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The native CLA Classic Compressors Bundle from Waves includes the CLA-2A Compressor/Limiter modeled on the LA-2A compressor, the CLA-3A based on the LA-3A compressor, and the CLA-76 Blackey/Bluey based on the 1176 compressor. The bundle supports RTAS, AudioSuite, AU, and VST plug-in formats on both Mac and PC.
Please note this bundle is an electronic download.
CLA-2 - Compressor/Limiter Plug-In (Native)
The CLA-2(Native) from Waves is a plug-in modeled after a legendary classic compressor/limiter. Like the original electro-optical tube compressor, the plug-in retains the smooth, frequency-dependent behavior that has made the hardware a favorite of engineers everywhere.
The software sounds great on guitars and bass, and brings out the best of vocal performances. The plug-in also contains presets developed by Chris Lord-Alge that provide a limitless choice of settings for classic sounding compression and limiting.
Compressor and Limiter modes
Sidechain frequency filter
Up to 24-bit/192 kHz resolution
Mono and stereo components
Gain - 0 to 100
Peak Reduction - 0 to 100
Compressor Mode - compressor, limiter
HF Freq - 0 to 100
Analog - off, 50 Hz, 60 Hz
VU Display - input, gain reduction, output
CLA-3A - Compressor/Limiter Plug-In (Native)
The CLA-3A(Native) from Waves is a plug-in modeled after a famous, early 70's solid-state compressor, originally known for its unique and highly transparent compression curve. Features of the original included a quick response and the subtle harmonic distortion, both of which are faithfully recreated in the software version. The plug-in is especially useful on bass, as well as on guitars and vocals.
The CLA-76 Blacky & Bluey(Native) from Waves is a plug-in that features models of the famed mid-60's Class A line level limiting amplifier. A favorite studio tool, the original hardware had a superfast attack (as quick as 50 microseconds) that is reproduced in the software model. The plug-in can be used on numerous sources, but really shines when processing drums.
Also featured in the plug-in is the unconventional "All Ratio Buttons In" setting that provided the trademark overdriven tone of the original, along with modeled pre-amp distortion. The original hardware underwent numerous revisions after it was first introduced with a blue strip on a silver faceplate. The black face version added low-noise circuits on additional circuit boards and reduced distortion. Both versions are represented here.