Peavey FX2 32FX 32-Channel Four-Bus Mixing Console

Peavey FX2 32FX 32-Channel Four-Bus Mixing Console

Peavey FX2 32FX 32-Channel Four-Bus Mixing Console

B&H # PEFX232C MFR # 03601000
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  • 1Description

The Peavey FX2 32FX 32-Channel Four-Bus Mixing Console features Peavey-exclusive technology to enhance live-sound reproduction and project studio recording, including Silencer microphone preamps, which allow very high gain with low noise and distortion for crystal-clear signal reproduction. The 4 pre-fader auxes per channel provide 4 monitor mixes, while the 2 post-fader auxes are suitable for adding effects (built-in or outboard). This mixer also includes dual DSP engines that allow multiple simultaneous effects assignable to any channel via aux 5 / 6.

The onboard effects include reverb, reverb enhanced, delay, compression, expander, de-esser, chorus, flanger, tube emulator, vocal enhancer, and gate. You can chain 2 processors together on each of the 2 available effects windows. The digital output processing section includes Feedback Ferret, dual 5-band Parametric EQ or dual 28-band Graphic EQs, digital delay lines, and dynamics / limiters. The output section can be configured for Stereo, Dual Mono, or Subwoofer mode with a built-in electronic crossover.

The 32FX 32-channel mixer features dual USB 2.0 ports, and the "A" USB connector allows streaming of digital audio directly to a computer or memory stick as well as exclusive, built-in MP3 compression. You can record your rehearsals, songwriting sessions, or live performances directly to a USB stick with no other hardware needed. You can transfer the recordings to your computer to burn CDs or to transmit electronically, or insert a memory stick to playback audio files for use between sets.

Silencer microphone preamps with current-source dual feedback design
28 XLR microphone inputs
Two stereo channels with direct-to-L / R assignment capability
Three-band channel EQ on all input channels
Sweepable mid-frequency control on all mono input channels
75 Hz low-cut filter on all mono input channels
Inserts on all mono channels
Four-bus design with direct group outputs and L / R assignment
Four monitor sends per channel, pre-fader
Two effects sends per channel, post-fader
Pan and PFL on each channel
Clip LEDs for the entire signal path for clipping
Signal presence LEDs and mute switches with LED indicator on every input, group, and return
Mute switches with LED indicator on every input, group, and return channel
48V Phantom power switch
Dual DSP engines for output processing, dual effects, and digital I / O
Output processing includes EQ, Delay and Compressor / Limiter
Large LCD graphics user interface
Dual USB ports
Direct streaming of audio to and from your computer
Built-in MP3 compression, direct recording and playback via USB removable data storage device
Media inputs with level control assignable to L / R mix
Headphone output with level control
Two 12V BNC lamp jacks
In the Box
Peavey FX2 32FX 32-Channel Four-Bus Mixing Console
  • Power Cord
  • Limited 2-Year Warranty on Parts & Labor
  • Note: Additional 3-year warranty on product registration.

    Table of Contents
    • 1Description
    Inputs
    Microphone Input Connector: XLR Pin 1 (ground), Pin 2 (+), and Pin 3 (-)
    Balanced
    Function: Microphone (150 Ω)
    Input Impedance: 2.2 kΩ minimum

    Input Gain Setting:
    Maximum: 60 dB
    Minimum: 0 dB

    Input Level:
    Minimum: -76 dBu @ 60 dB and -16 dBu @ 0 dB
    Nominal: -56 dBu @ 60 dB and +4 dBu @ 0 dB
    Maximum: -40 dBu @ 60 dB and +20 dBu @ 0 dB
    Line Input Connector: 1/4" TRS; Tip (+), Ring (-), and Sleeve (ground)
    Balanced
    Function: Line (10 kΩ)
    Input Impedance: 20 kΩ minimum

