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Solid State Logic BiG SiX SuperAnalogue Mixing Console Kit with UV EQ

BH #SOBIGSIXK1 (B&H Kit)
Solid State Logic BiG SiX SuperAnalogue Mixing Console Kit with UV EQ
Key Features
  • For Hybrid Production in Studio & Stage
  • BiG SiX SuperAnalogue Mixing Console
  • UV EQ 500 Series UltraViolet Stereo EQ
  • 4 Console-Grade SuperAnalogue Mic Pres
This Solid State Logic BiG SiX SuperAnalogue Mixing Console Kit from B&H adds a UV EQ 500-Series UltraViolet stereo equalizer to sculpt instruments, enhance busses, and fine-tune master mixes with minimum phase shift and maximum precision.
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BiG SiX SuperAnalogue Mixing Console Kit with UV EQ Overview

This Solid State Logic BiG SiX SuperAnalogue Mixing Console Kit from B&H adds a UV EQ 500-Series UltraViolet stereo equalizer to sculpt instruments, enhance busses, and fine-tune master mixes with minimum phase shift and maximum precision.

Solid State Logic BiG SiX SuperAnalogue Mixing Console and USB Audio Interface

Fusing proven hit features from 40 years of legendary large-format SSL consoles with user-requested enhancements to the SiX mini mixer, the Solid State Logic BiG SiX is a 12-channel SuperAnalogue mixing console and 16x16 USB audio interface offering SSL's high-end sonic signature, powerful analog processing, and versatile configurability in a frame that's equally at home stationed in a studio or living life on the road.

It features four mono input channels—each containing a console-grade SuperAnalogue microphone preamp with phantom power, a high-pass filter, and up to 72 dB of gain, plus a line / Hi-Z 1/4" input—and four stereo input channels. The mono channels boast single-knob compressors, 3-band EQ, and balanced insert points for flexible onboard and outboard processing, and all channels are outfitted with smooth 100mm faders.

Fully equipped to function as the hub for your recording session operations, the BiG SiX provides an XLR talkback mic input with selectable phantom power, the LMC (SSL's heralded Listen Mic Compressor), and adjustable output level. Separate talk buttons enable the talkback signal to be sent to either or both of the two cue buses, which can be sourced from the channel cue sends or external inputs. Connect the rear-panel 1/4" foldback outputs to your headphone amps, and plug in control room headphones to the top-panel headphone jacks. After all recording is done, this desktop console grants 18-input summing at mixdown. With a G-Series stereo bus compressor on the main mix bus, a pre-fader mix insert, and an alternate B bus (great for parallel mix compression), the BiG SiX is highly capable of handling in-demand mixing styles. Also, its comprehensive control room section accommodates two sets of speakers, source selection, and easy access to mono, dim, and mute functions.

Based on the SiX
  • Based on the widely acclaimed Solid State Logic SiX desktop mixer
  • Represents the next step in SSL hybrid production
  • Includes functionality and options requested by artists, producers, and engineers
A Mixing Console and More
  • Includes features from legendary large-format SSL consoles
  • SuperAnalogue design delivers the punch, clarity, and ultralow distortion from the 9000 Series
  • Built-in USB Type-C audio interface with 16 channels of high-quality AD/DA converters (24-bit / 96 kHz)
Four SuperAnalogue Input Channels
  • XLR mic inputs with individually selectable 48V phantom power
  • 1/4" inputs, switchable between line and Hi-Z
  • Polarity reverse and high-pass filters
  • Classic SSL channel compressors with adjustable threshold and 3-segment LED meters
  • Updated 3-band EQ based on SSL E Series
  • Fully balanced insert points
Four Stereo Inputs
  • Balanced 1/4" input connectors
  • Dual mono switching
  • Wide gain range
  • 3-band EQ
Built-In Bus Compressor
  • Essential version of SSL Bus Compressor
  • Based on legendary G-Comp design
  • Features renowned auto release
  • 5-segment LED meter
Studio-Grade Faders
  • 100mm faders on all input channels and main bus
  • Classic SSL response curve with large sweet spot
  • Long-throw design, as found on large-format SSL consoles
Professional LED Meters
  • Fast and accurate peak response
  • Large 12-segment main meter
  • 8-segment channel meters
  • Defined segments for +24 and +18 dBu standards
Cue and Headphone Outputs
  • Two 1/4" stereo headphone outputs fed by a pro-quality headphone amp and an independently routable source matrix
  • Two stereo cue feeds with 1/4" outputs
Comprehensive Monitoring Section
  • Switch between two sets of monitors
  • Flexible monitoring source matrix
  • Mono, dim, and cut functions
Full Talkback Facilities
  • XLR talkback mic input with switchable 48V phantom power
  • One-button LMC (Listen Mic Compressor) as found on legendary 4000E console
  • Adjustable talkback level
Additional Features
  • Bus B / mute switching
  • PFL solo facilities
  • Two fully balanced stereo summing inputs
  • Mix Bus inject for cascading additional SiX or BiG SiX mixer
  • Up to 18 inputs on mixdown
UPC: 878076001616
Solid State Logic UV EQ 500 Series UltraViolet Stereo Equalizer

