Avid MC 7 Interplay Edition with Mojo DX & Elite Support (Activation Card)

Avid MC 7 Interplay Edition with Mojo DX & Elite Support (Activation Card)

Avid MC 7 Interplay Edition with Mojo DX & Elite Support (Activation Card)

B&H # AVMCIMDXELIT MFR # 9935-65494-02

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Expected availability: 7-14 business days

Product Highlights

  • Compatible with Avid Interplay Solutions
  • Supports SD/HD/Stereoscopic(3D)/2K/4K/5K
  • Mix and Match Formats on Timeline
  • Built-In Effects and Titling
  • Up to 9 Camera Views in Multicam
  • Audio Keyframing in the Timeline
  • 7.1 Surround Sound & RTAS Plug-Ins
  • HD/SD-SDI Input/Output
  • HDMI Monitoring Output
  • Avid Support Plan
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This item is noncancelable and nonreturnable.

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Official Rules


NO PURCHASE IS NECESSARY TO ENTER OR WIN. The B&H $500.00 Gift Card Dash (the "Sweepstakes") is void where prohibited by law and is sponsored by B&H Foto & Electronics Corp., 440 Ninth Avenue, New York, NY 10001 ("Sponsor"). It is not sponsored or endorsed by Facebook or Twitter in any way.

Entry Period/Methods of Entry. The Sweepstakes will run from on or about October 28, 2018 until on or about December 23, 2018 (the "Entry Period"). Entries received outside the Entry Period are void. Enter the Sweepstakes via either one of the following methods. (1) Share any product found on the B&H website (the "Website") on Facebook or Twitter via the dedicated links contained on the website using the hashtag #BHWishlist; or (2) Mail a postcard (postmarked during the Entry Period) containing your name, address, phone number, and email address, and indicate the subject(s), if any, about which you are interested in receiving future emails from B&H (e.g. photo, video, audio, computers, home theater, portable entertainment ) (optional) to: B&H $500.00 Gift Card Dash Sweepstakes, c/o B&H Foto & Electronics Corp., 440 Ninth Avenue, New York, NY 10001 (either option, an "Entry"). Entries must not, in the sole and absolute discretion of the Sponsor, contain obscene, provocative, defamatory, sexually explicit, or otherwise objectionable or inappropriate content. Entries deemed by Sponsor to be inappropriate will be disqualified. Entries owned by a third party, or the use of any trademarks, service marks, logos, brands, or products owned by a third party are not acceptable for entry into the Sweepstakes. Limit 1 entry per person, per day.

Winner Selection/Prizes/Odds. The B&H Social Team will randomly select a winner from among all eligible entries every Monday during the Entry Period, for a total eight (8) winners (each a "Winner"). Each Winner will receive a B&H Gift Card pre-valued in the amount of $500.00. No cash or other substitutions will be offered. Winner selection is in the sole and absolute discretion of the B&H Social Team. Any taxes are the sole responsibility of the winner. Winners will be notified and receive their prize at the email address associated with the account to which their Entry was posted or the email account provided with a mail-in entry. The odds of winning depend on the number of eligible entries received.

Identity of Winners/Eligible Participants. Winners will be identified by the email account associated with the Facebook or Twitter account from which their Entry was submitted or the email account provided with a mail-in entry. An email account holder shall mean the natural person assigned to such email account by the internet access or online service provider or other organization responsible for assigning email addresses for the domain associated with such email account. Any issues regarding the identity of a Winner shall be resolved by Sponsor in its sole discretion. The Sweepstakes is only open to residents of the United States that are at least eighteen (18) years of age on their entry date and is not open to employees of Sponsor, their immediate family, any person domiciled with such employees, or any affiliates or subsidiaries of Sponsor.

Entry Ownership/Entrant Agreements. Entrants retain full ownership and copyrights to their Submission. However, by entering the Sweepstakes entrants grant Sponsor permission to use their Entries for promotional purposes on their respective social media channels with proper credit. Entrants also agree: (a) to be bound by these Official B&H $500.00 Gift Card Dash Sweepstakes Rules; (b) that any claims related to this Sweepstakes shall be resolved individually without resort to any form of class action and that awards, shall be limited to actual out-of-pocket costs incurred in entering the Sweepstakes, and shall not include incidental or consequential damages or attorneys fees; and (c) that any actual or perceived ambiguities in these rules shall be interpreted by Sponsor in their sole discretion.

