Avid Technologies MC 7 with Nitris DX (AVC-Intra) & Elite Support (Activation Card)

Avid Technologies MC 7 with Nitris DX (AVC-Intra) & Elite Support (Activation Card)

Avid Technologies MC 7 with Nitris DX (AVC-Intra) & Elite Support (Activation Card)

B&H # AVMCNDXDAVIE MFR # 9935-65126-05
Avid Technologies MC 7 with Nitris DX (AVC-Intra) & Elite Support (Activation Card)

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Product Highlights

  • 64-Bit Architecture
  • Supports SD/HD/Stereoscopic(3D)/2K/4K/5K
  • Open Format Platform
  • Mix and Match Formats on Timeline
  • Built-In Effects and Titling
  • Up to 9 Camera Views in Multicam
  • Audio Keyframing in the Timeline
  • AVC-Intra Acceleration and Encoding
  • Dual Link SDI & Analog Video I/O
  • One Year Avid Support Plan
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  • 1Description

Avid MC 7 with Nitris DX (AVC-Intra) & Elite Support is a single license, electronic download of the 64-bit non-linear editing system for Mac or Windows computers, with one Nitris DX hardware unit and one year of Elite support. After purchase, you receive an activation card. The software must be registered with Avid before use, and it can only be registered on one computer at a time. Media Composer 7 allows you to work with most file formats and resolutions, including SD, HD, stereoscopic (3D), and resolutions above HD, using ACE certified editing tools. It also features built-in effects, transitions, and titling tools. With Media Composer 7, you can mix and match different formats, frame rates, and resolutions in the same timeline without rendering. Media Composer 7 features Full 4:4:4 HD RGB support, color correction tools, and ProRes encoding (Mac version only.)

Featuring built-in support for stereoscopic/3D footage, it is a full-fledged stereoscopic editing system. It is also compatible with a wide range of effects plug-ins. It features a multicam editing mode for cutting between 9 cameras simultaneously. For audio support, Media Composer 7 features built-in 7.1 surround sound support and audio mixing of up to 64 audio voices. It also features improved audio keyframing on the timeline and supports Pro Tools RTAS plug-ins. It supports available Avid and non-Avid hardware I/O cards and devices and comes bundled with Avid FX (Boris RED), Sorenson Squeeze, and AVID DVD, which allows you to author DVDs.

The Nitris DX performs real-time encoding to AVC-Intra, it also provides hardware acceleration to your system when handling files encoded as AVC-Intra, HDV, DVCPro25 and XDCAM EX. This frees up your system's CPU and GPU resources for other tasks including playback and effects rendering. It features SD/HD SDI, SD/HD component, composite, and S-Video I/O connectors. It also features HDMI out for monitoring. It supports ref sync in/out, Longitudinal Timecode (LTC), and Wordclock for digital audio sync. Optional expansion boards allow you to add full frame 3D (stereoscopic) functionality with AVC-Intra or you can add an optional board for AVDNxHD support.

What's New in Version 7

Dynamic Media Folders
Runs as a separate service on your system, working in the background so it doesn't interfere with your editing and it can run even when the Media Composer application is not running. You can automatically execute actions that you assign to the folder's profile. These actions include:
    • Transcode files placed in the folder to a specified resolution.
    • Copy files to a specific location.
    • Consolidate files.

Managed AMA Media
AMA Media is now tracked and can be loaded into Bins and the Media Tool, and in Avid interplay (if installed).

Background Services
Background services such as AMA Media and Dynamic Folders run in the background and can now be started and stopped from both outside and inside the edit system interface.

LUT Support
Media Composer 7 supports non-destructive addition of 1D and 3D LUTs (Look Up Tables) for making quick adjustments to your image. This is extremely useful when working with RAW footage, which tends to appear washed out, and allows you to work with your footage in a familiar color space, such as REC 709, and still make final color corrections later.

Audio
Audio gain can now be adjusted on a clip-by-clip basis in the timeline.

Clip Color
You can now highlight AMA clips used in the timeline in red, so you can tell which clips on your timeline are not playing back in Avid's native file format.