Infused with technology from SSL's Fusion analog processor, the Solid State Logic UV EQ is a double-slot 500 Series UltraViolet stereo equalizer that offers minimum-phase performance, four flexible bands, and a high-pass filter for musicians and engineers at any level. Given its sonic versatility and modular form factor, the UV EQ is a stellar addition to home studio setups, mobile recording rigs, and racks in commercial facilities.

The high and low bands are shelving filters with up to 9 dB of boost or cut and four different frequency options per band. The midrange bands are fully parametric, with sweepable frequency and Q controls and switchable gain range (±9 dB by default or ±18 dB in Focus mode). You can also keep the low-end power under control by activating the 18 dB/octave high-pass filter, which features frequency selections at 30, 40, and 50 Hz. There's also a dedicated output trim to allow convenient gain matching or driving converters to clipping.

Sculpt Instruments, Enhance Busses, and Fine-Tune Masters
UltraViolet stereo equalizer (UV EQ) takes the acclaimed minimum phase-shift Violet stereo EQ section from the SSl Fusion analog processor and puts it into 500 Series format whilst adding two fully parametric SSL midband EQs featuring precision Focus mode for the ultimate in 500 Series EQ flexibility and tonal control. UV EQ is the perfect partner for the SSL G-COMP Stereo Bus Compressor module, offering advanced SSL processing all from 500 Series modules.
Beyond Violet Is UltraViolet
Over and above Fusion's Violet EQ, UV EQ takes features further, adding two dedicated midrange bands with precision Focus mode. They're classic SSL parametric midbands capable of the traditional SSL processing techniques but also go far beyond, offering absolute surgical precision all the way to creative notch-style filtering and resonant screaming.
Focus Mode
Focus mode allows users to hone in on problem frequencies or specific frequencies they want to accentuate or attenuate. Pressing the Focus switch in automatically narrows the chosen Q setting further and increases the range of gain available beyond the normal ±9 dB operation to a huge ±18 dB. In true flexible SSL workflow fashion, it transforms this sweet-sounding, musical SSL EQ into a more surgical tool.
HPF and Trim
Remove rumble and tighten up low frequencies; the HPF found on UV EQ brings a world of flexibility when processing low end. The interaction with the LF shelving band offers unique ways to sculpt signals and yes, UV EQ is capable of the sought after boost-and-cut effect. A dedicated Trim control means you can hit convertors with plenty of headroom or smash into them the perfect amount when clipping is desired.
Features at a Glance
  • 4-band stereo EQ
  • Double-slot module width
  • High and low shelving bands
  • Minimum-phase design inherited from Fusion
  • Dual fully parametric midrange bands
  • Precision Focus mode
  • High-pass filter at key fixed frequencies
  • Dedicated output trim
  • Surgical precision to creative colour
UPC: 878076001579

Solid State Logic BiG SiX SuperAnalogue Mixing Console and USB Audio Interface Specs

