Rokinon 16mm T2.2 Cine Lens for Nikon F

Rokinon 16mm T2.2 Cine Lens for Nikon F

Rokinon 16mm T2.2 Cine Lens for Nikon F

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Rokinon 16mm T2.2 Cine Lens for Nikon F

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Rokinon 16mm T2.2 Cine Lens for Nikon F

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Product Highlights

  • Covers APS-C Sized Sensors
  • Standard Gearing for Focus and Iris
  • De-Clicked Aperture Ring
  • Aspherical Lens Elements
  • Multi-Layer Coating to Reduce Flare
  • Depth of Field Markings
  • Min. Focus Distance of 7.87 Inches
  • Bayonet Mount Lens Hood
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Reg. Price: $399.00

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  • 1Description

The Rokinon 16mm T2.2 Cine Lens for Nikon F is a wide-angle lens optimized for digital cinematography. The lens produces an image circle that will cover APS-C sized sensors or smaller. The focus and aperture rings feature industry-standard 0.8 pitch gearing for attaching a follow focus unit. The aperture ring is also de-clicked to allow for smooth iris pulls while shooting. Focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers, who typically operates on the side of the camera.

The 16mm T2.2 lens is constructed out of 13 individual elements in 11 groups, including one aspherical and one hybrid aspherical element. Aspherical elements help minimize unwanted distortion and chromatic aberrations. The lens also has a multi-layer coating to reduce flares and maintain image contrast in bright conditions.

With an angle of view of 83.1°, the lens is well-suited for shooting landscapes, architecture, and for use in tight interior locations. A maximum aperture of T2.2 means that the lens is effective in low-light shooting and can produce a shallow depth of field when the lens is closer to the subject. The lens has a minimum focus distance of 7.87". A bayonet-mount lens hood and lens pouch come included with the lens.

  • 16mm lens with 83.1° angle-of-view
  • Image Circle covers APS-C sized sensors
  • Industry Standard 0.8 pitch gearing on Focus and Iris rings
  • De-clicked aperture for smooth focus pulls
  • 13 elements in 11 groups with an aspherical and a hybrid aspherical lens element
  • Ultra Multi Coating on lens minimizes flares and ghosting
  • Depth of Field markings on side of the lens
  • A minimum focusing distance of 7.87 inches
  • Includes bayonet mount lens hood
UPC: 084438761689
Focal Length 16mm
Lens Mount Nikon F
Format Super 35/APS-C
Image Circle Not Specified by Manufacturer
Maximum T-Stop T2.2
Minimum T-Stop T22
Diagonal Angle of View Super 35: 83.1°
Minimum Focus Distance from Image Plane 7.9" / 20 cm
Optical Design 13 Elements in 11 Groups
Iris Blades 8
Gear MOD & Pitch Focus: 0.8 MOD / 32 Pitch
Iris: 0.8 MOD / 32 Pitch
Front Diameter Not Specified by Manufacturer
Filter Thread 77 mm
Focus Scales Not Specified by Manufacturer
Electronic Communication Not Specified by Manufacturer
Tripod Mounting Thread Not Specified by Manufacturer
Dimensions (W x H) 3.27 x 3.27" / 83.1 x 83.1 mm
Length 3.4" / 86.9 mm
Weight 20.1 oz / 571.0 g
Packaging Inforbqfvftvzddvz
Package Weight 2.05 lb
Box Dimensions (LxWxH) 8.8 x 6.7 x 4.8"
16mm T2.2 Cine Lens for Nikon F is rated 4.3 out of 5 by 3.
Rated 4 out of 5 by from Great Lens, Excellent Value! I do wedding videography as a side business, and also love to do astrophotography as well. This lens focuses smooth and sharp, and the pre-geared rings make using a follow focus much cleaner and simpler. After reading lots of rave reviews, this lens lives up to them! Low coma on star pictures is great, and the fast T2.2 max aperture is awesome, especially with the low price. Great buy! Only downsides are its a bit on the heavy side, and since its non CPU there is a bit more legwork for proper exposure. But for video and star work, you're mostly doing that anyway, so no real loss there.
Date published: 2015-07-08
Rated 4 out of 5 by from APS-C Sized Sensor Covers 5K WS I was worried that I would be limited using this lens with a Nikon mount on a RED Scarlet Dragon, but it covers 5K Widescreen without vignetting.
Date published: 2014-08-11
Rated 5 out of 5 by from Solid videographer's delight On an APS-C sensor, the 16mm gives that little extra width the 24mm can't without introducing objectionable distoriton. Wide open at T2.2, the image is a little soft in the corners, but to see the difference, you're covering such a broad field that the corners are an appreciable different distance from the center of the field. Close focus and wide field with little distortion = videographer's delight
Date published: 2015-06-17
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