Limitation of Liability/Sponsor Modification/Cancellation Rights/ Choice of Law/ Venue/ Winners List. Sponsor is not responsible for incomplete entries or for failure to receive entries due to technical failures or human error of any kind. Winners agree that Sponsor will have no responsibility for losses or damage of any kind resulting from the acceptance, possession, or use of the prizes. Except where prohibited, participation in the Sweepstakes constitutes entrant's consent to the publication of his or her name by Sponsor in any media for commercial or promotional purposes without limitation or further compensation subject to Sponsor's respective Privacy Policies. Sponsor may modify or discontinue the Sweepstakes at any time and may disqualify from the Sweepstakes any person it determines, in its sole discretion, to have attempted to or actually tampered with or otherwise abused any aspect of the Sweepstakes. Entrants agree that in the unlikely event a dispute arises in connection with this Sweepstakes, it will be governed by the laws of the State of New York and heard exclusively in a court of applicable jurisdiction in the County and State of New York irrespective of any choice of law provisions to the contrary. To receive names of the winners by U.S. mail, please mail a self-addressed stamped envelope to: B&H Foto & Electronics Corp., Attn: B&H $500.00 Gift Card Dash Sweepstakes, 440 Ninth Avenue, New York, NY 10001. Any Winners List request must be received by B&H within one (1) year of the date the Sweepstakes is conducted.

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Avid 9935-65494-02 overview

  • 1Description

Avid MC 7 Interplay Edition with Mojo DX & Elite Support is a single license of the 64-bit non-linear editing system for Mac or Windows computers and is compatible with available Avid Interplay solutions, allowing it to interface with your existing Interplay system. You receive an activation card to activate the software on one computer. Media Composer 7 allows you to work with most file formats and resolutions, including SD, HD, stereoscopic (3D), and resolutions above HD, using ACE certified editing tools. It also features built-in effects, transitions, and titling tools. With Media Composer 7, you can mix and match different formats, frame rates, and resolutions in the same timeline without rendering. Media Composer 7 features Full 4:4:4 HD RGB support, color correction tools, and ProRes encoding (Mac version only.)

Featuring built-in support for stereoscopic/3D footage, it is a full-fledged stereoscopic editing system. It is also compatible with a wide range of effects plug-ins. It features a multicam editing mode for cutting between 9 cameras simultaneously. For audio support, Media Composer 7 features built-in 7.1 surround sound support and audio mixing of up to 64 audio voices. It also features improved audio keyframing on the timeline and supports Pro Tools RTAS plug-ins. It supports available Avid and non-Avid hardware I/O cards and devices and comes bundled with Avid FX (Boris RED), Sorenson Squeeze, and AVID DVD, which allows you to author DVDs.

Avid's Mojo DX is an I/O device that connects to your computer using the included PCIe board. It provides input/output support for SD/HD-SDI, SDI embedded audio and two channels of Optical SPDIF or eight channels of Optical ADAT. It features an HDMI monitoring output, stereo headphone jack, and RS-422 control.

Compatible with Avid Interplay
This version is compatible with available Avid Interplay solutions, which provide enhanced access to media, ingest automation, distribution, analytics, and rights management.

What's New in Version 7

Dynamic Media Folders
Runs as a separate service on your system, working in the background so it doesn't interfere with your editing and it can run even when the Media Composer application is not running. You can automatically execute actions that you assign to the folder's profile. These actions include:
    • Transcode files placed in the folder to a specified resolution.
    • Copy files to a specific location.
    • Consolidate files.

Managed AMA Media
AMA Media is now tracked and can be loaded into Bins and the Media Tool, and in Avid interplay (if installed).

Background Services
Background services such as AMA Media and Dynamic Folders run in the background and can now be started and stopped from both outside and inside the edit system interface.

LUT Support
Media Composer 7 supports non-destructive addition of 1D and 3D LUTs (Look Up Tables) for making quick adjustments to you image. This is extremely useful when working with RAW footage, which tends to appear washed out, and allows you to work with your footage in a familiar color space, such as REC 709, and still make final color corrections later.

Audio gain can now be adjusted on a clip-by-clip basis in the timeline.

Clip Color
You can now highlight AMA clips used in the timeline in red, so you can tell which clips on your timeline are not playing back in Avid's native file format.

Mouse Scrolling
You no longer need to use a modifier key to use the mouse scroll wheel to navigate.


Full 64-Bit Power
The 64-bit architecture of Media Composer provides more processing power, larger editing bins, and a smoother editing experience with less waiting than with a 32-bit system.

