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Key Features
- 25.2MP BSI CMOS Micro Four Thirds Sensor
- 4K60 4:2:2 10-Bit Unlimited Recording
- 5.7K60, 4K120 HFR, FHD 240p VFR
- ProRes RAW, 32-Bit Float, 13+ Stop WDR
Assembled for the aspiring filmmaker, the Lumix GH7 Mirrorless Camera with 12-60mm f/2.8-4 Lens from Panasonic bundles the video-optimized GH7 Micro Four Thirds mirrorless camera with the Vario-Elmarit 12-60mm f/2.8-4 ASPH. POWER O.I.S. lens.
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Is there a Battery Grip for the Panasonic Lumix ...
Is there a Battery Grip for the Panasonic Lumix GH7?
Hi, James! At this moment, the Lumix GH7 does not have a battery grip available. -M
Date published: 2024-06-19
Does the GH7 have picture in picture as the GH6?
Does the GH7 have picture in picture as the GH6?
At this time not all specifications on the Panasonic Lumix GH7 Mirrorless Camera with 12-60mm f/2.8-4 Lens have been released. They should be updated in time.
Date published: 2024-06-07
Will the GH7 work with SDXC UHS-1 card for still ...
Will the GH7 work with SDXC UHS-1 card for still photography?
Yes, you can use a UHS-I SDXC memory card with the Panasonic Lumix GH7 Mirrorless Camera with 12-60mm f/2.8-4 Lens for still photography.
Date published: 2024-06-20
Does the GH7 support the use of the previous ...
Does the GH7 support the use of the previous model audio adapter, that is, the Panasonic DMW-XLR1?
Hi, Alan! Yes, you can also use the DMW-XLR1. -C
Date published: 2024-07-25
Is there a PL mount adapter that works with this ...
Is there a PL mount adapter that works with this camera? What about /i lens data support?
The Metabones PL Lens to Micro Four Thirds Camera T Adapter (Black), BH #MEMBPLM43BT1, allows ARRI PL Lenses to mount on the Panasonic Lumix GH7 Mirrorless Camera. However, the adapter does not support lens-to-camera communication.
Date published: 2024-06-06
Is using Arri LogC3 in camera any different than ...
Is using Arri LogC3 in camera any different than recording in V-log and using a transform to LogC3 in Resolve?
Using ARRI LogC3 in camera on the Panasonic Lumix GH7 Mirrorless Camera is best for simplifying the LogC3 workflow for quick turnaround and making sure that the camera is matched to other ARRI cameras while recording. Recording in V-log and then converting to LogC3 in Davinci Resolve would be more flexible and could result in higher quality. The chosen workflow would depend on your project's needs and how much control you would prefer to have in your final product.
Date published: 2024-07-22
What 50/60fps 4:3/Open Gate recording options ...
What 50/60fps 4:3/Open Gate recording options does this support?
Proxies?
Hi! The 4:3 aspect ratio and 5750x4320 resolution up to 30p are available in MOV recording file format. -C
Date published: 2024-07-23
Is Apple RAW support in the Anamorphic Modes?
Is Apple RAW support in the Anamorphic Modes?
Hello! The camera supports Anamorphic Recording in Apple ProRes. -C
Date published: 2024-08-22