Mouse Scrolling
You no longer need to use a modifier key to use the mouse scroll wheel to navigate.

 

Editing
Full 64-Bit Power
The 64-bit architecture of Media Composer provides more processing power, larger editing bins, and a smoother editing experience with less waiting than with a 32-bit system.

Hardware Integration
Media Composer works as a standalone software editor, but it will also interface with available Avid I/O devices and control surfaces to expand the capabilities of your system. Additionally, using Avid's Open I/O, select third party I/O devices from AJA, Blackmagic Design, Bluefish444, Matrox, MOTU, and Mbox can be used with Media Composer.

Image Quality
With support for 4:4:4 HD-RGB color and DNxHD 444, you can work with virtually any media, from analog to the latest formats and codecs, while preserving the full-quality color detail from beginning to end.

American Cinema Editors Certified
Media Composer 7 offers ACE-certified editing tools and a wide range of features, workflows, and options.

Flexible and Powerful
Media Composer enables you to work the way you want. Trim and manipulate on the fly using the Smart Tool or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline without rendering. You can edit HD material in real time -- in mastering picture quality -- using Avid DNxHD or DNxHD 444.

Edit 3D
Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage. Capture, edit, and manage the complete 3D end-to-end workflow. In addition, you can mix and match 2D and stereoscopic 3D clips on the same track, and it features full-fledged editing tools and video effects for stereoscopic post production.

Multicam
It features a multicam mode, allowing you to edit with footage from up to 9 camera positions at the same time. Multicam now supports long GOP codecs such as XDCAM.

Color Correction
Media Composer 7 features an advanced 10-bit color corrector that allows you to accurately match colors from shot to shot using NaturalMatch. It supports 4:4:4 HD-RGB color space processing with keyframable color correction.

Relink Clips Using Common Metadata
With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields.

Hardware Release
With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware -- without disconnecting it -- to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between Media Composer 6.5 and other applications without quitting or rebooting the software.

Advanced Audio Keyframing
With audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes -- including groups -- anywhere on the timeline. You can even delete hidden audio keyframes that can occur as you trim a clip.

Mix Up to 64 Audio Voices
Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools.
Avid Media Access
Codec Support
Avid Media Access (AMA) allows you start editing immediately, without transcoding media to the DNxHD, the native Avid file format. This allows you to mix and match different formats, resolutions and framerates on the same timeline and edit as if all the files had the same resolution, file format and frame rate. AMA files behave the same as AVID DNxHD files, allowing you the flexibility to work with almost any file type with minimal performance sacrifices. You can also select edited clips in the timeline, and have them rendered to Avid's native file format. MC 7 will automatically update the clips when the background transcode is complete.

Supported Resolutions
Avid Media composer allows you to work with SD, HD, 2K, 4K, and 5K resolution.

Supported File Types
Arri Alexa MXF, RED (Epic, Scarlet-X, Red One), AVCHD, ProRes Quicktime, XDCAM, P2, Canon XF.

AMA Writeback
You can use AMA to export files back to the media's original source format for archiving or final delivery.

AMA Volume Export
You can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archiving.

Auto Relink
Edit titles directly from the timeline and automatically relink to all AMA QuickTime files.
Mastering
Version and Archive Finished Sequences
Media Composer 7 supports AS-02/AS-11 MXF formats, which allows you to manage multiple versions of the same sequence without duplicating assets, saving storage space. You can also move content between Avid and other systems that support AS-02/AS-11. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02/AS-11 workflow.

Master-Quality Archives with JPEG 2000
Encode and decode sequences -- in mastering quality -- using the JPEG 2000 codec, which helps preserve the quality of archival content.

Set and Output AFD Sequences
Active Format Description allows you to select image settings that carry display information in the output file. This information can be used to protect the way your project is displayed, even if down converted or displayed on a device with a different aspect ratio.
Bundled Software
Media Composer 7 includes Avid FX (Boris RED), Sorenson Squeeze, and Avid DVD.

