Softube Studio Collection - Dynamics, EQ and Reverb/Delay Plug-In Collection (Native)

Softube Studio Collection - Dynamics, EQ and Reverb/Delay Plug-In Collection (Native)

Softube Studio Collection - Dynamics, EQ and Reverb/Delay Plug-In Collection (Native)

B&H # SOSCOL1 MFR # SFT-SCOL-1
Important Notice: This item is non-cancelable and non-returnable
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Product Highlights

  • 12 Plug-Ins
  • 4 Reverbs and Delays
  • 2 Dynamic Processors
  • 4 EQs
  • 2 Specialized EQs
  • Audio Units, AAX, RTAS, VST
  • Mac OS X
  • Windows XP/Vista/7
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  • 1Description

The Studio Collection from Softube contains twelve plug-ins consisting of eight emulations of highly-prized studio classics, and four of the company's own designs. Create acoustic spaces ranging from classic spring reverb to lush and vibrant vintage verb to modern, sophisticated ambience with the reverbs and delay.

The FET Compressor Two delivers classic compression with modern features while the Dyna-mite features a "Swiss Army Knife "of dynamics processors from the 80's. Four EQ plug-ins deliver a wide range of EQ possibilities and include two specialized EQs, the Tonelux Tilt and Tilt Live with their single Tilt knob.

Full details of each component can be found at the following links:

TSAR 1
Spring Reverb
Tube Delay
Trident A-Range
Tonelux Tilt
Passive-Active Pack
Valley People Dyna-mite
FET Compressor

  • TSAR-1 Reverb - Stereo Reverb Plug-In (Native)

    TSAR-1 from Softube is a true stereo reverb plug-in that features a powerful and modern algorithm. A comprehensive and easy-to-use interface makes operation effortless with five parameters making up the reverb section, with additional controls for fine tuning the reverb effect.

    Pre Delay is often used to achieve a subtle rhythmic effect or to carefully match the tail with the early reflections. Time provides for longer or shorter reverb tails while density adjusts the character - modern and dense, or sparse, lush and vintage. Tone and High Cut together adjust the overall sound of the reverb.

    Secondary controls include Early Reflections Type, Early Reflections Mix, Diffusion, Modulation, and Reverb Mix and Output Volume. Forty-one well designed presets categorized into a "modern" and a "vintage" set make full use of the parameters. The modern set focuses on the classy reverb sounds of today, while the vintage set mimics the characters of old school reverbs.

    In situations where full control over reverb is not required, the included TSAR-1R plug-in delivers the same sound using just three reverb parameters, Pre Delay, Time and Color, along with the required Mix and Volume knobs.

    Modern and powerful high-end reverb plug-in
    True stereo algorithm (not convolution)
    Very versatile
    Comprehensive user interface
    Extensive preset library
    Bundled with the TSAR-1R Reverb
  • Spring Reverb - Spring Reverb Emulation Plug-In (Native)

    Spring Reverb from Softube is a native plug-in that is an authentic recreation of a hardware spring reverb. It can add vintage character and grit to any audio track and includes an automatable Shake control that will shake the virtual springs around for generating the thunderous spring effects. A Tension control tightens or loosens the springs to cover a wide range of spring reverb sounds.

    The plug-in features up to three springs with the ability to choose the number employed for a given sound. Set the control to ONE for a more pronounced springy sound and to THREE for a smoother sound. The sound is further enhanced by authentic tube simulation and the presence of treble and bass EQ controls.

    Shake control that shakes the springs around for that "springs-being-shaken" sound
    Tension control to shape the spring character and reverb length
    Number of spring pairs continuously adjustable from one to three
    Tube driver simulation in the reverb section, with bass and treble
  • Tube Delay - Valve Preamp Delay Effect Plug-In (Native)

    Spring Reverb from Softube is a native based plug-in that recreates the authentic sound of a spring reverb, brining instant vintage character and grit to any audio track. A feature of the original hardware units was that if the reverb was accidently hit, it emitted a thunderous sound. The software emulates this with the Shake control, while a Tension control tightens or loosens the springs to cover a wide range of spring reverb sounds.

    An additional control allows the user to engage from one to three springs. Set the control to ONE for a more pronounced springy sound and to THREE for a smoother sound. Authentic tube emulation and a treble and bass EQ add further depth to the sound of the plug-in which can also used both as a send and an insert effect.

    • Shake control that shakes the springs around for that "springs-being-shaken" sound
    • Tension control to shape the spring character and reverb length
    • Number of spring pairs continuously adjustable from one to three
    • Tube driver simulation in the reverb section, with bass and treble EQ
  • Trident A-Range EQ - Equalizer Plug-In (Native)

    The Trident A-Range EQ from Softube is a native based EQ plug-in based on the EQ section of the Trident A-Range console, and created in collaboration with Malcolm Toft, its original designer. Although many seminal records were recorded through the A-Range consoles, only thirteen of them were ever made. The plug-in is a model of channel 15 from one of these console currently located at Sweet Silence Studio 'B' in Denmark.

