and efficiency, helping save you precious time accessing your content so you can prepare it and share it more quickly. With either solution, conversion of fisheye to equirectangular imagery is possible, as well as processing and exporting at various resolutions and formats to help you capture, convert, and process high-quality VR images and movies.
Stereoscopic 3D Imagery
Featuring dual 5.2mm fisheye lenses positioned with 60mm of spacing between left and right lens centers, this lens provides an interpupillary distance closely resembling human vision. This provides for a powerful and immersive experience that brings the viewer to feel as if they are within the scene where the video or stills image takes place. Also, this lets the viewer change their viewing angle within a recorded scene so they can look around with the use of a compatible head mount display.
Dual-Synchronized Electro-Magnetic Diaphragm
Each of the left and right fisheye lenses have their own optical system, including separate but coordinated aperture mechanisms. Together they seamlessly and simultaneously control the exposure of both lenses, so setting your aperture is the same process as with any other RF lenses.
L-Series Lens Elements
Engineered with 12 elements in 10 groups and highlighted by two ultra-low dispersion glass elements and prisms in both the left and right lenses, this lens delivers impressive color and clarity with minimal chromatic aberration.
Subwavelength Structure Coating (SSC)
SWC technology decreases ghosting and reflections that may occur when shooting in more challenging lighting conditions such as during strong backlight, providing versatility and more uniform color balance in the scene.
Manual Focusing
Coordinated manual focusing of both lenses allows you to focus each lens using the manual focus ring. Additionally, a left-right focus adjustment dial lets you refine focus of the right lens separately from the left lens by using the included hexagon wrench.
Large Aperture
Providing a highly adaptable aperture range, the RF 5.2mm f/2.8 L Dual Fisheye 3D VR lens allows you to go from a bright f/2.8 aperture in low light shooting, to a deep depth of field of f/16 for more control of your exposure in brighter environments. Additionally, a gelatin filter holder is located at the rear of the lens allowing optional gel filters to be used similarly to previous ultra-wide-angle Canon lens offerings.
Compact, Lightweight, and Portable
Thanks to the RF mount and the folded optical design, the size and weight of this lens makes it easy to use in tight spaces and easy to carry in a camera bag. The lens weighs under 1 lb and is just slightly over 2" in depth from the rear mount to the front side of the lens, creating a compact, portable, and lightweight solution.
Dust- and Water-Resistant Sealing with Fluorine Coating
Built to L-series lens specifications, the lens features a highly durable RF mount design. With dust- and water-resistant sealing, you can confidently shoot in challenging weather conditions. Fluorine coating is used on the front element to help prevent water, oil, and other surface residue like fingerprints from sticking to the lens, and this also facilitates quick and easy wiping without the use of solvents.
UPC: 013803346701

