FUJIFILM Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (120 Roll Film)

FUJIFILM Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (120 Roll Film)

FUJIFILM Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (120 Roll Film)


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Product Highlights

  • Daylight-Balance Color Transparency Film
  • ISO 50/18° in E-6/CR-56 Process
  • Very High Color Saturation and Vibrancy
  • Fine Grain and High Sharpness
  • Neutral Gray Balance, Deep Shadow Detail
  • Push/Pull Processing to -0.5 / +1 Stops
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  • 1Description

Fujichrome Velvia 50 Professional RVP 50 from FUJIFILM is a daylight-balanced color transparency film characterized by exceptionally high color saturation and vibrancy, as well as a neutral gray balance and extended detail throughout the highlight and shadow regions. It has a slow-speed nominal sensitivity of ISO 50/18° when processed in E-6 or CR-56 processes and can effectively be pulled one half stop or pushed one stop with Minimal variation in color balance and tonal gradation. Additionally, Velvia 50 also exhibits a fine grain structure with high sharpness and resolving power, and is well-suited to a wide variety of shooting applications.

This item is one roll of 120 format roll film.

Table of Contents
  • 1Description
Film Format 120
Film Type Color Transparency
Film Speed ISO 50
Color Balance Daylight
Film Processing E-6
Film Base Cellulose Triacetate
Number of Rolls 1
Layer Thickness 98.0 µm
Resolution 160 lines/mm (At Contrast 1000:1)
Packaging Info
Package Weight 0.07 lb
Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (120 Roll Film) is rated 4.9 out of 5 by 84.
Rated 5 out of 5 by from Instantly addictive The term high-resolution is thrown around a lot these days in the digital camera world. But you haven't seen anything until you've thrown a strip of Velvia onto a light table. It's now the only thing I want to shoot along with (please remove your hats) Kodak 400TX. Velvia's colors are, in a word, stunning. Resolution is FAR BEYOND my scanner's capabilities to accurately reproduce. And there's a certain magic inherent in the fact that the roll of positive images you're holding in your hand is the very same roll of film that was in your camera. Digital will not give you that. I was instantly addicted. I may need a 12-step program to quit.
Date published: 2013-07-23
Rated 5 out of 5 by from A Superb Color Slide Film This is an outstanding Fuji product but needs careful metering. I have just used it with my Mamiya 645 Pro on the Island of St Helena with magnificent results. I doubt whether any digital camera can come close to the images projected onto a large screen; after all there are no pixels. Ideally one needs fast lenses in view of the low ISO speed; f2.8 of faster. The best results are using the Mamiya 80mm f1.9. However I have also achieved magnifient results with the Mamiya 55-110 f4.5 Zoom lens and the Mamiya 80mm Macro f4.0 on a tripod. A highly recommended film with magnificient colours that no digital can match - remember the RGB bit depth is infinite.
Date published: 2013-01-08
Rated 5 out of 5 by from Velvia 50 Velvia 120 ISO 50 is still the best color film out there,for those who still use film. It is slightly denser than the older Velvia 50, not quite as rich in color, but still far ahead of digital. I do shoot digital. The ease of not carrying rolls of film, etc, is great. The 10 pixel and more pixel camera's are good, but film and the lenses on film camera's are in a league of their own. As far am I am concerned film should and will always be there. The depth quality in the Velva 50 is far superior to any digital. It is almost three dimensional comparted to the flatness of digital It is also nice not to worrry about batteries runnig low on my Hasselblad 500 as opposed to my 12 pixel digital. Film and film camera's operate in all temperature conditions also. thank you Jay Hirsch
Date published: 2008-10-17
Rated 5 out of 5 by from Velvia 50 I've been using the Fujichrome Velvia for over 15 years and the only reason I haven't traded my medium format film system in is because of the beauty this film offers when shooting landscape. I do have a digital inexpensive camera for handheld shots but I personally believe that Velvia 50 still manages to shine over the digital. I can only praise this film,since I've been using it over the span of 15 years and never let me down.
Date published: 2011-01-10
Rated 4 out of 5 by from Velvia Great for Landscape Photography I use the film for landscape photography, as it produces brilliantly saturated colors, especially when used with a polariser filter. It has super fine grain, and can be used to produce huge prints at high resolution (close to 2m long at 300dpi). A downside to the film is that reciprocity failure kicks in after only 4 seconds of exposure, requiring exposure adjustments, and colour corrections (blue hue occurs). However, Adobe photoshop can be used to simply correct the colour casts.
Date published: 2010-05-27
Rated 5 out of 5 by from LOVE this film This might be a little biased because I'm partial to reversal films in general, but Velvia 50 is amazing. As long as your focus is good and lens is clear, this is one of the sharpest films you can use. It's color reproduction is also amazing for landscapes and scenery with it's tonal and dynamic ranges. There are lots of other uses, for example on a trip to Las Vegas I shot numerous rolls at night (a little difficult with ISO 50 film) of the neon signs and Velvia 50 did not disappoint! The only downside, is finding good labs that still utilize the E-6 process that's standard for reversal film. I haven't yet tried cross processing, so I can't comment on that. All in all, this ranks up with Provia 100 as one of my favorite films now that I finally tried it.
Date published: 2015-05-06
Rated 5 out of 5 by from Color film at its finest As a landscape photographer, I am willing to pack my heavy medium format equipment up a 10,000 foot mountain, into a slot canyon, or across a swift river. It is the moment when my Velvia 50 hits the light table that makes the effort and expense worthwhile. I shoot landscapes in order to re-live my experiences, and to portray my experiences to others. 120 Velvia 50 has the saturation, depth of color, fine grain, and a magical presence that as a print, can place the viewer in the footprints of the photographer.
Date published: 2009-12-09
Rated 5 out of 5 by from The best color film ever! Fuji Velvia 50 is the best color film ever made! If you want the absolute best color, best contrast, most detail and clarity this is the film to use. 50 speed film can be both a pro and con. I mostly shoot landscapes and other subjects on a tripod and the slow speed of the film is usually an advantage because it makes longer exposures easy in day light. But if you're fighting the wind of trying to shoot a moving subject the 50 speed film can be to slow, one other down side of velvia 50 is exposures longer than a few seconds require more and more additional time due to reciprocity failure, for twilight and night shots I simply switch to velvia 100, which is much better for very long exposures. I also shoot a high end digital camera and as good as the quality is I get better results with my medium format camera with fuji velvia. And when I scan the film with a $100 epson scanner I get 45 megapixel images with better color than my digital cameras.
Date published: 2011-08-29
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