Hahnemühle William Turner 310 Matte FineArt Paper (24" x 39' Roll)

Hahnemühle William Turner 310 Matte FineArt Paper (24" x 39' Roll)

Hahnemühle William Turner 310 Matte FineArt Paper (24" x 39' Roll)

B&H # HAWT2439310 MFR # 10643134
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Product Highlights

  • Mould-Made Textured Cotton Paper
  • Basis Weight: 310 gsm
  • Thickness: 24.4 mil
  • Opacity: 99%
  • Whiteness: 88.5%
  • Instant Drying & Water Resistant
  • No Optical Brightening Agents
  • Acid Free & Calcium Carbonate Buffered
  • Surface Finish: Matte
  • Core Size: 3"
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Roll Width: 24"

17" 24" 36"

Special Order

44"

Roll Length: 39'

39'
$0.00 Tax Collected Outside NY and NJ

You Pay: $176.88

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  • 1Description

This 24" x 39' roll of William Turner 310 Matte FineArt Paper from Hahnemuhle features a 310 gsm paper that was designed for archival purposes. It is mould-made from cotton rag to produce a textured matte finish. This gives it a heavy weight, which combines with a 24.4 mil thickness for a professional look and feel. Also, the paper features an 88.5% whiteness and an opacity of 99% for a classic white finish. For archival purposes no optical brighteners were used in this paper. It is acid free and calcium carbonate buffered to avoid negative effects from the environment. Additionally, William Turner paper is instant drying and water resistant. It comes on a 3" core.

Table of Contents
  • 1Description
Material Cotton Rag
Coating Not Specified by Manufacturer
Basis Weight 310 gsm
Thickness 24.4 mil / 0.62 mm
Core Size 3" / 7.62 cm
Opacity 99%
Brightness Not Specified by Manufacturer
Whiteness 88.5%
Single/Double-Sided Single
OBA Content No
Surface Finish Matte
Storage Temperature 50 to 86°F / 10 to 30°C
Storage Humidity 35 to 65%
Dimensions (W x L) 24" x 39' / 61 cm x 12 m
Packaging Info
Package Weight 8.0 lb
Box Dimensions (LxWxH) 26.0 x 7.0 x 7.0"
William Turner 310 Matte FineArt Paper (24" x 39' Roll) is rated 3.0 out of 5 by 1.
Rated 3 out of 5 by from Lovely Texture; Technically Challenging There's a lot to love about the heavily textured surface of this paper and how it feels in the hand, but buyers should beware: It is incredibly challenging to handle on multiple fronts: First, as with all matte papers, it marks incredibly easily. Being heavily textured, marks also have a burnishing effect which is extremely evident on darker printed areas. Simply stroking the edge of another piece of paper over a print is enough to visibly mar it. Extreme caution must be used when handling dark prints, especially when trimming. The visible damage can be reduced?though not altogether eliminated?by spraying prints with a matte finish such as acrylic. The other major annoyance with this paper is that the textured surface causes the clay stabilizer to fall off in pinholes. This has two effects: First, it clogs print heads significantly more frequently than other print heads (causing wastage in both an incredibly expensive paper and ink for the print plus cleaning afterward), and second, visible pinholes appear in dark areas of prints, which stand out because the pinhole is of course white. While the pinholes can be remedied after the fact using a magnifier, fine paintbrush, and leftover ink from an empty cartridge, it involves yet more handling which can exacerbate the first problem. Finally, this paper does have a really coarse appearance which is unsuitable for many photographic projects as it imparts undesirable texture to smooth gradients such as sky or skin. It is best-suited for fine art prints that emulate coarse hand-made or machine-made papers, especially ones that don't feature large areas of dark, continuous tones. Watercolour, graphite, pastel, pencil crayon, and ink drawings originally made on rough watercolor paper are perfect subjects for this paper. Prints may also be intentionally burnished in printed areas using a bone folder or agate burnishing tool to smooth paper as the pressure of hard media would do to simulate their appearance.
Date published: 2017-08-24
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