Canon EOS R5 C Mirrorless Cinema Camera Specs

Key Specs
Lens Mount
Canon RF
Sensor Resolution
Actual: 47.1 Megapixel
Effective: 45 Megapixel (8192 x 5464)
Image Sensor
36 x 24 mm (Full-Frame) CMOS
Image Stabilization
Digital
ISO Sensitivity
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode (Extended: 100 to 51,200)
Video
100 to 51,200 (Extended: 50 to 102,400)
Internal Recording Modes
Cinema RAW Light/Raw 12-Bit
8192 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s]
5952 x 3140 at 23.98/24.00/29.97/50/59.94 fps [544 to 1360 Mb/s]
2976 x 1570 at 23.98/24.00/25/29.97/50/59.94 fps [138 to 344 Mb/s]
AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/59.94/100/120 fps [160 to 810 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [160 to 810 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/120 fps [50 to 310 Mb/s]
1280 x 720 at 50/59.94 fps [8 to 12 Mb/s]
AVC-LongG/MP4 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [400 to 540 Mb/s]
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [400 to 540 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/120 fps [100 to 225 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/120 fps [100 to 225 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [35 to 50 Mb/s]
1280 x 720 at 50/59.94 fps [8 to 12 Mb/s]
AVC-LongG/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/120 fps [100 to 225 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 225 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s]
1920 x 1080p at 23.98/24.00/29.97/50/59.94 fps [35 to 50 Mb/s]
1280 x 720 at 50/59.94 fps [8 to 12 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) up to 59.94 fps
UHD 4K (3840 x 2160) up to 59.94 fps
Media/Memory Card Slot
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x Micro-HDMI (Unspecified Signal) Output
Battery Type
Canon LP-E6N
Imaging
Lens Mount
Canon RF
Lens Communication
Yes, with Autofocus Support
Sensor Resolution
Actual: 47.1 Megapixel
Effective: 45 Megapixel (8192 x 5464)
Image Sensor
36 x 24 mm (Full-Frame) CMOS
Image Stabilization
Digital
Built-In ND Filter
None
Internal Filter Holder
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Shutter, Mechanical Focal Plane Shutter
Shutter Speed
Mechanical Shutter
1/8000 to 30 Seconds
Electronic Front Curtain Shutter
1/8000 to 30 Seconds
Electronic Shutter
1/8000 to 0.5 Seconds
Bulb/Time Mode
Bulb Mode
ISO Sensitivity
Photo
100 to 51,200 in Manual Mode (Extended: 50 to 102,400)
100 to 12,800 in Auto Mode (Extended: 100 to 51,200)
Video
100 to 51,200 (Extended: 50 to 102,400)
Metering Method
Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes
Aperture Priority, Manual, Program, Shutter Priority
Exposure Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range
-3 to 20 EV
White Balance
0 to 0K
Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Tungsten
Continuous Shooting
Mechanical Shutter
Up to 12 fps at 45 MP for up to 180 Frames (Raw) / 350 Frames (JPEG)
Electronic Shutter
Up to 20 fps at 45 MP for up to 83 Frames (Raw) / 170 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Video Capture
Internal Recording Modes
Cinema RAW Light/Raw 12-Bit
8192 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps [1030 to 2570 Mb/s]
5952 x 3140 at 23.98/24.00/29.97/50/59.94 fps [544 to 1360 Mb/s]
2976 x 1570 at 23.98/24.00/25/29.97/50/59.94 fps [138 to 344 Mb/s]
AVC-Intra/AVC-LongG/XF-AVC 4:2:2 10-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/59.94/100/120 fps [160 to 810 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/100/120 fps [160 to 810 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94/120 fps [50 to 310 Mb/s]
1280 x 720 at 50/59.94 fps [8 to 12 Mb/s]
AVC-LongG/MP4 4:2:2 10-Bit
DCI 8K (8192 x 4320) at 23.98/24.00/25/29.97 fps [400 to 540 Mb/s]
UHD 8K (7680 x 4320) at 23.98/25/29.97 fps [400 to 540 Mb/s]
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/100/120 fps [100 to 225 Mb/s]
UHD 4K (3840 x 2160) at 23.98/25/29.97/50/59.94/120 fps [100 to 225 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s]
1920 x 1080p at 23.98/25/29.97/50/59.94 fps [35 to 50 Mb/s]
1280 x 720 at 50/59.94 fps [8 to 12 Mb/s]
AVC-LongG/MP4 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.98/24.00/25/29.97/50/59.94/120 fps [100 to 225 Mb/s]
UHD 4K (3840 x 2160) at 23.98/24.00/25/29.97/50/59.94 fps [100 to 225 Mb/s]
DCI 2K (2048 x 1080) at 23.98/24.00/25/29.97/50/59.94 fps [35 to 50 Mb/s]
1920 x 1080p at 23.98/24.00/29.97/50/59.94 fps [35 to 50 Mb/s]
1280 x 720 at 50/59.94 fps [8 to 12 Mb/s]
External Recording Modes
4:2:2 10-Bit via HDMI
DCI 4K (4096 x 2160) up to 59.94 fps
UHD 4K (3840 x 2160) up to 59.94 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020
Broadcast Output
NTSC/PAL
IP Streaming
None
Still Image Capture
Image Sizes
3:2 JPEG / Raw
8192 x 5464
5088 x 3392
3:2 JPEG / Raw
8192 x 5464
5808 x 3872
4176 x 2784
2400 x 1600
4:3 JPEG / Raw
7280 x 5464
5152 x 3872
3715 x 2784
2112 x 1600
16:9 JPEG / Raw
8192 x 4608
5808 x 3264
4176 x 2344
2400 x 1344
1:1 JPEG / Raw
5456 x 5456
3872 x 3872
2784 x 2784
1600 x 1600
Aspect Ratio
1:1, 3:2, 4:3, 16:9
Image File Format
C-RAW, HEIF, JPEG, Raw
Bit Depth
14-Bit
Interface
Media/Memory Card Slot
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O
1 x Micro-HDMI (Unspecified Signal) Output
Audio I/O
1 x 1/8" / 3.5 mm TRS Stereo Mic/Line Input
1 x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1 x USB-C (9VDC at 3 A) Input
Other I/O
1 x USB-C (USB 3.2 / 3.1 Gen 2) (Shared with Power Input)
Wireless
Bluetooth Control
2.4 / 5 GHz Wi-Fi (802.11b/g), Wi-Fi 4 (802.11n), Wi-Fi 5 (802.11ac) Video Output, Control
Global Positioning (GPS, GLONASS, etc.)
None
Monitor
Display Size
3.2"
Resolution
2,100,000 Dot
Display Type
Free-Angle Tilting Touchscreen LCD
Viewfinder
Type
Built-In Electronic (OLED)
Size
0.5"
Resolution
5,790,000 Dot
Eye Point
23 mm
Coverage
100%
Magnification
Approx. 0.76x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, Single-Servo AF
Autofocus Points
Phase Detection: 1053
Autofocus Sensitivity
-6 to +20 EV
Built-In Flash/Light
No
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
eTTL
External Flash Connection
Shoe Mount
Environmental
Operating Temperature
32 to 104°F / 0 to 40°C
Operating Humidity
0 to 85%
General
Battery Type
Canon LP-E6N
Shoe Mount
1 x Intelligent Hot Shoe
Tripod Mounting Thread
1 x 1/4"-20 Female (Bottom)
Dimensions (W x H x D)
5.6 x 4 x 4.4" / 142.2 x 101.6 x 111.8 mm
Weight
1.5 lb / 680 g (Body Only)
1.7 lb / 770 g (With Battery, Recording Media)
Packaging Info
Package Weight
3.205 lb
Box Dimensions (LxWxH)
9.5 x 7.9 x 7.9"