Avid FX (Boris RED)
Add visual drama and depth with the built-in 2D and 3D effects, title tools, transitions, keying, and motion effects. Track and stabilize motion.

Avid DVD and Sorenson Squeeze
You can author DVDs and optimize media for high quality playback -- online or on disc. Author professional DVDs using Avid DVD, which works with Windows-based systems and Windows emulation on the Mac. With Sorenson Squeeze, you can optimize content in a variety of formats, including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP.
Avid Extras
Avid Marketplace Integration
Media Composer 7 integrates with Avid Marketplace so you can browse for stock footage, plug-ins, hardware, and training videos without opening another program.

Collaboration
Media Composer 7 allows you to share audio mixes with Pro Tools editors and vice-versa using AAF.

Nitris DX AVC-Intra

Real Time Encoding
Encodes to AVC-Intra in real time.
Input/Output
  • Dual Link support, RGB capture, composite, and  S-Video I/O.
  • Supports ADAT, XLR, 1/4", RCA analog, AES, S/PDIF.
  • All outputs are always active, for simultaneous synchronized audio and video on all connections.
  • Input audio pass-through mixing allows you to monitor the input audio without affecting the capture into Media Composer.
HD Anamorphic Support
When using anamorphic formats (thin raster) such as HDV, DVCPro25, or XDCAM EX, Nitris DX takes care of the resizing onboard, leaving more CPU and GPU cycles available for increased playback and effects performance.
Workflow
  • Cross-convert between 720 and 1080 formats
    Down-convert or up-convert between HD and SD formats.
  • Nitris DX allows you to capture and output ancillary data, such as closed captioning and AFD.
  • 24-frame SD workflow with Advanced Audio pull-down support for multiple audio sample rates with high-quality sample rate conversion on digital inputs.
Sync
  • Sync to different video and digital audio clocks, including Black Burst, Tri-level, AES, and S/PDIF.
  • Clock your audio output to a digital router while capturing video.
Flexible Architecture
  • The Nitris DX unit features two internal slots for compression/decompression (Codec) cards. It ships with one slot filled with the AVC-Intra card, and one slot available for an optional card.
  • Installing an available AVC-Intra card allows the Nitris DX to offer real-time, full frame stereoscopic (3D) support, with simultaneous left and right eye input, output and monitoring.
  • Installing an optional DNxHD card allows your Nitris DX to encode, decode, and accelerate both AVC-Intra and DNxHD.
  • The unit is scalable, which allows it to support future formats, protocols, connectivity, and emerging technologies.

Avid Support

Elite Support
Includes one year of Avid Elite support. Elite is a support plan from Avid that features 24/7 service with unlimited web support with one-hour response time, highest priority phone support, and complimentary software upgrades. Elite support also includes:

    • Code Blue Support - available when you need help solving a mission critical problem.
    • Customer Champion - at Avid's discretion, depending on the size of your account, Avid will assign you a personal contact throughout the life of your service contract.
    • Advance Exchange - during the support period, you will receive advanced equipment exchange, which entitles you to have Avid ship you replacement hardware for your Avid part, before Avid receives your original part.
    • Health Check - complimentary annual audit of your system for qualifying customers. Elite customers who don't qualify for the complimentary check are eligible for 40% discount on the Health Check.
In the Box
Avid Technologies MC 7 with Nitris DX (AVC-Intra) & Elite Support (Activation Card)
  • Nitris DX AVC-Intra External Hardware Accelerator & Input/Output Unit
  • Media Composer Avid Advantage Elite
  • Activation Card
  • Table of Contents
    • 1Description
    Media
    Native Codec Support Avid DNxHD 444
    All DNxHD 444 Formats

    Avid DNxHD
    All DNxHD formats

    Avid Compressed SD Resolutions
    AVR (playback only)
    15:1s, 4:1s, 2:1s
    20:1, 10:1, 3:1, 2:1
    35:1p, 28:1p, 14:1p, 3:1p, 2:1p
    4:1m, 10:1m, 3:1m(p), 8:1m(p)