    Input Gain Setting:
    Maximum: 40 dB
    Minimum: -20 dB

    Input Level:
    Minimum: -56 dBu @ 40 dB and +4 dBu @ -20 dB
    Nominal: -36 dBu @ 40 dB and +24 dBu @ -20 dB
    Maximum: -20 dBu @ 40 dB and +40 dBu @ -20 dB
    Stereo Line Inputs Connector: 1/4" TS; Tip (+), and Sleeve (ground)
    Unbalanced
    Function: Stereo Line (direct to L / R)
    Input Impedance: 10 kΩ minimum

    Input Gain Setting:
    Maximum: 20 dB
    Minimum: 0 dB

    Input Level:
    Minimum: -26 dBu @ 20 dB and -6 dBu @ 0 dB
    Nominal: -16 dBu @ 20 dB and +4 dBu @ 0 dB
    Maximum: +2 dBu @ 20 dB and +22 dBu @ 0 dB

    Connector: 1/4" TS; Tip (+), and Sleeve (ground)
    Unbalanced
    Function: Stereo Line (via channel)
    Input Impedance: 10 kΩ minimum

    Input Gain Setting:
    Maximum: 20 dB
    Minimum: 0 dB

    Input Level:
    Minimum: -36 dBu @ 20 dB and -16 dBu @ 0 dB
    Nominal: -16 dBu @ 20 dB and +4 dBu @ 0 dB
    Maximum: +2 dBu @ 20 dB and +22 dBu @ 0 dB
    Insert Connector: 1/4" TRS; Tip (send), Ring (return), and Sleeve (ground)
    Unbalanced
    Function: Channel and Group Insert Return
    Input Impedance: 22 kΩ minimum
    Input Gain Setting: 0 dB

    Input Level:
    Minimum: -16 dBu @ 0 dB
    Nominal: +4 dBu @ 0 dB
    Maximum: +22 dBu @ 0 dB
    Return Connector: 1/4" TRS; Tip (+), Ring (-), Sleeve (ground)
    Balanced
    Function: EFX2 Return
    Input Impedance: 20 kΩ minimum

    Input Gain Setting:
    Maximum: 10 dB
    Minimum: 0 dB

    Input Level:
    Minimum: -16 dBu @ 10 dB and -6 dBu @ 0 dB
    Nominal: -6 dBu @ 10 dB and +4 dBu @ 0 dB
    Maximum: +12 dBu @ 10 dB and +22 dBu @ 0 dB
    Media Input Connector: RCA jacks
    Unbalanced
    Function: Media In
    Input Impedance: 10 kΩ minimum

    Input Gain Setting:
    Maximum: 10 dB
    Minimum: 0 dB

    Input Level:
    Minimum: -16 dBu @ 10 dB and -6 dBu @ 0 dB
    Nominal: -6 dBu @ 10 dB and +4 dBu @ 0 dB
    Maximum: +10 dBu @ 10 dB and +20 dBu @ 0 dB
    Outputs
    Master Output Connector: XLR Pin 1 (ground), Pin 2 (+), and Pin 3 (-), 1/4" TRS; Tip (+), Ring (-), and Sleeve (ground)
    Balanced
    Function: Master Left / Right
    Minimum Load Impedance: 600 Ω

    Output Level:
    Nominal: +4 dBu
    Maximum: +22 dBu
    Groups Connector: 1/4" TRS; Tip (+), Ring (-), and Sleeve (ground)
    Balanced
    Function: Groups 1 to 4 and AUX 1 to 6
    Minimum Load Impedance: 600 Ω

    Output Level:
    Nominal: +4 dBu
    Maximum: +22 dBu
    Record Output Connector: RCA jacks
    Unbalanced
    Function: Record Out
    Minimum Load Impedance: 2 kΩ

    Output Level:
    Nominal: +4 dBu
    Maximum: +22 dBu
    Insert Connector: 1/4" TRS; Tip (send), Ring (return), and Sleeve (ground)
    Unbalanced
    Function: Channel and Group Insert Send
    Minimum Load Impedance: 600 Ω

