Distinguished by its speed, the NIKKOR 50mm f/1.2 from Nikon is a manual focus prime featuring a versatile normal focal length. Well-suited to portraiture, among other subjects, the impressive f/1.2 maximum aperture excels in low-light conditions and also offers greater control over depth of field for using selective focus. The manual focus design offers precise control for working with subjects as close as 1.7' away and engraved depth of field and focus scaled benefit working with pre-focus and zone focusing techniques. Additionally, a nine-blade diaphragm contributes to a pleasing bokeh quality.
- F-Mount Lens/FX Format
- Aperture Range: f/1.2 to f/16
- Manual Focus Design
- 9-Blade Diaphragm
Nikon NIKKOR 50mm f/1.2 Overview
Nikon NIKKOR 50mm f/1.2Specs
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Nikon NIKKOR 50mm f/1.2 Reviews
Solid Manual Focus Lens
Nikon AI-S lenses are usually built really well, and the smooth manual focus ring is always pleasant to use. Much better than the ratchety quality of the focus rings found on modern M/A lenses. To each their own, but I am not a professional photographer and I do not need the convenience of auto-focus. I find manually focusing to be an enjoyable part of the photographic process. The camera(s) on my phone are more than good enough when I just need a quick convenient shot of something. As a bonus, I also do not have to contend with the off-putting high pitched whines of auto-focus motors, especially in quieter settings. It's also one less thing to worry about when it comes to maintenance or equipment lifespan. Get these lenses new while you still can!
Great Versatile Lens
Low light, street, grab shot, portrait photography; this lens can do it all. It’s ability to isolate subjects because of its’ wide aperture while delivering a creamy, luscious bokeh is engaging. Although providing only manual focus, as a longtime film photographer now into digital, with a high resolution camera, a wide open lens
Beautiful Lens!
I just purchase this 50mm f/1.2 to fill a hole I had between my excellent Nikkor 105mm f/1.4, NIkkor 28mm f/1.4, and Nikkor 24mm f/1.4. The construction is amazing, and it works perfectly with my D850. I am attaching three photos of the same scene, only taken at three different apertures to show what to expect - f/1.4, f/2.0, and f/2.8. Each is labeled.
Everything They Say It Is
So, my main 50ish mm lens has been my Voigtlander 58mm 1.4 Nikon Mount. It’s been on all my Blackmagic 4, 4.6 and 6 K cameras. It’s won me short film awards at Cannes and around the world. So you think I’d be happy with that and stop considering other lenses ... Until I purchased Nikons 28mm 2.8 ai-s. I needed a wider focal range and Voigtlander doesn't offer anything that would fit on my Blackmagic cameras. Blown away by the Nikon 28 mm 2.8 ai-s !!! 8 elements in 8 groups. Nothing like it. So I started looking at reviews for the 50 mm 1.2 ai-s. And I just couldn’t leave it alone. I called B & H, in a knee jerk reaction on a Sunday, and ordered one. It’s nothing like my Voigtlander. Thought I’d be sellI got the Voit, but the two lenses are quite different and I love them now both the same. I’m leaning in the direction that my Voit will be great for faces, especially close up on faces, and the Nikon will be for most everything else. The color rendering is almost identical right out of the camera. However I do like foliage better with the Nikon. And then there’s the 1.2 stop. I love depth of field and I’ve never had this opportunity before. It’s quite nice. When money becomes available, I’ll purchase Nikon’s 20mm 2.8 ai-s and I believe I will have my three go-to lenses.
Learning curve
arrived on time as described ... am using it primarily on a NEW F5 so it is a bit of exploration!!! works well enough on my 600 though !!
Excellent tool in low light
Everyone is (rightfully) mentioning how soft this lens is at f/1.2. What's not being talked about is why that f/1.2 is so valuable, at least for me. It's not so important that I can shoot at f/1.2. What is VERY important is that my F3's viewfinder is sufficiently bright in low light situations that I can focus properly. I still might shoot at f/2, but my viewfinder lets in a lot of light thanks to the f/1.2, and this is a huge help when composing and focusing in dim light.
Review of the Nikkor 50mm f/1.2 Lens
I bought this lens because this is one of the last f/1.2 lenses that I can purchase new since Nikon has already discontinued this lens and I don't want to lose the experience of using such a classic Nikkor lens. Putting this manual lens on my Nikon D3, it really captures sharp images.
Nikkor 50 1.2 AIS still amazing
This is one amazing lens. Awesome already at f2 and improving until F5.6. Tested on my D750 before it takes up its permanent home on my FM2. Nothing feels like this anymore. This lens is built to last.