    Avid Proxy Formats
    Interplay MPEG-2 proxy, MPEG-4 proxy, 720p H.264 proxy (transcode service only)

    Canon XF
    50 Mb/s, 4:2:2

    DV
    DV25 / DVCAM (25 Mb/s): 4:1:1 NTSC, 4:1:1 PAL, 4:2:0 PAL, 24p
    DV50 (50 Mb/s)

    HDV
    JVC HDV (19 Mb/s) 720p
    Sony HDV (25 Mb/s) 1080 @ 24p/25/50i/59.94i
    Canon HDV 1080 at 24p/50i/59.94i
    Native project formats: 1080i/59.94, 1080i/50, 720p/23.976 (with support for 24p material), 720p/25, 720p/29.97, 720p/50, 720/59.94
    Capture over IEEE-1394, edit, playback, export to file without timecode

    Ikegami GFCAM
    GFCAM 50 Mb/s
    GFCAM 100 Mb/s

    JVC ProHD
    Microsoft VC-1: VC-1 (edit/playback on Intel Macs only)

    Panasonic AVC-Intra

    Panasonic DVCPRO (SD)
    DVCPRO 25 Mb/s
    DVCPRO50 50 Mb/s

    Panasonic DVCPRO HD
    DVCPRO HD 100 Mb/s
    AVC-Intra (baseband capture over HD-SDI requires AVC-Intra encoding module with Avid Nitris DX-sold separately)
    Native project formats: 1080i/59.94, 1080i/50, 720p/59.94, 720p/50, 720p/25, 720p/23.976

    ProRes
    ProRes encode (Mac only) and decode
    Full metadata support

    Sony XDCAM (SD)
    DV 25 Mb/s
    IMX30 30 Mb/s
    IMX40 40 Mb/s
    IMX50 50 Mb/s
    Full ancillary data support through AMA

    Sony XDCAM EX
    MPEG 25 Mb/s CBR
    MPEG 35 Mb/s VBR
    Full ancillary data support through AMA

    Sony XDCAM HD
    MPEG 18 Mb/s VBR
    MPEG 25 Mb/s VBR
    MPEG 25 Mb/s CBR
    MPEG 35 Mb/s VBR
    MPEG 50 Mb/s CBR
    MPEG-4 Proxies
    Full ancillary data support through AMA
    Supported A/V Plug-In Formats Audio
    RTAS (Real-Time AudioSuite)
    AudioSuite

    Video
    AMA (Avid Media Access)
    AVX 2 (Avid Video Extension)
    Uncompressed SD and HD Video SD
    1:1 interlaced 8/10-bit
    1:1 progressive 8/10-bit

    HD
    1:1 8/10-bit
    YUV 4:2:2
    RGB 4:4:4 (via dual link HDSDI)
    File-Based Support ARRI ALEXA MXF

    AVCHD
    Full native direct access to AVCHD media and metadata
    Native editing of all listed formats

    Canon XF
    Full native direct access to Canon XF media and metadata
    Native editing of all listed formats (see "Native codec support")

    Ikegami GFCAM
    Full native direct access to GFCAM material and metadata
    Native GFCAM editing of all listed formats (see "Native codec support")
    Direct edit of GFCAM media from GFPAK cards or disk drive

    JVC ProHD

    MXF
    Full native direct access to MXF media and metadata
    Native editing of all formats

    Panasonic P2
    Full native direct access to P2 media and metadata
    Native DVCPRO HD and AVC-Intra editing of all listed HD formats
    Direct edit of P2 media from cards or disk drive
    Support for P2 Store
    Write-back of finished program to P2 media (Windows only)

    QuickTime
    Full native direct access to QuickTime media and metadata (including Canon 5D and 7D media)
    Full native ProRes encode (Mac only) and decode support
    Native editing of all listed formats (see "Native codec support")
    Direct edit of QuickTime movie files

