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Sony C-80 Cardioid Condenser Microphone Kit with SSL 2+ Audio Interface, Reflection Filter, and Headphones

BH #SOC80SCMRFBK (B&H Kit)
Sony C-80 Cardioid Condenser Microphone Kit with SSL 2+ Audio Interface, Reflection Filter, and Headphones
Key Features
  • Record Vocals and Acoustic Instruments
  • C-80 Cardioid Studio Condenser Mic
  • Solid State Logic SSL 2+ Audio Interface
  • Sony MDR-7506 Headphones
B&H's Sony C-80 Cardioid Condenser Microphone Kit adds a Solid State Logic SSL 2+ USB-C audio/MIDI interface, Auray RF-CM-S reflection filter and PFMU-12 pop filter, and Sony MDR-7506 headphones, plus an XLR cable, mic stand, and headphones holder. Capture and record vocals with rich midrange to your Mac/Windows computer.
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Sony C-80 Overview

  • 1Description
  • 2Sony C-80 Unidirectional Studio Condenser Microphone
  • 3Warm Audio Pro Series XLR Cable (10')
  • 4Solid State Logic SSL 2+ USB-C Audio/MIDI Interface
  • 5Sony MDR-7506 Headphones
  • 6Auray RF-CM-S Reflection Filter (Silver)
  • 7Auray RFMS-580 Reflection Filter Tripod Mic Stand
  • 8Auray COHH-2 Clamp-On Headphones Holder for Mic Stand
  • 9Auray PFMU-12 Universal Wire Mesh Pop Filter with 12" Gooseneck (Matte Black)
By B&H Photo's

B&H's Sony C-80 Cardioid Condenser Microphone Kit adds a Solid State Logic SSL 2+ USB-C audio/MIDI interface, Auray RF-CM-S reflection filter and PFMU-12 pop filter, and Sony MDR-7506 headphones, plus an XLR cable, mic stand, and headphones holder. Capture and record vocals with rich midrange to your Mac/Windows computer.

Sony C-80 Unidirectional Studio Condenser Microphone

The C-80 from Sony is a condenser microphone designed to deliver professional-quality vocal recordings with a powerful and rich midrange along with a hint of added presence to cut through the mix. The mic’s dual-capsule design helps to reduce proximity effect and provide a consistent-sounding response, even if the vocalist moves slightly closer or further away from the mic during a take.

Great care has been taken to ensure that the mic provides sonic character and little else. The two-part metallic construction is based on the highly regarded C-800G and C-100 models and prevents acoustic vibrations, helping to keep inherent noise and unwanted sonic artifacts out of your recordings.

The large-diaphragm condenser element yields a true frequency response of 20 Hz to 20 kHz, with a dynamic range of more than 125.5 dB. The C-80 plays quite nicely, even with loud singers, as the capsule offers a -10 dB pad and can handle SPLs up to 138 dB. A high-pass filter is also on board to help reduce low-end rumbles and other unwanted low-end frequencies, while a suspension shockmount is included to isolate the mic from vibrations and handling noise. A carrying case is also supplied for storage and transport.

Dual-Diaphragm Design
At the core of the C-80's excellent sonic character is the dual-diaphragm microphone element, which helps to minimize proximity effects for sonically consistent recordings. In addition, the cardioid polar pattern focuses audio capture at the area around the mic, reducing unwanted sound from the rear and sides.
Exceptional Signal Response
The large-diaphragm condenser element yields a true frequency response of 20 Hz to 20 kHz with a dynamic range of more than 125.5 dB. The result is a flat-frequency response that maintains detail with low signals and transients. With a high sensitivity of -30 dB/Pa, the C-80 microphone can capture subtle nuances at high frequencies with low noise levels and minimum distortion.
Aluminum Body
The C-80 microphone incorporates a two-part aluminum body that helps to prevent acoustic vibration from reaching the microphone capsule, resulting in clarity of sonic reproduction.
UPC: 027242925557
Warm Audio Pro Series XLR Cable (10')

Presented here with a cable length of 10'', this Warm Audio Pro Series XLR Cable is designed to provide a high-end connection between balanced gear with XLR jacks. If you care about the details of your sound onstage and in the studio but want to adhere to a wallet-friendly budget, use this cable to preserve the integrity of mic-level and line-level signal.

