The Formatt 3 x 3" Combination 85 Color Conversion/Graduated Neutral Density (ND) 1.2 Glass Filter.
This will produce natural colors when shooting with tungsten film outdoors.
What do you do when you must take some photos outdoors and all you have left is tungsten film? Using tungsten film in daylight will produce a bluish cast in the photograph. The 85 series of filters will "bring back", i.e. color balance the tones in your images. These yellow filters are used to correct differences in color temperature between the recording medium (film/video) and the light source.
It should be noted that an 85 filter produces slightly cooler results than an 85B (with tungsten film in daylight) whereas an 85B converts tungsten film to daylight. The 85C produces the coolest results - more than either the 85 or 85B. However, it is interesting to remember that an 85C is also useful as a creative warming filter with daylight film in daylight.
Graduated Neutral Density Filter
This enables the shooter to adjust exposure without affecting colour balance. Exposure can be increased by 1,2,3 or 4 stops to suit individual situations.
Often it is necessary or desirable to balance the light intensity in one part of a scene with another. This is especially true in situations where you don't have total light control, as in bright contrasty landscapes. Exposing for the foreground will produce a washed-out, over-exposed sky while exposing for the sky will leave the foreground dark and under-exposed. This filter enables cloud detail to be kept correctly exposed in the picture.
Determining which graduated neutral density filter yields ideal results for any given lighting situation takes knowledge, experience and a collection of such filters. Choose the filter strength which adjusts the lighting to stay within the exposure latitude (greatest difference between bright/dark values) which still shows details in both of the digital or film medium in use.
Speaking generally, the 2-stop value (ND 0.6 - the filter's clear portion allows 4x more light to pass vs. darkest portion) effectively compensates average bright sky-to-foreground situations, and the soft transition is applicable more often to a scene than the hard transition.
The Soft or Hard label indicates the degree of color graduation.