Canon RF 5.2mm f/2.8 L Dual Fisheye 3D VR Lens Specs

Key Specs
Focal Length
5.2mm
Maximum Aperture
f/2.8
Lens Mount
Canon RF
Lens Format Coverage
Full-Frame
Focus Type
Manual Focus
Image Stabilization
No
Filter Size
Gel Filter (Rear)
Maximum Aperture
f/2.8
Minimum Aperture
f/16
Lens Mount
Canon RF
Lens Format Coverage
Full-Frame
Angle of View
190°
Minimum Focus Distance
7.9" / 200.7 mm
Maximum Magnification
0.03x
Optical Design
12 Elements in 10 Groups
Diaphragm Blades
7
Focus Type
Manual Focus
Image Stabilization
No
Filter Size
Gel Filter (Rear)
Dimensions (ø x L)
4.8 x 2.1" / 12.2 x 5.3 cm
Weight
12.4 oz / 352 g
Packaging Info
Package Weight
1.62 lb
Box Dimensions (LxWxH)
8.6 x 6.8 x 6"

Canon R5 C Reviews

Love this Camera!

By Dante
Rated 5 out of 5
Date: 2023-10-01

This camera is absolutely beautiful. I was debating between the R5c and the c70 as a cinema cameras. Although the c70 is absolutely wonderful it cannot take photos. With the r5c the video quality are nearly identical to the c70 and it can take photos. I definitely like thos camera and can't wait to start really working this camera out in the field.

"Elevated Media: R5c Exceeds!"

By Craig
Rated 5 out of 5
Date: 2023-08-28

After rigorous testing, it's clear that the Canon EOS R5c is a game-changer for Elevated Media. The blend of cinematic prowess with the versatility of still photography makes this an invaluable asset in our media arsenal. Its superb image quality, combined with the compact design, aligns perfectly with our mission to deliver top-tier content without being weighed down by gear. The enhanced autofocus, paired with the high-resolution sensor, ensures that our shots are not just beautiful, but consistently sharp and in focus. This camera not only meets our expectations but surpasses them, reaffirming our decision to invest in Canon's technology. As the owner of Elevated Media, I can confidently say that the R5c will be integral to the stories we tell in the future. Highly recommended for professionals looking to elevate their work!

Finally a camera that can handle both.

By Gustavo
Rated 5 out of 5
Date: 2023-08-10

I used to film with a C200 and shoot still with a Mark IV. Both did a great job on their own specialty, but I was always hoping for a camera that could do both with the same quality. R5C is better than Mark IV, which was already a great camera. It is not better the C200, it lacks internal ND filters, but is very close. Close enough for my kind of work and , of course, the size and weight is a plus.

really a fantastic camera

By Romy
Rated 5 out of 5
Date: 2023-08-08

I have mostly been using it for video and it really captures even very boring environments beautifully. I have been wokring on a documentary film about music therapy for seniors with dementia so most of the footage is in a very poorly lit, depressing room in a senior care facility, but the camera (with a 24-70mm f/2.8) still manages to make it look cinematic and interesting. The main camera I have used before this is the canon c200 and the picture quality on the r5c to me looks better, but it is a much smaller camera so way more functional for concerts or really any scenario where you want to shoot handheld. And the fact that it can even take stills on such a quality cinema camera is fantastic (I was choosing between the r5c and the c70 which is more expensive, heavier, and relatively comparable as a cinema camera, with no stills capabilities whatsoever). Some of the photos I have taken with it haven't come out quite as crispy as I would hope, but I think a lot of that may be due to the settings I have it on and the fact that I am a far more proficient videographer than photographer. It really makes very simple compositions look great. Looking forward to use this camera on everything video or photo shoot I do many years to come.