To guarantee optimal performance, Warm Audio partnered with renowned Swiss company Gotham AG to supply the core wiring of this cable. The XLR connections offer high-quality silver contacts to keep your signal pristine.

Silver-Plated Connectors
Precious metals aren't famous for their looks alone—some also have characteristics that are advantageous for signal transfer. These silver connectors provide such characteristics, out-perfoming gold to a small degree during signal transfer.
UPC: 850016400123
Solid State Logic SSL 2+ USB-C Audio/MIDI Interface

Compact and competitively priced, the Solid State Logic SSL 2+ desktop 2x4 USB audio/MIDI interface puts legendary SSL analog character, pristine conversion, and intuitive console-style workflow within reach for producers, home recordists, musicians, and songwriters on a tight budget.

Its two SSL-designed mic preamps—accessible via XLR-1/4" combo inputs—feature class-leading gain, headroom, and noise specs for tracking mics, electric instruments, or line-level signals with ultraclean definition. When you want some character added on an input, simply press that channel's Legacy 4K button to add a high-frequency boost and sweet harmonic distortion, both inspired by the classic and heralded 4000-Series consoles used on countless hit records.

Both input channels, which are arranged vertically like a large-format mixing board, also provide 5-segment LED metering and selectable 48V phantom power per channel. The SSL 2+ is equipped with a pair of monitor outputs and two independent high-current headphone outs with high dynamic range, independent level control via Alps pots, and a selectable mono/stereo monitor mix.

Additionally, it features four unbalanced RCA outputs—two mirror the 1/4" monitor outs and two serve outputs 3-4—for routing to external cue amps or effects units. Utilize the rear-panel MIDI I/O ports for hooking up external synths and keyboard controllers without having to integrate a separate MIDI interface.

The layout of the interface harkens back to SSL's classic large-format analog consoles, featuring a prominent monitor level knob and smaller controls for your headphone out and monitor mix. The monitor mix knob can be used to counter any latency while recording at high buffer rates in your DAW by sourcing the monitor signal directly from the input path. Or rotate the knob to the right to introduce more of the USB return from your computer for easy overdubs.

Bundled with the SSL 2+ is the SSL Production Pack, an inspiring collection of software, sounds, and plug-ins that'll not only help you get started, but also keep your work fresh track after track. Included are 1.5GB of loops and samples from Loopcloud, over 2000 sounds from Native Instruments, two DAWs (Pro Tools | First and Ableton Live Lite), and SSL's own Vocalstrip 2 and Drumstrip plug-ins.

High-Gain Microphone Preamps
Both mic preamps on the SSL 2+ provide up to 62 dB of gain to ensure optimal recording levels for your favorite condenser mic, industry-standard dynamic mics such as the Shure SM7B, and electric instruments such as guitar and bass. They incorporate a two-stage design with low-noise transistors and IC circuits to deliver top-of-the-line noise performance and ample gain.
Console-Style Channels Strips
Each input section offers switches for +48V phantom power and selection of line-level or Hi-Z input signal. Plus, you'll find 5-segment LED metering and gain knobs on both channels.
Analog Tone Enhancement
Underneath the gain knobs on both input channels, you'll note the Legacy 4K button. This feature helps you bring dull, uninspiring audio to life as you record it, doing so by adding subtle harmonic distortion and a high-frequency boost. Both are analog processes that take their cue from the sound of the legendary and classic SSL 4000 Series consoles, hence the name 4K.
Dual Headphone Outs and Monitor Outputs
Presented on the rear panel of the SSL 2+ are 1/4" jacks for the stereo monitor outs and the dual high-current NJM headphone amp outputs. Separate high-quality pots are provided for independent volume control of your speakers and two sets of cans. The second headphone output can be sourced from the main mix or from outputs 3-4, making it ideal for creating different cue mixes for multiple artists.

