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Canon TS-E 24mm f/3.5L II Tilt-Shift Lens

BH #CA2435L2TSE • MFR #3552B002
Canon TS-E 24mm f/3.5L II Tilt-Shift Lens
Key Features
  • EF-Mount Lens/Full-Frame Format
  • Aperture Range: f/3.5 to f/22
  • Four UD Elements, One Aspherical Element
  • Subwavelength Coating
Balancing a versatile wide-angle field of view with advanced perspective and focus control, the TS-E 24mm f/3.5L II is a Canon L-series tilt-shift lens well-suited to architecture, interior, and landscape photography. Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.
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Canon TS-E 24mm f/3.5L II Overview

Balancing a versatile wide-angle field of view with advanced perspective and focus control, the TS-E 24mm f/3.5L II is a Canon L-series tilt-shift lens well-suited to architecture, interior, and landscape photography. Up to +/- 8.5° of tilt is possible, for focus control, and +/- 12mm of shift, to adjust perspective and composition. The tilt-shift mechanism can be rotated +/- 90° for applying movements in any direction, and a tilt-locking mechanism can be used while shooting for greater stability.

Complementing the operation of the lens, this L-series prime is also distinguished by its optical design that features four of Ultra-Low Dispersion elements to significantly reduce color fringing and chromatic aberrations as well as one aspherical element to minimize spherical aberrations and distortion. Individual elements also feature a Subwavelength Coating to suppress flare and ghosting for greater contrast and color neutrality.

Perspective control, tilt-shift lens affords +/- 12mm of shift and +/- 8.5° of tilt, and both types of movements can be applied independently, and parallel or perpendicular to one another. Additionally, the tilt and shift functions can be rotated +/- 90° for applying the movements in distinct directions.
Tilt-locking mechanism ensures the lens stays in place while shooting.
Four Ultra-Low Dispersion elements are used to greatly reduce color fringing and chromatic aberrations in order to achieve greater clarity and color accuracy.
One aspherical element limits distortion and spherical aberrations to realize greater sharpness and accurate rendering.
A Sub Wavelength Coating has been applied to individual elements to control lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions.
As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
Rounded eight-blade diaphragm contributes to a pleasing out of focus quality that benefits the use of shallow depth of field techniques.
UPC: 013803108613

Canon TS-E 24mm f/3.5L II Specs

Focal Length24mm
Maximum Aperturef/3.5
Minimum Aperturef/22
Lens MountCanon EF
Lens Format CoverageFull-Frame
Angle of View84°
Tilt-Shift+/- 8.5° Tilt
+/- 12 mm Shift
Minimum Focus Distance8.27" / 21 cm
Maximum Magnification0.34x
Optical Design16 Elements in 11 Groups
Diaphragm Blades8, Rounded
Focus TypeManual Focus
Image StabilizationNo
Filter Size82 mm (Front)
Dimensions (ø x L)3.48 x 4.21" / 88.39 x 106.93 mm
Weight1.72 lb / 780 g
Packaging Info
Package Weight2.6 lb
Box Dimensions (LxWxH)7.7 x 5.5 x 5.3"

Canon TS-E 24mm f/3.5L II Reviews

Works well on Nikon Z7 II

By Wolfgang F
Rated 5 out of 5
Date: 2022-07-07

After reviewing the capabilities of both the Nikon and Canon TS 24mm lenses, I decided to get the Canon TS lens with Fringer adapter. Aperture control through the Nikon camera works well. The lens works well and produces great photos. Especially, I like the ability of the "Super rotator", meaning that Tilt and Shift can be used at the same time at any constellation (rotation) to each other, what the Nikon 24mm TS lens can't do.

A great addition to my kit

By Christopher
Rated 5 out of 5
Date: 2021-11-23

It's so great to have a tilt shift when I'm photographing interiors. Expensive, and I hope to use it a lot, but it feels great to be able to catch something I can catch with a prime lens.

The fourth dimension in composure and sharpness.

By Daniel
Rated 5 out of 5
Date: 2021-08-26

First off, I have embraced the tilt and shift advantage for professional automotive photography and have actually become proficient at quick manual focus. I do own the entire range of Canons newest TS-E range lenses and each have been sharper than any other prime in I have owned in the past. I actually prefer these lenses for panning and use the focus beep to capture oncoming vehicles. 16,000 mp images from shifting invaluable for print. This particular lens has a line resolution rating that is remarkable and significantly outperforms the 11-24 4.0L. The variable perspective, color, and dynamic range is most notable. I like that I can use a polarize filter over the 11-24. Quality in the build is impressive and will not disappoint. Not just a lens for architecture, this lens will open up a whole new dimension fpr shooting just about any type of image. Definitely a top prime to own.

Architecture Photography

By Steve
Rated 5 out of 5
Date: 2020-11-18

Great Lens, works well!

Great Lens

By James
Rated 5 out of 5
Date: 2020-02-09

I use this lens for architectural photography and landscape. Very sharp and a great lens.

To tilt or not to tilt x 24mm

By Joseph
Rated 4 out of 5
Date: 2020-01-14

I recently purchased the Canon TS-E 24mm f/3.5 II tilt shift lens for use with Fuji GFX 50S. to do architecture and landscape. I have been using the Cambo Actus with the GFX but the image circle of the Canon is better than the Cambo 25mm and also when using the Kipon adapter lens name and aperture meta data is written to the camera and image. I have just started to use this lens with the 24x36mm crop turned off. So I am using it 4:3 format full 50MB. the big question of course is it better deal with perspective in post or in camera. I prefer in camera having come from a film and view camera back ground. the answer is I do not yet know. I have compared the fuji G mount 23mm to the Canon and the fuji is better. A lot better, maybe not, but better. the one thing you cannot do in post is tilt. Tho, I guess you can focus stack. Bottom line, the Canon 24mm is beautifully made and works well with the Kipon adapter. Its size and weight is about the same as the G mount fuji 23mm. However, if Fuji comes out with a 30mm tilt shift and if equal to the 23mm, I'd prefer that. Still, this is a great lens and I expect to being using it for virtually all my architecture shoots.

Works well on Nikon Z7 II

By Wolfgang F
Rated 5 out of 5
Date: 2022-06-30

All functions are working well with the fringer EF-NZ adapter. Additionally, due to the added distance between camera body and lens, there is no lens movement interference.

Outstanding

By John
Rated 5 out of 5
Date: 2022-05-25

Great lens, mark 2 version does it all !

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