Orders placed after 4PM on weekdays will not ship until the next business day. Orders placed after 11am Fridays will not ship until the following Monday.
Faster shipping methods may be available; just upgrade during checkout.
*Some exclusions apply.
Enter new zip code to refresh estimated delivery time.
We will authorize your payment method for the full advertised amount when you order this item, but you will not be charged until your item ships. Any advertised discounts or savings will still apply. This item is noncancelable and nonreturnable.
PayPal Orders Payments processed using PayPal will be charged immediately (as opposed to when an order ships).
International Orders Payments for international orders will be charged as soon as the order is placed.
The m201 from Grace Design is a two channel microphone preamp that features massive headroom, ultra-wide bandwidth and an open, musical character. Grace has always been known for producing highly accurate and clean preamps, long favored by classical and live-to-tape/disc engineers. This translates into recorded sounds that possess extreme clarity, and helps preserve the integrity and character of the original source.
The preamp provides a hefty amount of gain for most microphones. Ribbon microphones traditionally require higher gain to operate properly, and providing this has often come at the expense of additional noise. The m201 has a dedicated ribbon microphone mode that shifts the gain range up by 10dB without the addition of noise. The mode simultaneously disables phantom power, while bypassing the decoupling capacitors and optimizing the input impedance.
Included is M+S decoder circuitry with a built-in width control and a dedicated set of XLR outputs. The main outputs have parallel outputs, allowing the user to send the microphone source to two separate recording devices or mixers. Each channel also features Hi-Z inputs for amplifying electric instruments. Phase reverse switches and a 20dB pad are available per channel, as are bi-color LED peak indicators.
Two-channel microphone preamp utilizing a fully balanced, transformerless design
Ribbon microphone mode boost the overall input gain by 10dB, while deactivating 48V phantom power
Dual parallel XLR outputs for each channel
Front panel DI/instrument inputs
Precision, twenty-four position, gold contact rotary-switch gain controls
No electrolytic capacitors in the signal path
Sealed gold contact relays for all signal switching
High current outputs drive long cable runs
Regulated linear power supply with custom wound toroidal transformer
DPA microphone 130V phantom power option available