Also, there are four unbalanced RCA outputs—two mirror the 1/4" monitor outs and two serve outputs 3-4—for routing to external cue amps or effects units.
Pristine Converters
Packed with the same AKM AD/DA converters as SSL's acclaimed Alpha-Link I/O products, the SSL 2+ offers pristine conversion at up to 24-bit / 192 kHz. Record and mix confidently knowing that the interface captures and reproduces your tracks without compromise
MIDI I/O
The SSL 2+ integrates smoothly with gear for beatmakers. Utilize the rear-panel MIDI I/O ports for hooking up an external synth and a keyboard controller without having to integrate a separate MIDI interface.
High-Quality Components
The SSL 2+ is laden with high-grade Neutrik connectors and Alps pots, and all knobs and switches are reminiscent of iconic SSL consoles.
USB Type-C or Type-A Host Connection
Since the SSL 2+ is powered via USB, there's no need to be concerned with power cables, AC adapters, or batteries. It sports a USB Type-C connector and includes USB Type-C and USB Type-C to Type-A cables for interfacing to your Mac/Windows computer.
SSL Production Pack
  • DAWs: Pro Tools | First (plus an exclusive collection of 23 plug-ins) and Ableton Live Lite
  • Virtual Instruments: Native Instruments Hybrid Keys and Komplete Start
  • Plug-Ins: Vocalstrip 2 and Drumstrip, plus a 6-month trial of all SSL Native plug-ins
  • Samples and Loops: 1.5GB of curated content from Loopcloud
UPC: 878076001418
Sony MDR-7506 Headphones

The MDR-7506 is a staple within the recording, film and live arenas. Due to its low impedance and closed-ear design, these headphones do an outstanding job of cutting down background noise while providing plenty of volume in the studio or in the field. Additionally, the closed design helps eliminate headphone bleed when overdubbing in the studio.

The MDR-7506 is an over-ear design and is ideal for use with MIDI workstations, camcorders, or other equipment with less than powerful headphone amplification. The headphone has a foldable design, making it convenient to store or transport, and its coiled cable allows it to stretch and spring back into place whenever you need a bit more reach.

Circumaural closed-back stereo headphone ideal for use in professional applications
40mm diameter drive units deliver deeper bass, lower distortion, and wider dynamic range
Neodymium magnets for maximum energy and minimum size
Compact, foldable design
Coiled cable allows for better mobility and reach, while also preventing snags from tugging the headphones right off your ears
OFC cable and gold plated Unimatch plug provides both 1/8" mini-jack and 1/4" TRS phono connectivity
UPC: 027242682252
Auray RF-CM-S Reflection Filter (Silver)

The silver RF-CM-S Reflection Filter from Auray is the perfect solution for recording vocalists or voice over artists in less than stellar acoustic spaces where room reflection would otherwise be recorded along with the vocal, making post processing and mixing more complicated. This might be in a home studio, an untreated rehearsal space, or a makeshift film dialogue replacement situation.

Housed in a deep and sturdy, semicircular perforated aluminum shell, the high density acoustic foam provides a reflection free environment for the microphone, while simultaneously attenuating any room noise. The resulting dry and clearer recordings can then be treated during mixing or film post processing without extraneous noises or unwanted reflections getting in the way.

The filter mounts onto a microphone stand, and front and rear sliding brackets easily allow you to adjust its height and depth for precise microphone placement. Standard 5/8"-27 threaded adapters fit most microphone stands, clips and shockmounts.

Compact solution for providing sound isolation for vocal or voice over recording in untreated spaces
High-density foam absorbs acoustic reflections and minimizes room ambience, isolating the microphone
Perforated aluminum shield diffuses and prevents sound that might reflect back to microphone, especially when recording loud vocalists
Sliding bracket makes it easy to mount the microphone in the ideal position inside the reflection filter
Rear adjustable bracket provides additional filter height adjustment to accommodate different vocalist heights
Adapters with industry-standard 5/8"-27 threaded studs and sockets are compatible with mic stands, shock mounts, and mic clips with a 5/8"-27 post.
Deep, semi-circular design ensures dry vocals while attenuating external noise
UPC: 847628578630
Auray RFMS-580 Reflection Filter Tripod Mic Stand

The RFMS-580 Reflection Filter Tripod Mic Stand from Auray features heavy-duty steel construction and is capable of providing sturdy support to your reflection filter and studio microphone at the same time. The tripod stand design features collapsible legs for convenient storage, a telescoping center column that can be adjusted to reach a maximum working height of 68".

