Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens

Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens

Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens

B&H # NI142428GAFS MFR # 2163
Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens


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Product Highlights

  • F Mount Lens/FX Format
  • Aperture Range: f/2.8 to 22
  • Two ED Glass & Three Aspherical Elements
  • Nano Crystal & Super Integrated Coating
  • Silent Wave Motor AF System
  • Internal Focus; Manual Focus Override
  • Minimum Focus Distance: 11"
  • Dust and Moisture Resistant
  • Built-In Petal-Style Lens Hood
  • Rounded 9-Blade Diaphragm
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Nikon 14-24mm f/2.8 overview

  • 1Description

The AF-S NIKKOR 14-24mm f/2.8G ED Lens from Nikon is an ultra wide-angle zoom lens with a constant f/2.8 maximum aperture that delivers edge-to-edge sharpness, high contrast and is a staple in the kits of advanced Nikon shooters. It features Nano Crystal and Super Integrated Coating to improve light transmission and reduce the effects of ghosting and flare. Two ED (Extra-low Dispersion) elements and three aspherical lenses control chromatic and spherical aberrations and combine to enhance sharpness and contrast. Designed for FX format DSLRs it is also compatible with DX-format cameras on which it offers the 35mm focal length equivalence of 21-36mm.

The Silent Wave Motor (SWM) and internal focus system provide swift autofocus with superior accuracy and ultra-quiet operation. This G-type lens does not feature an aperture ring on the lens body, resulting in a lighter and more compact lens. Aperture changes are designed to be done via the camera's command dial. A magnesium alloy build with dust and moisture resistant sealing allow this lens to be used in inclement conditions and a built-in lens hood offers a degree of protection to the otherwise exposed front lens element.

Two ED (Extra-low Dispersion) elements and three aspherical lenses control chromatic aberrations and distortion while enhancing sharpness and contrast.
Exclusive Nano Crystal Coating and Super Integrated Lens Coating reduce ghosting and flare for even greater image clarity.
Nikon's Silent Wave Motor (SWM) uses ultrasonic vibrations-rather than a gear system-to focus the lens, providing incredibly smooth, silent and precise autofocus operation.
Internal Focus (IF) provides fast and quiet auto focusing without changing the length of the lens, retaining subject-working distance through the focus range.
M/A Focus Mode switch enables quick response to changing situations between Auto and Manual focus operation.
Rugged construction and professional-grade dust and moisture resistance.
UPC: 018208021635
In the Box
Nikon AF-S NIKKOR 14-24mm f/2.8G ED Lens
  • Slip On Front Lens Cover for 14-24mm f/2.8G ED AF-S Lens
  • LF-4 Rear Lens Cap
  • CL-M3 Lens Case (Black)
  • Strap for Case
  • Limited 1-Year Warranty
  • Limited 4-Year USA Extension upon Registration
  • Table of Contents
    • 1Description

    Nikon 14-24mm f/2.8 specs

    Focal Length 14 - 24mm
    Comparable 35mm Equivalent on DX Format Focal Length: 21 - 36 mm
    Aperture Maximum: f/2.8
    Minimum: f/22
    Camera Mount Type Nikon F
    Format Compatibility Nikon FX/35mm Film
    Nikon DX
    Angle of View 114° - 84°
    DX Picture Angle: 90° - 61°
    Minimum Focus Distance 11.02" (28 cm)
    Magnification 0.15x
    Maximum Reproduction Ratio 1:7
    Elements/Groups 14 / 11
    Diaphragm Blades 9, Rounded
    Image Stabilization No
    Autofocus Yes
    Tripod Collar No
    Filter Thread None
    Dimensions (DxL) Approx. 3.8 x 5.2" (9.65 x 13.21 cm)
    Weight 2.20 lb (1000 g)
    Packaging Info
    Package Weight 3.4 lb
    Box Dimensions (LxWxH) 8.9 x 5.9 x 5.7"