Hardware Integration
Media Composer works as a standalone software editor, but it will also interface with available Avid I/O devices and control surfaces to expand the capabilities of your system. Additionally, using Avid's Open I/O, select third party I/O devices from AJA, Blackmagic Design, Bluefish444, Matrox, MOTU, and Mbox can be used with Media Composer.

Image Quality
With support for 4:4:4 HD-RGB color and DNxHD 444, you can work with virtually any media, from analog to the latest formats and codecs, while preserving the full-quality color detail from beginning to end.

American Cinema Editors Certified
Media Composer 7 offers ACE-certified editing tools and a wide range of features, workflows, and options.

Flexible and Powerful
Media Composer enables you to work the way you want. Trim and manipulate on the fly using the Smart Tool or perform ultra-precise edits using traditional tools. Mix and match media formats, frame rates, resolutions, and more in the same timeline without rendering. You can edit HD material in real time -- in mastering picture quality -- using Avid DNxHD or DNxHD 444.

Edit 3D
Edit stereoscopic 3D material as quickly and easily as you do with standard 2D footage. Capture, edit, and manage the complete 3D end-to-end workflow. In addition, you can mix and match 2D and stereoscopic 3D clips on the same track, and it features full-fledged editing tools and video effects for stereoscopic post production.

It features a multicam mode, allowing you to edit with footage from up to 9 camera positions at the same time. Multicam now supports long GOP codecs such as XDCAM.

Color Correction
Media Composer 7 features an advanced 10-bit color corrector that allows you to accurately match colors from shot to shot using NaturalMatch. It supports 4:4:4 HD-RGB color space processing with keyframable color correction.

Relink Clips Using Common Metadata
With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields.

Hardware Release
With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware -- without disconnecting it -- to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between Media Composer 6.5 and other applications without quitting or rebooting the software.

Advanced Audio Keyframing
With audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes -- including groups -- anywhere on the timeline. You can even delete hidden audio keyframes that can occur as you trim a clip.

Mix Up to 64 Audio Voices
Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools.
Avid Media Access
Codec Support
Avid Media Access (AMA) allows you start editing immediately, without transcoding media to the DNxHD, the native Avid file format. This allows you to mix and match different formats, resolutions and framerates on the same timeline and edit as if all the files had the same resolution, file format and frame rate. AMA files behave the same as AVID DNxHD files, allowing you the flexibility to work with almost any file type with minimal performance sacrifices. You can also select edited clips in the timeline, and have them rendered to Avid's native file format. MC 7 will automatically update the clips when the background transcode is complete.

Supported Resolutions
Avid Media composer allows you to work with SD, HD, 2K, 4K, and 5K resolution.

Supported File Types
Arri Alexa MXF, RED (Epic, Scarlet-X, Red One), AVCHD, ProRes Quicktime, XDCAM, P2, Canon XF

AMA Writeback
You can use AMA to export files back to the media's original source format for archiving or final delivery.

AMA Volume Export
You can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archiving.

Auto Relink
Edit titles directly from the timeline and automatically relink to all AMA QuickTime files.
Version and Archive Finished Sequences
Media Composer 7 supports AS-02/AS-11 MXF formats, which allows you to manage multiple versions of the same sequence without duplicating assets, saving storage space. You can also move content between Avid and other systems that support AS-02/AS-11. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02/AS-11 workflow.

Master-Quality Archives with JPEG 2000
Encode and decode sequences -- in mastering quality -- using the JPEG 2000 codec, which helps preserve the quality of archival content.

Set and Output AFD Sequences
Active Format Description allows you to select image settings that carry display information in the output file. This information can be used to protect the way your project is displayed, even if down converted or displayed on a device with a different aspect ratio.
Bundled Software
Media Composer 7 includes Avid FX (Boris RED), Sorenson Squeeze, and Avid DVD.

Avid FX (Boris RED)
Add visual drama and depth with the built-in 2D and 3D effects, title tools, transitions, keying, and motion effects. Track and stabilize motion.

Avid DVD and Sorenson Squeeze
You can author DVDs and optimize media for high quality playback -- online or on disc. Author professional DVDs using Avid DVD, which works with Windows-based systems and Windows emulation on the Mac. With Sorenson Squeeze, you can optimize content in a variety of formats, including HD, DVD, MPEG-2, MPEG-4/H.264, Flash, and 3GPP.
Avid Extras
Avid Marketplace Integration
Media Composer 7 integrates with Avid Marketplace so you can browse for stock footage, plug-ins, hardware, and training videos without opening another program.