Key Specs
Number of Analog Input Channels
12 (4 Mono / 4 Stereo)
Number of Mic Preamps
4
Analog Output Channels
1x Stereo Master Output
1x Stereo Bus/Subgroup Output
1x Stereo Control Room/Monitor Output
1x Stereo ALT Control Room/Monitor Output
2x Stereo Headphone Output
2x Stereo Foldback/Cue Output
Mix Routing
2x Stereo Aux Send per Input Channel
1x Stereo Main Mix
1x Stereo Bus/Subgroup
EQ
Input Channels:
3-Band EQ
Built-In Effects
No
USB I/O
1x USB-C 2.0 (Host Connection)
Rack Mountable
No
Mixer
Max I/O Capacity
18x Input / 12x Output
Number of Analog Input Channels
12 (4 Mono / 4 Stereo)
Number of Mic Preamps
4
Analog Output Channels
1x Stereo Master Output
1x Stereo Bus/Subgroup Output
1x Stereo Control Room/Monitor Output
1x Stereo ALT Control Room/Monitor Output
2x Stereo Headphone Output
2x Stereo Foldback/Cue Output
Mix Routing
2x Stereo Aux Send per Input Channel
1x Stereo Main Mix
1x Stereo Bus/Subgroup
Faders & Level Adjustment
8x 3.9" / 100 mm Channel Fader
1x 3.9" / 100 mm Master Fader
Meters
Channel Meter:
12x 8-Segment LED
Main Meter:
2x 12-Segment LED
Bus Meter:
1x 5-Segment LED
Meter Range
Channel Meter:
-21 to +24 dB Peak/Clip
Main Meter:
-21 to +24 dB Peak/Clip
Signal Processing
Gain/Trim Range
Mic Input:
+6 to +72 dB (Mono Channels)
Line Input:
-3 to +63 dB (Mono Channels)
Line Input:
-10 to +20 dB (Stereo Channels)
Input Polarity
Normal/Reverse
Dynamic Processing
Mono Channels:
Compressor
Master:
Compressor
Compressor Parameters
Channel:
Threshold: -20 to +10 dB
Ratio: 2:1
Attack: 5 ms
Release: 300 ms