The stand also features nonslip feet for added traction on hard surfaces as well as a 5/8" threaded adapter for attaching a shockmount or mic clip.

Provides sturdy support to a microphone and a reflection filter at the same time
May also be used as a speaker stand (may require 3/8" thread adapter)
UPC: 847628576827
Auray COHH-2 Clamp-On Headphones Holder for Mic Stand

The Auray COHH-2 Clamp-On Headphones Holder for Microphone Stand easily attaches to microphone stands that are up to 0.9" in diameter to provide a hanging hook that supports two pairs of studio headphones. With a sturdy all-metal construction, the holder attaches to the microphone stand using a durable threaded locking knob, which ensures the headphones remain in place and are conveniently accessible while tracking in the studio.

Organize Your Studio
Keep headphones accessible and uncluttered when tracking
Supports Two Pairs of Headphones
Provides sufficient support for two full-size pairs of studio headphones
Durable Locking Knob
Assures that hook will not slip once firmly attached to mic stand
Versatile
Fits mic stands with tube diameters up to 0.9"
Sturdy
All-metal construction ensures years of reliable use
UPC: 847628580312
Auray PFMU-12 Universal Wire Mesh Pop Filter with 12" Gooseneck (Matte Black)

The matte black Auray PFMU-12 is a universal wire mesh pop filter offering sonically transparent control of plosives for podcasters, voiceover artists, narrators, and singers in home, project, and commercial recording studios. Its dual-layer wire mesh screen inhibits pops and distortion frequently caused by "p" and "b" sounds, yielding smoother vocal tracks that require less editing and processing in post-production. The screen also serves as a shield, preventing corrosion by keeping mouth-born moisture from collecting on your mic's capsule.

The PFMU-12's rectangular wraparound design imparts a pleasing visual aesthetic, and delivers consistent performance for various microphone styles and source-to-mic angles. The flexible 12" gooseneck ensures accurate placement and quick adjustment, even when swapping out microphones. Attachment and removal of the PFMU-12 is simple and fast via the durable metal C-clamp and convenient thumbscrew. A rubber grommet on the thumbscrew protects your mic stand's finish from scratches.

Inhibits Problematic Plosives
In every recording of dialog or vocals, there are bound to be problematic plosives—"p" and "b" sounds that can cause distortion and distracting pops from bursts of air hitting the diaphragm of your microphone's capsule. This dual-layer wire mesh screen acts as a sonically transparent barrier, inhibiting the pops without compromising frequency response.
Effective Wraparound Design
Microphones come in a variety of shapes and styles, and the PFMU-12 is designed to accommodate all sorts. Its wraparound construction provides consistent protection for an array of capsule sizes, as well as reliable performance even if the performer shifts their position off-axis. Additionally, whereas traditional pop filters are round and glossy, the PFMU-12 brings an element of visual interest thanks to its rectangular shape and matte black finish.
Enhanced Voice Recording Quality
Whether you're podcasting, recording voiceovers, or tracking singers, effective control of plosives yields improvements in quality. By preventing plosives, the PFMU-12 allows the performer to get closer to the mic; the added detail and low-frequency presence resulting from this proximity are often beneficial for vocal tonality and impact.
Protects Capsule from Moisture
In addition to preventing plosives, the PFMU-12 shields your microphone's sensitive diaphragm against mouth-born moisture, which can cause corrosion and deteriorate sonic performance.
Simple Attachment & Removal
For efficient and stable positioning, the PFMU-12 features a thumbscrew fastener and a durable metal C-clamp with a maximum clamp width of 0.8 inches—wide enough to fit most mic stands or booms. A rubber grommet is utilized to protect your stand from scratches.
UPC: 847628010468