    The channel features four-bands of EQ along with switchable high- and low-pass filters. Top and bottom bands are shelving, while the mid filters are bell shaped with the choice of bands often referred to as sounding "musical". When running a hot enough signal through the original unit and boosting the bands, it is possible to get it to distort. That functionality is reflected in the plug-in, but instead of using an input volume to drive the signal, a Saturation knob is used, alleviating the need to constantly adjust output volume.

    EQ plug-in modeled after the original A-Range console EQ
    Created with Malcolm Toft, the original designer of the A-Range
    Every component carefully modeled
    Same EQ filters that made the original legendary sounding
    Features interaction between the different bands
    Saturation control
    Low CPU usage
  • Tonelux Tilt - One Knob EQ with Filter Section Plug-In (Native)

    Tonelux Tilt from Softube is an EQ plug-in for native based digital audio systems that provides a fast and easy way to make a track sit better in a mix, or make it sound "warmer" or "cooler". It's also perfect for live situations where the whole mix needs to be tweak to adjust for ear fatigue.

    The innovative Tilt design was first featured on the Tonelux MP1, a discrete microphone preamp module. The plug-in is a joint development between Tonelux designer Paul Wolff and Softube, and is officially endorsed by Tonelux. The plug-in features not only the original Tilt design but also adds a couple of new features.

    A special "Live" version of the Tilt plug-in is included, optimized for live systems with features requested by live sound engineers. It also includes modeling of the transformer found in the original microphone preamp which adds a subtle distortion for bass frequencies, fattening up the low end of a track.

    Note: Requires iLok if one is not already on the system.

    General
    • Tonelux Tilt control plug-in from the MP1 microphone preamps
    • Created with original Tonelux designer Paul Wolff
    • Loudness control allows for "beefing up" or "thinning down" a mix
    • High- and low-pass filters,- with 12 -dB/octave option
    • Modeled output transformer distortion
    • Tilt Live plug-in optimized for live sound engineers ( included,)
    • Low CPU usage
    Tilt/Loud Section
    • One-knob EQ that rebalances the sound without changing the apparent volume of the material
    • Choose Tilt Mode for a filter that either tilts the signal towards the bass or the treble
    • Set it to Loud and the filter will become a loudness filter that boosts both high and low frequencies, or cuts both
    Filter Section
    • High- and low-pass filter can further shape the sound or help get rid of problematic frequencies in a track
    • 12dB/octave setting allows for using a sharper cut-off for the low cut
    Output Section
    • Depending on which version of the Tilt used, the Tilt knob in the output section will be either a Gain control (Tilt) or a Boost Ceiling control (Tilt Live)
    • In a live situation it is often necessary to adjust the audio spectrum without changing the maximum gain of the signal, for example to avoid feedback - with the Live version, the Boost Ceiling can be set to achieve this
    • With Boost Ceiling set a 0, the output will never be louder than the input, and regardless of the settings the plug-in will only attenuate, never boost
    • If the Boost Ceiling is set at maximum (6+) it will behave just like the normal Tilt version and instead keep the apparent volume at a constant level, regardless of the Tilt control setting
    Transformer Modeling
    • The transformer distortion from the Tonelux MP1a microphone preamp is included in the Tilt plug-in (except for the Tilt Live version), adding a subtle distortion for bass frequencies which fattens up the low end of a track
    Optimized for Live and Real-Time Use
    • Tilt Live was specially designed for live and real-time usage, making it even more CPU efficient than the already slim Tilt plug-in
  • Passive-Active Pack - Modeled EQ Bundle (Native)

    The Passive-Active Pack from Softube features three very different equalizer plug-ins, each with a distinct character and modeled after real workhorse equalizers, used on thousands of recordings from past to present. Despite the appearance of limitation due to the use of only three bands of EQ, the design and frequency choices have been carefully thought out to deliver musical results.

    The Passive Equalizer is a three-band EQ with a clear and open sound, a warm low end, and sparkling top. The Active Equalizer features three fully parametric bands for a tight and focused sound, a great complement to the Passive EQ. The Focusing Equalizer is a non-traditional take on EQ where the low-, mid- and high-bands move automatically and musically in relation to the high- and low-cut filters. It also features filters from the Passive and Active EQ's, as well as a one-knob Saturation control.