    Output Level:
    Nominal: +4 dBu
    Maximum: +22 dBu
    Headphone Output Connector: 1/4" TRS; Tip (left), Ring (right), and Sleeve (ground)
    Unbalanced
    Function: Headphone
    Minimum Load Impedance: 8 Ω

    Output Level:
    Nominal: +4 dBu
    Maximum: +22 dBu
    Gain
    Gain Adjustment Range Microphone In: 0 to +60 dB
    Microphone Input to Left / Right Balanced Output: 80 dB (maximum gain)

    Line Input: -20 to +40 dB
    Line Input to Left / Right Balanced Output: 60 dB (maximum gain)

    Stereo Line In: -∞ to +20 dB
    Stereo Line Input to Left / Right Balanced Output:
    +30 dB direct to L / R output
    +40 dB via channel (maximum gain)
    Frequency
    Frequency Response Microphone Input to Left / Right Output: 20 Hz to 20 kHz, 0 / -1 dB
    Noise Characteristics
    THD & Noise Microphone to Left / Right Output: 0.01%, 20 Hz to 20 kHz (22 Hz to 22 kHz BW)
    Microphone Pre-amp: 0.005% (22 Hz to 22 kHz BW)
    Hum and Noise All measurements at 22 Hz to 22 kHz BW

    For Master Left / Right Output:
    Test Condition: Master fader down, channel levels down
    Residual Noise: -100 dBu
    S/N Ratio: 104 dB (+4 dBu)

    Test Condition: Master fader nominal, channel levels down
    Residual Noise: -82 dBu
    S/N Ratio: 86 dB (+4 dBu)

    Test Condition: Master fader nominal, channel faders nominal, panned odd channels (left), even channels (right)
    Residual Noise: -80 dBu
    S/N Ratio: 84 dB (+4 dBu)

    For Groups 1 to 4 Outputs:
    Test Condition: Master fader down, channel levels down
    Residual Noise: -98 dBu
    S/N Ratio: 102 dB (+4 dBu)

    Test Condition: Master fader nominal, channel levels down
    Residual Noise: -90 dBu
    S/N Ratio: 94 dB (+4 dBu)

    Test Condition: Master fader nominal, channel faders nominal, panned odd channels (left), even channels (right)
    Residual Noise: -83 dBu
    S/N Ratio: 87 dB (+4 dBu)

    For Aux 1 to 6 Outputs:
    Test Condition: All controls off
    Residual Noise: -101 dBu
    S/N Ratio: 105 dB (+4 dBu)

    Test Condition: All channel sends nominal, masters nominal
    Residual Noise: -81 dBu
    S/N Ratio: 85 dB (+4 dBu)
    Equivalent Input Noise -129 dBu (Microphone input terminated with 150 Ω)
    Crosstalk / Attenuation Adjacent Input Channels: -70 dB @ 1 kHz, typical
    Mute Button Attenuation: -80 dB @ 1 kHz, typical
    Left to Right Outputs: -70 dB @ 1 kHz, typical
    Channel Fader Kill: -80 dB @ 1 kHz, typical
    Common Mode Rejection Microphone Input:
    Minimum: -50 dB (20 Hz to 20 kHz)
    Typical: -60 dB @ 1 kHz
    Power
    Phantom Power +48 V
    Power Requirements Nominal: 100 to 240 VAC 50 / 60 Hz, 70 W nominal
    Indicators Signal / Clip:
    Yellow: -30 dBu
    Red: 2 dB below clipping
    Dimensions & Weight
    Dimensions (H x W x D) 7.8 x 32.5 x 18.8" (19.7 x 82.6 x 47.7 cm)
    Weight 30.0 lb (30.0 kg)
    Note: 0 dBu = 0.775 V RMS
    Minimum Input Level (sensitivity) is the smallest signal that will produce nominal output (+4 dBu) with channel and master faders set for maximum gain.
    Nominal settings are defined as all controls set at 0 dB (or 50% rotation for rotary controls) for nominal output. Microphone gain control is as specified.

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