Bus:
Threshold: -20 to +20 dB
Sidechain Filters
No
EQ
Input Channels:
3-Band EQ
EQ Parameters
High: ±15 dB at 3.5 kHz
Mid: ±15 dB at 700 Hz
Low: ±15 dB at 60 Hz
Graphic EQ
No
Filters
Mono Channels:
High-Pass: 75 Hz, 12 dB/Octave
Solo/Mute
PFL per Input Channel
Mute per Input Channel
Mute per Master
Channel Output/Source Monitoring
PFL, Insert Return
Built-In Effects
No
Digital Audio
Sample Rates
AD/DA Conversion:
96 kHz
Bit Depth
AD/DA Conversion:
24-Bit
DSP
No
Converter Dynamic Range
A/D:
117 dBA at 48 kHz
D/A:
117 dBA at 48 kHz
Performance
Headroom
Channel:
> +24 dBu (into 600 Ohms)
> +27.5 dBu ()
Channel Compressor: > +26 dBu
Channel EQ: > +27 dBu
Mic Input: > +27 dBu
Line Input: > +27 dBu
Frequency Response
Mic/Line Input:
20 Hz to 20 kHz +0/-0.2 dB
20 Hz to 80 kHz -3 dB
Stereo Input:
20 Hz to 20 kHz +0/-0.2 dB
20 Hz to 100 kHz -3 dB
Max Input Level
Mic Input:
+21 dBu (1% THD)
Line Input:
+27 dBu (1% THD)
Stereo Input:
+27.5 dBu (1% THD)
I/O Impedance
Mic Input:
1.2 Kilohms
Line Input:
10 Kilohms
Hi-Z Input:
1 Megohm
Stereo Input:
10 Kilohms
Main Output:
100 Ohms
CMRR
Mic Input:
> 90 dB
Line Input:
> 80 dB
Stereo Line Input:
> 55 dB
EIN
Mic Input:
-129 dBu at Max Gain (Typical)
Line Input:
< -120 dBu at Max Gain
Stereo Input:
< -93 dBu at Max Gain
Noise Floor
Channel EQ:
< -87.5 dBu
Channel Compressor:
-87.5 dBu
Main Output:
< -90 dBu (One Channel Level at Unity)
< -116 dBu (One Channel Level at Unity, with Respect to +26 dBu)
< -82.5 dBu (Channel Levels at Unity)
< -108.5 dBu (Channel Levels at Unity, with Respect to +26 dBu)
THD+N
Mic Input:
< 0.0015% at +30 dB Gain (at 1 kHz)
Line Input:
< 0.0015% at +30 dB Gain (at 1 kHz)
Stereo Line Input:
< 0.001% at +30 dB Gain (at 1 kHz)
Connectivity
Analog Inputs
4x XLR 3-Pin Balanced Mic Input
4x 1/4" TRS Balanced/Unbalanced Line/Hi-Z Input
8x 1/4" TRS Balanced Line Input (4 Stereo Pairs)
4x 1/4" TRS Balanced Line Return
2x 1/4" TRS Balanced Main Input (1 Stereo Pair)
2x 1/4" TRS Balanced Main Return (1 Stereo Pair)
4x 1/4" TRS Balanced Tape Input (2 Stereo Pairs)
1x XLR 3-Pin Balanced Talkback Input
Analog Outputs
4x 1/4" TRS Balanced Mono Line Send
2x 1/4" TRS Balanced Mono Main Output (1 Stereo Pair)
2x 1/4" TRS Balanced Mono Bus Output (1 Stereo Pair)
2x 1/4" TRS Balanced Mono Main Send (1 Stereo Pair)
2x 1/4" TRS Balanced Mono Monitor Output (1 Stereo Pair)
2x 1/4" TRS Balanced Mono Alt Output (1 Stereo Pair)
4x 1/4" TRS Balanced Mono Foldback Output (2 Stereo Pairs)
2x 1/4" TRS Unbalanced Stereo Headphone Output
Phantom Power
+48 V, Selectable On/Off (Selectable on Individual Inputs, on 4 Channels, Talkback Mic)
Digital I/O
No
MIDI I/O
No
USB I/O
1x USB-C 2.0 (Host Connection)
USB I/O Capacity
16x Input / 16x Output
Compatibility
OS Compatibility
macOS 10.14 or Later
Windows
Internet Connection
Required for Registration, Software/Driver Download
Required Hardware
Available USB-A Port
Power
DC Input Power
15 VDC at 3.3A
Power Consumption
70 W
Physical
Rack Mountable
No
Rackmount Size
9 RU (with Non-Included Hardware)
Operating Temperature
33 to 86°F / 1 to 30°C
Storage Temperature
-4 to 122°F / -20 to 50°C
Dimensions
19.3 x 5.6 x 15.4" / 49 x 14.2 x 39.1 cm (Including Feet, Including Trim)
Weight
15 lb / 6.8 kg
Packaging Info
Package Weight
21.66 lb
Box Dimensions (LxWxH)
23.6 x 21 x 10.2"

Solid State Logic UV EQ 500 Series UltraViolet Stereo Equalizer Specs

Number of Channels
Stereo
Inputs
2 x Balanced Line Input via 500 Series Multipin Connector
Output
2 x Balanced Line Output via 500 Series Multipin Connector
Gain Trim Range
±12 dB
High-Pass Filter
18 dB/Octave at 30, 40, or 50 Hz
EQ High
Shelf: ±9 dB at 8, 12, 16, or 20 kHz
EQ Mid
HMF Parametric: ±9 dB (±18 dB in Focus Mode) at 400 Hz to 6 kHz (Sweepable Frequency Control)
LMF Parametric: ±9 dB (±18 dB in Focus Mode) at 100 Hz to 1.1 kHz (Sweepable Frequency Control)
EQ Low
Shelf: ±9 dB at 30, 50, 70, or 90 Hz
Bypass Switch
Yes
Dimensions
Not Specified by Manufacturer
Weight
Not Specified by Manufacturer
Packaging Info
Package Weight
1.205 lb
Box Dimensions (LxWxH)
8.2 x 6.2 x 3.6"

BiG SiX SuperAnalogue Mixing Console Kit with UV EQ Reviews

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