    General
    • Authentic component modeling
    • Fully automatable parameters
    • Output gain and output metering
    • 3-D rendered photo-realistic user interface
    Passive Equalizer
    • Three bands with an extremely wide and open sound
    • Excellent treble control without any "digital harshness"
    • Warm low end and a sparkling top
    Active Equalizer
    • Tight and focused sounding filters
    • Low- and high-cut
    • Three parametric bands
    • Selectable gain in 2dB steps (-/+ 16dB)
    • Selectable frequency with overlapping, but non-interfering, bands (50 to 500Hz, 380Hz to 3.8kHz, 1.8 to 18kHz)
    • Select between a sharp or blunt peak (Q) for each band
    Focusing Equalizer
    • Built-in one knob saturation with metering
    • Selectable saturation type
    • Choose between passive or active EQ character
    • Three-band EQ that automatically and musically changes with low- and high-cut
  • Valley People Dyna-mite - Limiter/Expander Plug-In (Native)

    The Valley People Dyna-mite from Softube is a multi-function dynamics plug-in that faithfully replicates the original Valley People Dyna-mite hardware, a tool capable of limiting/compressing, expanding, gating, keying, ducking and de-essing.

    Designed in the 80's, the original hardware was a problem solver. Today it maintains that function while at the same time becoming a creative tool. Two sidechain modes allow for ducking or following a track. Both internal and external sidechain operation is supported.

    The DS-FM mode inserts a high frequency boost to the detector which makes it perfect for de-essing or limiting troublesome cymbals. In expansion mode, it helps to trigger the gate for high frequency signals, useful for preventing gate closure on hi-hats.

    Three different detector types give the plug-in three distinctive sounds, with a choice of an aggressive Gate mode, a fast all-round Peak mode, or the slower AVG mode. A faithfully modeled output stage preserves the clipping of the output stage that was a big part of the Dyna-mite sound.

    Peak and average limiting, including negative ratio (-20:1) limiting and detector HF filtering (for de-essing)
    Hard or soft expansion with extreme gate settings and detector HF filtering
    Ducking or keying modes with external side chain (where available)
    Threshold knob with auto make-up gain
    Release ranging from 0.05 to 5 seconds/20dB with Anticipatory Release Computation (ARC) to reduce pumping
    Output volume with accurately modeled output distortion and clip LED
    Innovative Range knob that controls maximum amount of expansion or limiting
    Built-in interactive guide that displays current settings and active mode
  • FET Compressor - "Solid State" Compressor Plug-In (Native)

    The FET Compressor from Softube is a native based compressor plug-in modeled after what is arguably considered the most famous solid state hardware compressor. The company realized that simply approximating the most apparent features is not enough to capture the uniqueness of the original hardware, so instead of modeling individual features and putting them together digitally, they modeled the unit in its entirety - input and output stages, gain reduction feedback loops, bias differences of different transistors, etc.

    Unlike the original, the plug-in features a fully variable ratio although it can still function the standard way with fixed ratios. And of course the "All Buttons In" mode has been included. The signature attack that the original is famous for is faster than a single sample, and a look-ahead detector can make it function even faster. Parallel compression functions within the plug-in and since the "Dry" signal also spends some time inside the algorithms, it can take on the subtle distortion derived from pushing the input and output stages.

    Added features not found on the original hardware include external side chain support, detector look-ahead with low- and high-cut filters for the detector, two modeled VU meters, and a stereo peak meter that allows for controlling the output signal. In case there is no use for the extra features, they can be simply switched off.

    Famous solid state analog compressor model including modeled input and output stages
    "All Buttons In" mode
    Continuous adjustable ratio (even between 20:1 and ALL)
    Super fast attack time, just like on the original hardware
    Input and output stage distortion
    Parallel compression
    Detector low- and high-cut filters
    External side chain
    Detector look ahead
    Stereo with synchronized gain reduction
    Low CPU usage
  • TSAR-1 Reverb - Stereo Reverb Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Spring Reverb - Spring Reverb Emulation Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Tube Delay - Valve Preamp Delay Effect Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Trident A-Range EQ - Equalizer Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Tonelux Tilt - One Knob EQ with Filter Section Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Passive-Active Pack - Modeled EQ Bundle (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 support this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • Valley People Dyna-mite - Limiter/Expander Plug-In (Native)
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers
  • FET Compressor - "Solid State" Compressor Plug-In (Native)
    Attack 20 microsecs to 0.8 ms
    Release 50 ms to about a second
    System Requirements Mac
    Intel processor
    OS X 10.5 or higher
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports Audio Units, AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

    PC
    CPU that supports SSE2 instruction set including DAZ flag (most Intel and AMD processors since 2003 supports this)
    Windows XP (32-bit only), Vista, Windows 7
    1GB RAM
    1024 x 768 minimum screen resolution
    Host software that supports AAX, RTAS, or VST/VST3 plug-in formats (fully compatible with 64-bit DAWs)
    Pro Tools use requires version 7.0 or higher
    iLok USB key and the latest Pace Interlok drivers

Softube Studio Collection - Dynamics, EQ and Reverb/Delay Plug-In Collection (Native) Review

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