    RED
    Full native direct access to RED (.R3D) media and metadata (frame size scaled to HD)
    Full native direct access to RED ONE, EPIC, SCARLET-X (5K/4.5K/3K2K RAW, 1080p RGB, and 720p RGB) material
    Native editing of all listed formats
    Direct edit of RED (.R3D) files from a RED-FLASH card or RED-DRIVE

    Sony HDCAM SR Lite
    Full native direct access to HDCAM SR Lite media and metadata
    Native editing of all listed HD data rates (see "Native codec support")

    Sony XDCAM / XDCAM EX / XDCAM HD
    Full native direct access to XDCAM media and metadata
    Support for optical media and SxS cards
    Native editing of all listed SD and HD data rates (see "Native codec support")
    Full ancillary data support
    Import via File Access Mode (FAM) over IEEE-1394
    Ingest via FTP client over Ethernet
    Play-out and Write-back of finished program to XDCAM media
    Supported Project Formats NTSC
    23.976p/24p/30i

    PAL
    24p/25i/25p

    HD
    720p 23.976/25/29.97/50/59.94
    1080p 23.976/24,/25/29.97
    1080i 59.94/50
    Nitris DX
    Inputs SDI: 1 x SD SDI, 2 x HD SDI
    HD-SDI: Input A, Dual-link HD-SDI (RGB 4:4:4)-Inputs A & B

    Analog video: Component (HD, SD), Composite (SD), S-Video (SD)
    Analog audio: 4-channel balanced XLR, 2-channel balanced TRS

    Digital audio: 8-channel AES (XLR via breakout cable), 8-channel ADAT, 2-channel optical S/PDIF, 8-channels of SDI embedded audio
    LTC
    Sync (Black Burst or Tri-level)

    Note: the serial port is for factory use only, and provides no user functionality.
    Outputs SDI: 1 x SD SDI, 2 x HD SDI (HD-SDI-Outputs A and B are identical, not selectable)
    Dual-link HD-SDI (RGB 4:4:4) Outputs A & B
    Analog video: Component (HD, SD), Composite (SD), S-Video (SD)
    HDMI- All rates supported
    Analog audio: 4-channel balanced XLR, 2-channel balanced TRS
    Digital audio: 8-channel AES (XLR via breakout cable), 8-channel ADAT, 2-channel optical S/PDIF
    SDI embedded audio: 8 channels on SD-SDI, 16 on HD-SDI
    LTC
    Sync (loop through)
    Audio Word clock
    Power 75 W typical, 113 W maximum
    Dimensions W x D: 2U rack, 19.0 x 9.7" (48.3 x 24.6 cm)
    Weight 13.0 lb (5.8 kg)
    System Requirements
    Computer Avid-qualified Windows- or Mac-based computer.

    Note: video on laptops is limited to 1 stream of uncompressed SD video, except for Windows-based Intel Core i7 laptops (Quad Core with Hyper-Threading) with eSATA storage, which can play multiple streams.
    Operating System Windows 7 Professional SP1 (64-bit), Windows 8 Professional or Enterprise (64-bit)
    Mac OS X Lion and Mountain Lion (64-bit).

    Note: Avid does not supply support for non-Avid-qualified systems.
    Processor Intel Quad Core i7 or Quad Core Xeon processor
    Memory 4 GB RAM minimum (6+ GB recommended)
    8 GB RAM minimum required to support Interplay Sphere, background transcoding, and Dynamic Media Folders
    16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic Media Folders, FrameFlex 4 K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
    Graphics Card Mac
    NVIDIA GeForce family (recommended), Intel HD4000, or ATI Radeon family (as supported by Apple)

    Windows
    NVIDIA Quadro FX family3 (Q600 or higher recommended), Intel HD4000

    NVIDIA cards are recommended; full-screen playback requires a minimum of 128 MB of graphics memory.

    Internal Hard Drive Minimum 250 GB, 7,200 rpm SATA drive or 128 GB SSD
    Compatibility QuickTime: Avid has tested and qualified Apple QuickTime X for Mac users and QuickTime 7.6.9 for Windows users
    Windows Media Player: Microsoft Windows Media Player 11 is required to export certain formats and to work with VC-1 material

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