Media Composer 7 allows you to share audio mixes with Pro Tools editors and vice-versa using AAF.
Mojo DX
The Mojo DX hardware interface device is a desk mounted unit, which can also be rack mounted. It provides input/output support for SD/HD-SDI video, including thin rastar formats such as HDV, and analog/digital audio.
Avid Support
Elite is a support plan from Avid that features 24/7 service with unlimited web support with one-hour response time, highest priority phone support, and complimentary software upgrades. Elite support also includes:

    • Code Blue Support - available when you need help solving a mission critical problem.
    • Customer Champion - at Avid's discretion, depending on the size of your account, Avid will assign you a personal contact throughout the life of your service contract.
    • Advance Exchange - during the support period, you will receive advanced equipment exchange, which entitles you to have Avid ship you replacement hardware for your Avid part, before Avid receives your original part.
    • Health Check - complimentary annual audit of your system for qualifying customers. Elite customers who don't qualify for the complimentary check are eligible for 40% discount on the Health Check.
In the Box
Avid MC 7 Interplay Edition with Mojo DX & Elite Support (Activation Card)
  • Media Composer 7.0
  • Mojo DX I/O & Monitoring Hardware swtxzxexbsattceywzv
  • Media Composer Avid Advantage Elite
  • Table of Contents
    • 1Description

    Avid 9935-65494-02 specs

    Native Codec Support Avid DNxHD 444
    All DNxHD 444 Formats

    Avid DNxHD
    All DNxHD formats

    Avid Compressed SD Resolutions
    AVR (playback only)
    15:1s, 4:1s, 2:1s
    20:1, 10:1, 3:1, 2:1
    35:1p, 28:1p, 14:1p, 3:1p, 2:1p
    4:1m, 10:1m, 3:1m(p), 8:1m(p)

    Avid Proxy Formats
    Interplay MPEG-2 proxy, MPEG-4 proxy, 720p H.264 proxy (transcode service only)

    Canon XF
    50 Mb/s, 4:2:2

    DV25 / DVCAM (25 Mb/s): 4:1:1 NTSC, 4:1:1 PAL, 4:2:0 PAL, 24p
    DV50 (50 Mb/s)

    JVC HDV (19 Mb/s) 720p
    Sony HDV (25 Mb/s) 1080 @ 24p/25/50i/59.94i
    Canon HDV 1080 at 24p/50i/59.94i
    Native project formats: 1080i/59.94, 1080i/50, 720p/23.976 (with support for 24p material), 720p/25, 720p/29.97, 720p/50, 720/59.94
    Capture over IEEE-1394, edit, playback, export to file without timecode

    Ikegami GFCAM
    GFCAM 50 Mb/s
    GFCAM 100 Mb/s

    JVC ProHD
    Microsoft VC-1: VC-1 (edit/playback on Intel Macs only)

    Panasonic AVC-Intra

    Panasonic DVCPRO (SD)
    DVCPRO 25 Mb/s
    DVCPRO50 50 Mb/s

    Panasonic DVCPRO HD
    DVCPRO HD 100 Mb/s
    AVC-Intra (baseband capture over HD-SDI requires AVC-Intra encoding module with Avid Nitris DX-sold separately)
    Native project formats: 1080i/59.94, 1080i/50, 720p/59.94, 720p/50, 720p/25, 720p/23.976

    ProRes encode (Mac only) and decode
    Full metadata support

    Sony XDCAM (SD)
    DV 25 Mb/s
    IMX30 30 Mb/s
    IMX40 40 Mb/s
    IMX50 50 Mb/s
    Full ancillary data support through AMA

    Sony XDCAM EX
    MPEG 25 Mb/s CBR
    MPEG 35 Mb/s VBR
    Full ancillary data support through AMA

    Sony XDCAM HD
    MPEG 18 Mb/s VBR
    MPEG 25 Mb/s VBR
    MPEG 25 Mb/s CBR
    MPEG 35 Mb/s VBR
    MPEG 50 Mb/s CBR
    MPEG-4 Proxies
    Full ancillary data support through AMA
    Supported A/V Plug-In Formats Audio
    RTAS (Real-Time AudioSuite)

    AMA (Avid Media Access)
    AVX 2 (Avid Video Extension)
    Uncompressed SD and HD Video SD
    1:1 interlaced 8/10-bit
    1:1 progressive 8/10-bit