I want to love this camera, but it is unreliable

By benjamin
Rated 1 out of 5
Date: 2023-08-06

Randomly and without incident my R5c has stopped powering on reliably. It ruined a once in a lifetime trip to Eastern Europe as I was suddenly unable to take any of the photos/videos I had planned, and when I called Canon for assistance NO help was offered other than schedule a repair when you get back to the States. Powers on, then won't. I do every trouble shooting tip imaginable, switch batteries, use a battery grip - nothing. Then it turns on for 40 minutes, turns off and won't come back for two days. Works for a day, then not at all. I am a professional filmmaker/photographer and this makes the device completely unreliable and therefore useless. I have never had this problem with my 5Dmk IV, my 5DS, my various cinema cameras (C300 II, C70, etc.) I don't have the issue with my Lumix S1, nor have I had an issue like this with any other camera brand I've used. I am furious and disappointed. Honestly, the camera takes amazing photos, has fantastic video capabilities and has incredible potential overall. However, not being able to trust whether or not it will turn on (!!!) makes it completely worthless. It's like having an awesome, luxury car that randomly shuts down without warning or any way to fix it. Doesn't matter how comfortable and awesome it is, you would simply never drive it... Very sad about this. I've owned the camera for under a year and Canon has completely lost me as a result of this experience. My 5D IV, C100. C300 II, C70 (even my old EOS 70D) range between 12 and 3 years old, have been dragged up and down mountains, used on shoots in awful and unpredictable weather, etc. NEVER had an issue like this.

First new camera in 18 years

By Murray
Rated 5 out of 5
Date: 2023-06-15

I am in love with this camera. The last time I bought myself a brand new camera was 18 years ago almost to the day. Needless to say, this is a HUGE upgrade. I love all the options this has, and the ability to customize almost every button on the camera body. The lens optics are great, especially for a kit lens, and the interface, although complex, is very understandable with minimal effort. It's also super slick to have a high-end still camera and high-end cinema camera in the same body, especially since I do both still and video work.

La mejor camara que he comprado hasta hoy

By Anonymous
Rated 5 out of 5
Date: 2023-09-24

Me impresionó desde el primer momento, la calidad de imagen y la potencia 8K, increible!

Great camera, with a few cons.

By Ethan
Rated 4 out of 5
Date: 2023-09-02

Great camera, good quality. Struggles with low light areas in the image and an external battery is a must. With a little noise reduction and rigging it is a pretty solid camera though.

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YOUR RECENTLY VIEWED ITEMS

Is the WFT-R10A grip required for remote control ...

Is the WFT-R10A grip required for remote control in video mode? It seems built-in WiFi only support photo mode.
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The Camera Connect app is designed to work with the Canon EOS R5C in Photo mode. For advanced movie controls through EOS Utility 3 the WFT-R10A would be necessary.
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Video length limit? Like 29 minutes on the R5.

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Asked by: Ildar
Since the Canon EOS R5 C is a Cinema Camera it does not have a recording limit. The only limits will depend on the media and recording format selected.
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SDI Output inbuilt EOS R5C ?

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Asked by: Dharmendra
No, The Canon R5C only supports HDMI output - 1x micro-HDMI output.
Answered by: Chris H
Date published: 2022-02-25

Is this compatible with the Ronin RS 2 gimbal?

Is this compatible with the Ronin RS 2 gimbal?
Asked by: Dean
Ronin RS 2 has a 10lb payload.
Answered by: robert
Date published: 2022-05-16

Does the camera have animal eye tracking for ...

Does the camera have animal eye tracking for photo mode? Also does it have Clog 2 in video mode?
Asked by: Robert
Yes. The following unit offer animal detection mode. No Log 2 but the unit does offer Canon Log 3 at 1600% / 14 stops (at ISO 800) and Wide DR: 800% (at ISO 400)
Answered by: hectorm
Date published: 2022-06-27

Does the R5C have Touch and Drag AF in cine mode, ...

Does the R5C have Touch and Drag AF in cine mode, like the R5?
Asked by: Andrew
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Answered by: Chris H
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What *specific* adapter(s) and power devices do I ...

What *specific* adapter(s) and power devices do I need to supply 8k 60? I want to have EVERYTHING I need to shoot 8K 60fps. Thanks!
Asked by: Don
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Can the R5C auto rotate and shoot vertical video ...

Can the R5C auto rotate and shoot vertical video like the C70?
Asked by: Stephen
Yes, it most certainly does. The on-screen markers have horizontal and vertical positioning when in the Canon R5C's video shooting mode.
Answered by: Chris H
Date published: 2022-09-23
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