    Nikon 14-24mm f/2.8 reviews

    AF-S NIKKOR 14-24mm f/2.8G ED Lens is rated 4.9 out of 5 by 655.
    Rated 5 out of 5 by from As Advertised I rented this lens a couple years back and did so again the following year. I had read this is the best wide angle lens available and found that hard to believe. Once I took it shooting, I couldn't believe how good the optics were! I have previously shot with the Nikon 10-24mm and the Sigma 10-20mm (F4-5.6) on half frame Nikon's. The complex barrel distortion on the Sigma 10-20mm was severe and difficult to fix in post processing. The Nikon 10-24mm had better, but still noticeable barrel distortion on the wide end. That's to be expected, but with the curved front lens element, the distortion is kept minimal. This lens is really as great as you've heard and read!
    Date published: 2016-09-26
    Rated 5 out of 5 by from I wanted to sleep with this bad boy I use this lens in landscape and architecture photography. I couldn't believe its sharpness and range. I took shots in a public building from the 4th floor into an atrium. I could still see facial features on people down below, along with the span of the space razor sharp. Some have complained that there is no place for a filter--but judging from my shots outdoors, there is a polarizing filter built in. If it's heavy, it seems also perfectly balanced with a camera. It's a lot easier to hold steady than some of my lighter lenses. Don't own it? Buy it. When I asked my wife to sleep in the guest bedroom so I could take the lens to bed with me, she said no way. I have to get up in the night to hug it.
    Date published: 2008-08-01
    Rated 5 out of 5 by from WOW! THAT'S ALL I CAN SAY. I had an assignment to shoot hotel enteriors and I wanted something wider than my Nikon 20mm 2.8. I looked at the Nikon 14mm 2.8 and the Nikon 14-24 2.8 zoom. I wondered about the sharpness of the zoom as compared to the prime but I ordered the 14-24mm zoom anyway. There was no reason to worry - the lens is razor sharp at 14mm, wide open at 2.8. I was also worried about distortion at 14mm. I kept the camera plumb with the walls and I couldn't believe it - there was almost no distortion at all! The client was more than satisfied and I know I'm going to beusing this lens a lot more in the future. As always, price ... from B&H was great!
    Date published: 2011-07-06
    Rated 5 out of 5 by from A Work of Art, You Get What You Pay For This is one of the finest lenses on the market today. I don't use a wide lens primarily but when the shot calls for it this is the go to lens. I see a few comments on how heavy this lens is but I guess if you're comparing it to a prime then yeah, I could see that. But if your other lenses are anything like the 24-70 or 70-200 then you'll be pleased with the weight. The build quality is what you'd expect from Nikon and optically this thing is beautiful. Like others have commented, the only thing that freaks me out is the large front element. You just have to be careful if you carry your camera on your shoulder.
    Date published: 2011-08-16
    Rated 5 out of 5 by from I tried the rest, but got the best... I needed an ultra-wide and got the Sigma 12-24...not a bad lens really. But there are reasons why it costs about half of the Nikkor 14-24 f/2.8 and it's not just the wider aperture. The full frame sensor is unforgiving of lenses that have design compromises and most ultra-wides by their exotic nature have them, some more than others. The Nikkor 14-24 f/2.8 has very few compromises, and the differences between it and a lesser lens are quite dramatic on full frame. If you shoot full frame and are serious about image quality in ultra wide shooting, bite the bullet and get this lens...don't mess with the others to save money like I did. It's worth it in the long run.
    Date published: 2010-02-15
    Rated 4 out of 5 by from Great Lens I have this lens along with the 24 - 70 2.8 and quite a few other nikon lens. This lens is close to optically perfect. It is great for landscape photography. Without a doubt the best wide angle lens I have used, prime or zoom. My only recommendation for improvement is to be able to use a front filter. Yes post processing can do wonders but for many situations I prefer to utilize filters. Outside of that and the cheep lens cover thats hard to keep on I would rate it 5 stars. Its rock solid and 100% professional build quality. I also really like the non DX format as I can use this with a full frame detector
    Date published: 2008-09-13
    Rated 5 out of 5 by from Great Performer; Worth Every Dollar I've used this lens for about 2-1/2 months on a D810; roughly 1500 shots, mostly architectural, cityscapes, and some rural landscapes. This lens is a pleasure to use--super sharp (even at 2.8), great contrast and offers the creative opportunities one expects from a very wide angle lens. Regarding the lens flare that some reviewers have complained about, it is to be expected with any 14mm lens. Just look at the curve in the front element. It's huge! You have to become aware of how to avoid flare altogether or how to use it creatively. But it is easy enough to avoid and is an optical design issue present in all wide angle lenses. Anyway, this is a beautiful lens. Built like a tank; fun to use; professional results. Outstanding when paired with the D810.
    Date published: 2015-02-06
    Rated 5 out of 5 by from Everything It's Cracked Up To Be It's not the lens for many shots. It's not a wide zoom range. It's not friendly to any filter you would likely have. And you will get tired of lugging this brick around. But it's one fast, wide distortion-free hunk of super glass. At 14 mm, it has less barrel distortion than my 24-120 has at 24 mm. It's bright. It's crisp. It's delicious. Clouds line up in the sky to have their picture taken. And the way the sky is gathered from the far corners of your field of view and made to stand right in front of your camera generates powerful transitions from powder blue to dark thick midnight blue over a short photographic distances. It's dramatic. And lug it around you will because you won't want to be without it ever again.
    Date published: 2011-03-01
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