Kodak Professional Portra 160 Color Negative Film (120 Roll Film)

Kodak Professional Portra 160 Color Negative Film (120 Roll Film)

Kodak Professional Portra 160 Color Negative Film (120 Roll Film)

B&H # KOP160120 MFR # 1808674-1
Kodak Professional Portra 160 Color Negative Film (120 Roll Film)

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Product Highlights

  • Daylight-Balanced Color Negative Film
  • ISO 160/23° in C-41 Process
  • Very Fine Grain, VISION Film Technology
  • Medium Color Saturation, Low Contrast
  • Accurate Color and Neutral Skin Tones
  • High Sharpness and Fine Edge Detail
  • T-GRAIN Emulsion, Ideal for Scanning
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Film Format: 120

35mm 120 620

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Kodak Portra 160 overview

  • 1Description

Kodak's Professional Portra 160 is a daylight-balanced color negative film offering a smooth and natural color palette that is balanced with medium saturation and low contrast for accurate skin tones and consistent results. Utilizing the cinematic VISION Film technology, this film also exhibits a very fine grain structure with high sharpness and fine edge detail. A micro-structure optimized T-GRAIN emulsion makes it especially well-suited for scanning applications, and advanced development accelerators offer extended versatility when enlarging. This film has a nominal sensitivity of ISO 160/23° and is particularly well-suited to portrait, wedding, and commercial photography, as well as other general applications.

This item is one roll of 120 format roll film.

Table of Contents
  • 1Description

Kodak Portra 160 specs

Film Format 120
Film Type Color Negative
Film Speed ISO 160
Color Balance Daylight
Film Processing C-41
Film Base Acetate
Number of Rolls 1
Layer Thickness 100.0 µm
Packaging Infovceuzxeqy
Package Weight 0.055 lb
Box Dimensions (LxWxH) 2.6 x 1.0 x 1.0"

Kodak Portra 160 reviews

Professional Portra 160 Color Negative Film (120 Roll Film) is rated 4.9 out of 5 by 133.
Rated 5 out of 5 by from I LOVE this film. I love Portra 160. It's amazing for skin tones. All sorts of skin tones too. If you're shooting someone with darker skin for example, it's incredibly flattering. I also like how versatile this film is. I have pushed it 2 stops when I have needed to and it looks excellent and the colors still accurate . I know people who've pushed it 4 stops and say it looks great. Although I haven't tried this myself. This film also looks great if you 'pull' too. I.e if you rate at 80 and ask for them to process 1/3 stop under. It gives the film a unique look. It's hard to find anything 'negative' with this film. (Excuse the pun)
Date published: 2016-02-21
Rated 5 out of 5 by from First time using film in over 9 years. I recently purchased an old Pentax 645, a camera that I've wanted since they came out way back when. My plan was to use my D800e first and confirm the settings that I wanted on a particular shot and then bring out the 645 and shoot a frame or two. I've only had one roll developed so far, but I'm very happy with the results. I had one or two missed out of the roll, but the majority look great. And the misses were my fault, not the film's. The grain is beautiful and smooth and the colors were very natural. I'm enjoying my trip back to the prehistoric film days better than I expected.
Date published: 2015-03-30
Rated 5 out of 5 by from Beautiful Skin Tones Who says film is dead?! This film is absolutely amazing. When you want absolutely the best quality of film, Portra 160 saves the day. Want skin tones that absolutely crush digital skin tones? Buy this film. Want to overexpose like crazy and still retain highlights unlike digital? Buy this film! Want to stand out in your photography above all the same old same old digital photos going around these days? Buy this film!!! If I could give this a 7 stars I would because the fine grains, the colors, the skin tones, the gradations are all unmatched. Gorgeous film!
Date published: 2014-11-28
Rated 5 out of 5 by from What can I add? I love Portra Looks great with people or landscapes, in sunlight or tungsten. Very versatile-- you can shoot in low light and push it with pretty good results. And despite it's versatility, it retains an identity. I like to overexpose it 1/2 or 2/3 of a stop (i.e. shoot this film at 100 iso, develop normally). Tends to give you more shadow detail without losing highlights.
Date published: 2013-11-10
Rated 5 out of 5 by from Great option for portraits This is my go-to portrait film when I don't want to use small apertures. The only slower film suitable for portraits would probably be Fuji Reala 100. Ektar 100 just seems to bleed red, which is great for some things and maybe even some people, but not if they are wearing red for sure. I also use Portra 160 for some outdoor stuff if there is plenty of light.
Date published: 2013-01-30
Rated 4 out of 5 by from Film shooter Great for shooting in bright situations. Contrast is heavier compared to the portra 400. Can't be overexposed nearly as much as 400 without blowing out. I expose at ISO 125. Haven't tried pushing it yet. I imagine the contrast would be too much. Love the contrast and color of this film especially when it is paired with a nice lens.
Date published: 2013-07-18
Rated 5 out of 5 by from Forgot how much I love it I was going through some things and I came up on my Mamiya 645pro...I had really missed this camera. And the perfect match is Portra 160 I love this film, almost non-existant grain, amazing skin tones and overall look unique look of film. No matter how many filters and effects you it is a look you simply cannot mimic with digital I will be getting back into film and this is the perfect film. Love portra 160 and I hope it never ever goes away!!!
Date published: 2013-06-26
Rated 5 out of 5 by from Best for Natural Skin Tones I used this film on landscapes, night scenery, indoor shots, and portraits. Its best use is natural lighting portraits. The skin tones are soft and natural looking whether the person is light skinned or dark skinned. I wouldn't suggest using it on landscapes or night shots though.
Date published: 2016-01-13
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