Sony C-80 Unidirectional Studio Condenser Microphone Specs

Key Specs
Form Factor
Large Diaphragm Mic / Stand/Boom Mount
Element Type
1x Condenser
Polar Pattern
Unidirectional
On-Board Controls
High-Pass Filter
Frequency Range
20 Hz to 20 kHz
Maximum SPL
138 dB SPL
Power Sources
Phantom Power
Microphone
Form Factor
Large Diaphragm Mic / Stand/Boom Mount
Intended Sound Sources
Vocals
Sound Field
Mono
Operating Principle
Pressure Gradient
Element Type
1x Condenser
Polar Pattern
Unidirectional
Orientation
Side Address
Circuitry
Solid-State
Pad
-10 dB
On-Board Controls
High-Pass Filter
Windscreen
No
Performance
Frequency Range
20 Hz to 20 kHz
Maximum SPL
138 dB SPL
Sensitivity
-30 dB
Dynamic Range
125.5 dB
Signal-to-Noise Ratio
81.5 dB
Power
Power Sources
Phantom Power
Operating Voltage
44 to 52 V
Physical
Color
Black
Included Filters
No
Packaging Info
Package Weight
2.065 lb
Box Dimensions (LxWxH)
10.9 x 10.1 x 3.5"

Warm Audio Pro Series XLR Cable (10') Specs

Physical
Connector 1
1x XLR 3-Pin Male Straight
Connector 2
1x XLR 3-Pin Female Straight
Contact Plating
Silver
Cable Length
10' / 3 m
Conductor Material
Bare Annealed Copper (BAC)
Number of Conductors
3
Wire Gauge
23 AWG
Outer Diameter
0.25" / 0.64 cm
Color
Black
Shielding
100% Bare Copper (Inner)
Rip Cord
No
Packaging Info
Package Weight
0.54 lb
Box Dimensions (LxWxH)
13.15 x 11.2 x 1.6"

Solid State Logic SSL 2+ USB-C Audio/MIDI Interface Specs

Key Specs
Channels of I/O
Analog:
2 Inputs / 4 Outputs at 192 kHz
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Monitor Output
4x RCA TS Unbalanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
Host Connection
1x USB-C
OS Compatibility
macOS 10.11
macOS 10.12
macOS 10.13
macOS 10.14
macOS 10.15
Windows 8.1
Windows 10
Power Requirements
USB Bus Power
Channels of I/O
Analog:
2 Inputs / 4 Outputs at 192 kHz
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
2 Preamps
Input Level Adjustment
2x Knob
Expansion Slots
No
Signal Processing
Pad
No
Gain/Trim Range
Mic/Line/Hi-Z Inputs:
Up to 62 dB
High-Pass Filter
No
Solo/Mute
No
Connectivity
Analog Audio I/O
2x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Monitor Output
4x RCA TS Unbalanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
No
Host Connection
1x USB-C
Host Connection Protocol
USB 2.0
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
Performance
Frequency Response
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.05 dB
Mic Inputs:
20 Hz to 20 kHz ±0.1 dB
Line, Headphone, Monitor Outputs:
20 Hz to 20 kHz ±0.05 dB
Maximum Input Level
Mic Inputs:
+5.5 dBu
Line Inputs:
+24 dBu
Hi-Z Inputs:
+15 dBu
Maximum Output Level
1/4" Monitor Outputs:
+12.5 dBu
RCA Line Outputs:
+6.5 dBu
Headphone Outputs:
+10 dBu
Impedance
Mic Inputs:
1.2 Kilohms
Line Inputs:
10 Kilohms
Hi-Z Inputs:
1 Megohm
Monitor Outputs:
1 Ohm
RCA Line Outputs:
< 1 Ohm
Headphone Outputs:
10 Ohms
Dynamic Range
Mic/Line/Hi-Z Inputs:
110.5 dB (A-Weighted)
Monitor Outputs:
112 dB (A-Weighted)
RCA Line Outputs:
110 dB
Headphone Outputs:
111 dB (A-Weighted)
THD+N
Mic/Line/Hi-Z Inputs:
< 0.005% (at -1 dBFS)
Monitor Outputs:
< 0.002% (at -1 dBFS)
RCA Line Outputs:
< 0.0025% (at -1 dBFS)
Headphone Outputs:
< 0.002% (at -1 dBFS)
EIN
Mic Inputs:
-130.5 dBu A-Weighted (150-Ohm Source)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
No
Bit Depths
Up to 24-Bit
Latency
< 1 ms at 48 kHz (Input to Output)
Sync Sources
Internal
Audio Storage & Playback
Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.11
macOS 10.12
macOS 10.13
macOS 10.14
macOS 10.15
Windows 8.1
Windows 10
Mobile Device Compatibility
No
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Internet Connection
Required for Registration, Software/Driver Download
Power
Power Requirements
USB Bus Power
Physical
Anti-Theft Features
Kensington Security Slot
Operating Temperature
33 to 104°F / 1 to 40°C
Storage Temperature
-4 to 122°F / -20 to 50°C
Dimensions
9.2 x 6.2 x 2.7" / 23.4 x 15.7 x 6.9 cm
Weight
2.0 lb / 0.9 kg
Packaging Info
Package Weight
2.61 lb
Box Dimensions (LxWxH)
10.9 x 7.9 x 4.1"

