Sonnox Oxford EQ - EQ Plug-In (TDM)

Sonnox Oxford EQ - EQ Plug-In (TDM)

Sonnox Oxford EQ - EQ Plug-In (TDM)

B&H # SOEQHD MFR # EQHD
Sonnox Oxford EQ - EQ Plug-In (TDM)

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Product Highlights

  • 5-Band Parametric
  • Algorithm from Sony OXF-R3 Console
  • Variable HF and LF Filters
  • A/B Switches
  • Mac OS X
  • Windows XP/7
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Sugg Retail Price:  $520.00

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  • 1Description
The Oxford EQ from Sonnox is a plug-in based on the Sony Oxford OXF-R3 console EQ section. It is a fully functional 5-band application with selectable shelf settings on low- and high-frequency sections. Additionally, separate variable slope low-pass and high pass-filters are available. The EQ also features 4 different selectable EQ types that cover most of the EQ styles currently popular amongst professional users.

The differences between the types reside in the curve characteristics of the bell settings. The shelving curves are the same for all 4 types. They include the use of the 'Q' controls, allowing the amount of undershoot to be dialed in for boost settings, and overshoot when using a shelf to cut. The use of coefficient generation and intelligent processing design provides performance that can surpass analog EQ in both sound quality and artistic freedom.
5-band fully parametric EQ
Variable High-Frequency and Low-Frequency up to 36dB/Octave
Algorithm taken directly from the Sony OXF-R3 console
Four different EQ types in one plug-in
Fully de-cramped HF response
A/B switches (automatable)
Ultra low noise and distortion
EQ Type 1
  • General and multi-purpose 'sharp' or clinical tool
  • Response curves are very similar to the EQs in the SL4000E consoles
  • The shape of the peak of the boost and cut curves in the bell remain virtually constant according to the Q setting, no matter what level of boost or cut is in use
  • Possible to mimic many other EQ types with Type 1, due to the flexibility of the control ranges
  • Boost and cut curves are reciprocal
EQ Type 2
  • The boost curves are identical to Type 1, with cut curves that are tighter
  • True 'constant Q' equalizer where the cut curve is 3 times sharper than the boost curve, ideal for removing troublesome resonances
EQ Type 3
  • Reciprocal EQ which has a moderate amount 'gain' verses 'Q' dependency
  • At lower boost and cut settings, the shape of the curve is broader, becoming progressively sharper with increased boost or cut
  • This characteristic feels very comfortable to the ears and this type of EQ is often deemed musical, resembling older Neve types and the SSL G-Series EQs
EQ Type 4
  • Has the greatest 'gain' verses 'Q' dependency
  • Very soft and gentle characteristics, especially useful in mastering situations
Table of Contents
  • 1Description
Control Ranges LF Filter
Gain: 6dB/Oct steps
Frequency: 20Hz to 400Hz
Q/Slope: 0 to 36dB/Oct

LF Peak/Shelf
Gain: +/-20dB
Frequency: 20Hz to 400Hz
Q/Slope: 0.5 to 16
Overshoot: 0 to 50% (Q adjust in Shelf)

LMF
Gain: +/-20dB
Frequency: 30Hz to 600Hz
Q/Slope: 0.5 to 16

MF
Gain: +/-20dB
Frequency: 100Hz to 6KHz
Q/Slope: 0.5 to 16

HMF
Gain: +/-20dB
Frequency: 900Hz to 18KHz
Q/Slope: 0.5 to 16

HF Peak/Shelf
Gain: +/-20dB
Frequency: 2KHz to 20Khz
Q/Slope: 0.5 to 16
Overshoot: 0 to 50% (Q adjust in Shelf)

HF Filter
Gain: 6dB/Oct steps
Frequency: 1KHz to 20KHz
Q/Slope: 0 to 36dB/Oct
Dynamic Range >120dB (RMS unweighted) for any single section, including filters
Operating Radio Frequency Undetectable, using FFT analysis down to -160dBr
Noise <-95dBr (peak) during adjustment of any single control
Instantiations per DSP Chip
Tools DSP TYPE 48kHz 96kHz 192kHz
Mono Stereo Mono Stereo Mono Stereo
5 Band EQ & Filters Mix 2 1 - - - -
HD 2 1 1 - - -
Accel 6 3 3 1 1 -
5 Band EQ Mix 4 2 - - - -
HD 5 2 2 1 1 -
Accel 12 6 6 6 2 1
3 Band EQ Mix 6 3 - - - -
HD 8 4 3 1 1 -
Accel 18 9 8 4 4 2
Filters Mix 4 2 - - - -
HD 5 2 2 1 1 -
Accel 12 6 5 2 2 1
System Requirements Avid approved Pro Tools Mix, HD, Accel system.

Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at Avid

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