    1:1 8/10-bit
    YUV 4:2:2
    RGB 4:4:4 (via dual link HDSDI)
    File-Based Support ARRI ALEXA MXF

    Full native direct access to AVCHD media and metadata
    Native editing of all listed formats

    Canon XF
    Full native direct access to Canon XF media and metadata
    Native editing of all listed formats (see "Native codec support")

    Ikegami GFCAM
    Full native direct access to GFCAM material and metadata
    Native GFCAM editing of all listed formats (see "Native codec support")
    Direct edit of GFCAM media from GFPAK cards or disk drive

    JVC ProHD

    Full native direct access to MXF media and metadata
    Native editing of all formats

    Panasonic P2
    Full native direct access to P2 media and metadata
    Native DVCPRO HD and AVC-Intra editing of all listed HD formats
    Direct edit of P2 media from cards or disk drive
    Support for P2 Store
    Write-back of finished program to P2 media (Windows only)

    Full native direct access to QuickTime media and metadata (including Canon 5D and 7D media)
    Full native ProRes encode (Mac only) and decode support
    Native editing of all listed formats (see "Native codec support")
    Direct edit of QuickTime movie files

    Full native direct access to RED (.R3D) media and metadata (frame size scaled to HD)
    Full native direct access to RED ONE, EPIC, SCARLET-X (5K/4.5K/3K2K RAW, 1080p RGB, and 720p RGB) material
    Native editing of all listed formats
    Direct edit of RED (.R3D) files from a RED-FLASH card or RED-DRIVE

    Sony HDCAM SR Lite
    Full native direct access to HDCAM SR Lite media and metadata
    Native editing of all listed HD data rates (see "Native codec support")

    Full native direct access to XDCAM media and metadata
    Support for optical media and SxS cards
    Native editing of all listed SD and HD data rates (see "Native codec support")
    Full ancillary data support
    Import via File Access Mode (FAM) over IEEE-1394
    Ingest via FTP client over Ethernet
    Play-out and Write-back of finished program to XDCAM media
    Supported Project Formats NTSC


    720p 23.976/25/29.97/50/59.94
    1080p 23.976/24,/25/29.97
    1080i 59.94/50
    Mojo DX
    Connectors Video Input
    SD/HD-SDI: 1 x BNC

    Audio Input
    Analog: 2 x 1/4" TRS
    SPDIF/ADAT: 1 x TOSlink

    Video Output
    SD/HD-SDI: 1 x BNC
    Monitoring: 1 x HDMI

    Audio Output
    Analog: 2 x 1/4" TRS
    SPDIF/ADAT: 1 x TOSlink
    Headphone: 1 x 3.5mm TRS

    Ref Sync: 1 x BNC (Blackburst or Tri-Level Sync)
    Audio Clock Out: 1 x BNC (Output only)
    RS 422: 9-pin
    Host PCIe
    Thin Rastar Format Support HDV
    System Requirements
    Computer Avid-qualified Windows- or Mac-based computer.

    Note: video on laptops is limited to 1 stream of uncompressed SD video, except for Windows-based Intel Core i7 laptops (Quad Core with Hyper-Threading) with eSATA storage, which can play multiple streams.
    Operating System Windows 7 Professional SP1 (64-bit), Windows 8 Professional or Enterprise (64-bit)
    Mac OS X Lion and Mountain Lion (64-bit).

    Note: Avid does not supply support for non-Avid-qualified systems.
    Processor Intel Quad Core i7 or Quad Core Xeon processor
    Memory 4 GB RAM minimum (6+ GB recommended)
    8 GB RAM minimum required to support Interplay Sphere, background transcoding, and Dynamic Media Folders
    16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic Media Folders, FrameFlex 4 K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
    Graphics Card Mac
    NVIDIA GeForce family (recommended), Intel HD4000, or ATI Radeon family (as supported by Apple)

    NVIDIA Quadro FX family3 (Q600 or higher recommended), Intel HD4000

    NVIDIA cards are recommended; full-screen playback requires a minimum of 128 MB of graphics memory.

    Internal Hard Drive Minimum 250 GB, 7,200 rpm SATA drive or 128 GB SSD
    Compatibility QuickTime: Avid has tested and qualified Apple QuickTime X for Mac users and QuickTime 7.6.9 for Windows users
    Windows Media Player: Microsoft Windows Media Player 11 is required to export certain formats and to work with VC-1 material

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