Sony MDR-7506 Headphones Specs

Key Specs
Earpiece Design
On-Ear (Supra-Aural), Closed-Back
Earpiece Swivel
Yes
Foldable
Yes
Impedance
63 Ohms
Active Noise Cancellation
No
Frequency Response
10 Hz to 20 kHz
Audio Connector
1x 1/8" / 3.5 mm TRS Male Straight
Included Adapter
1/4" TRS
Headphone
Earpiece Design
On-Ear (Supra-Aural), Closed-Back
Earpiece Swivel
Yes
Earpiece Connection / Wearing Style
Headband
Foldable
Yes
Driver Type
Dynamic
Driver Size
1.6" / 40 mm
Magnet Type
Neodymium
Impedance
63 Ohms
Active Noise Cancellation
No
Performance
Frequency Response
10 Hz to 20 kHz
Sensitivity
106 dB/mW
Maximum Power Handling
1000 mW
Wired Connectivity
Audio Connector
1x 1/8" / 3.5 mm TRS Male Straight
Connector Plating
Gold
Included Adapter
1/4" TRS
Cable Design
Single-Sided, Coiled
Audio Connector to Earpiece
Hard-Wired
Cable Length
9.8' / 3 m
Color
Black
Environmental Protection
No
LED Indicator
No
Weight
8.1 oz / 230 g
Packaging Info
Package Weight
1.1 lb
Box Dimensions (LxWxH)
9.7 x 7.4 x 3.6"

Auray RF-CM-S Reflection Filter (Silver) Specs

Filter Type
Reflection Filter
Adjustable Height
12.00 to 18.00" / 30.5 to 45.7 cm
Filter Material
Foam, Metal
Dimensions
19.8 x 11.0 x 12.0" / 50.0 x 28.0 x 31.0 cm
Weight
4.45 lb / 2 kg (with Mount)
Packaging Info
Package Weight
7.5 lb
Box Dimensions (LxWxH)
20 x 13 x 11"

Auray RFMS-580 Reflection Filter Tripod Mic Stand Specs

Key Specs
Item Type
Straight Stand
Microphone Mount
No Mount Included
Mic Mount Thread Size
5/8"-27 Male
Maximum Height
68" / 172.7 cm
Minimum Height
42" / 106.68 cm
Base Type
Tripod
Color
Black
Microphone Mount
No Mount Included
Mic Mount Thread Size
5/8"-27 Male
Stand & Base
Maximum Height
68" / 172.7 cm
Minimum Height
42" / 106.68 cm
Collapsed Size
35.2" / 89.41 cm
Base Type
Tripod
Physical
Color
Black
Weight
5.2 lb / 2.36 kg
Packaging Info
Package Weight
5.8 lb
Box Dimensions (LxWxH)
35.75 x 5 x 4.25"

Auray COHH-2 Clamp-On Headphones Holder for Mic Stand Specs

Dimensions
1.75 x 3 x 5.25" / 4.4 x 7.6 x 13.3 cm
Weight
0.25 lb / 113.4 g
Packaging Info
Package Weight
0.25 lb
Box Dimensions (LxWxH)
3.9 x 2 x 1.75"

Auray PFMU-12 Universal Wire Mesh Pop Filter with 12" Gooseneck (Matte Black) Specs

Physical
Filter Type
Pop Filter
Packaging Info
Package Weight
0.905 lb
Box Dimensions (LxWxH)
15.65 x 6.5 x 1.45"

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