- Top continuous shooting speeds of 20 fps when shooting in raw, up to 60 fps when shooting in full-frame JPEG, and 120 fps when shooting JPEGs using a DX crop, with all rates supporting full AF/AE performance.
- Able to buffer over 1000 images in a burst when using the electronic shutter, meaning image sequences can be recorded for approximately 50 seconds continuously.
- Pre-Release Capture at up to 120 fps helps make decisive moment shots easier by recording frames in a burst for up to a second prior to actually releasing the shutter. When this feature is activated, burst shooting will commence when the shutter is half-pressed and the buffer will retain up to 4 seconds' worth of frames after fully pressing the shutter.
- Electronic shutter affords a top shutter speed of 1/16,000 sec for working in the brightest conditions with wider apertures.
- Partially-stacked sensor design reduces rolling shutter distortion so fast-moving subjects, like a golf club, tennis racket, or baseball bat, do not appear distorted when working with shutter speeds up to 1/16,000 sec.
- AF calculations are done at a 120 fps rate to keep up with fast continuous shooting speeds.
Eye-Detection AF, specifically, has been tuned for improved accuracy and refined recognition of eyes in the scene and can also be used in conjunction with custom Wide-Area AF for different subject shapes and sizes.
- Portrait mode processes portraits for skin with natural texture and a rounded feel
- Rich Tone Portrait mode, a picture mode that produces more vivid results while capturing details of the subject's complexion and avoiding loss of detail in the highlights
- Flat Monochrome mode features gentle gradations from highlights to shadows, producing soft monochrome portraits
- Deep Tone Monochrome mode chooses slightly darker tones in the range from shadows to mid-tones, with brightness rapidly increasing as tones progress from mid-tones to highlights
- Skin softening can be used on up to three subjects in a shot and slightly blurs the skin for a more pleasing texture while still retaining essential sharpness on eyes and hair
- Manual white balance control is more intuitive when making adjustments and Auto WB has also been optimized for human subjects
- Take full advantage of Nikon's portrait modes by pairing the Z6 III with one of Nikon's portrait Z lenses, like the 50mm f/1.2 S, the 85mm f/1.2 S, or the 135mm f/1.8 S Plena
Using full pixel readout, 6K60p video can be recorded with continuous shooting, while 4K and Full HD recording is also possible in a variety of frame rates, including full-frame 4K recording at up to 120p and Full HD recording at 240p for slow-motion playback.
- N-RAW is Nikon's own raw recording format that offers impressively small file sizes compared to other raw formats as well as the ability to create MP4 proxies for more efficient previewing or transferring.
- N-RAW recording is available at up to 6K at 60p and ProRes RAW is also available at up to 6K and 30p.
- Dual card slots-one CFexpress Type B slot and one UHS-II SD slot-allow for flexible file saving. The CFx slot is suitable for data-intensive applications, like 6K recording and high-speed burst shooting, while the SD slot retains compatibility with the popular storage format. Additionally, the CFx B slot is also compatible with XQD memory cards.
- Pair the Z6 III with the optional MB-N14 Power Battery Pack grip for improved ergonomics when shooting vertical and up to 1.9x the battery life.
- The smaller, lighter design makes the Z6 III an ideal candidate for rigging or use on a gimbal for video use.
- Premium weather sealing protects against dust and moisture for confident use in harsh climates.
- In-body Vibration Reduction, Nikon's image stabilization system, now supports Synchro VR to achieve up to 8 stops of camera shake compensation when used with select Z lenses.
- Another Nikon first, the Z6 III features direct-to-cloud connectivity with Nikon Imaging Cloud for file transfer and access to Nikon's imaging recipes for creative color grading
- Sync timecodes using Ultrasync Blue from Atmos, connecting multiple Z6 III camera bodies for multi-camera production setups
- Full-size HDMI port for outputting video to an external recorder or monitor
- 3.5mm headphone port and a new line-in port for on-board audio monitoring and high-quality audio input directly into the camera
- One USB-C port that supports file transfers and tethering as well as power delivery and battery charging
- USB-C communication terminal supports USB-LAN connectivity when paired with an optional USB-C to Ethernet adapter. This enables a 1000BASE-T wired LAN connection for transferring files over FTP
- 10-pin port offers wide accessories and remote connectivity
- Bluetooth and Wi-Fi (2.4 and 5 GHz) permit wireless transferring of files, remote camera control via a mobile device, and works in conjunction with the NX Mobile Air app for file management
Featuring a streamlined design with minimal projections, the Nikon FTZ II Mount Adapter offers the same functionality as the original FTZ but with a sleeker design to suit its use on cameras featuring a battery grip. This adapter removes the tripod mount and has a reduced overall size for more comfort when shooting with cameras with a built-in or attached grip or wireless transmitter.
As an adapter, the FTZ II enables the use of nearly any F-mount lens on Z-mount mirrorless camera bodies. While compatible with approximately 360 distinct F-mount lenses, this adapter is especially ideal for use with over 90 AF-S and AF-P type D, E, and G-type lenses, where it fully maintains autofocus and auto-exposure capabilities for seamless use of the SLR lenses on the mirrorless body. The adapter is built from magnesium alloy and is weather-sealed.
- AF-S Type G, E, and D; AF-P Type G and E; AF-I Type D: Full support of autofocus, MF (with electronic rangefinder support), full auto-exposure modes, and exposure metering
- AF Type G and D: Manual focus only (with electronic rangefinder support), full auto-exposure modes, and exposure metering
- Other AF Lenses: Manual focus only, full auto-exposure modes, and exposure metering
- PC-E NIKKOR Series and PC NIKKOR 19mm f/4E ED: Manual focus only, full auto-exposure modes, and exposure metering
- PC Micro 85mm f/2.8D: Manual focus only, manual exposure only, and exposure metering
- AI-P: Manual focus only, full auto-exposure modes, and exposure metering
- Non-CPU AI-, AI-Modified NIKKOR, or Nikon Series E Lenses: Manual focus only, aperture-priority and manual exposure modes, and all exposure metering modes except for highlight-weighted metering
The Retrospective 7M Shoulder Bag from Think Tank Photo stores and protects a DSLR or mirrorless camera with an attached 24-70mm lens, plus an additional 70-200mm lens, a flash, and additional accessories. Alternatively, you can fit a small drone with its controller and accessories in place of your camera equipment. The bag is designed to look like a shoulder bag rather than a camera bag, but it offers dedicated compartments for camera gear.
The bag is made of durable cotton canvas that has been treated for water resistance. It has a large flap with dual turn buckles to keep it securely closed and an interior nylon lining padded with closed-cell foam for protection. The main compartment has padded touch-fastening PE-reinforced dividers for organizing your gear. A large pocket under the flap will hold and organize memory cards, cables, your wallet, keys, and other smaller gear.
A pocket on the back of the bag holds papers and documents like boarding passes safely and securely with fast access to them. A water bottle/accessory pocket on the exterior can be collapsed and strapped tight to further minimize the profile. A simple webbing rail accommodates modular pouches or a carabineer, so you can further customize the bag to your needs and gear. Carry the Retrospective 7M by the padded removable top handle, or wear it with the adjustable padded shoulder strap. You can also attach it to the handle of a rolling carry-on bag. To further protect your valuable gear, a seam-sealed rain cover is included for wet weather conditions.
The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
UHS-II cards achieve their speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantee minimum write speeds of 10 MB/s.
To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Image Rescue software that is designed to recover most photo and video files.
