View the latest Canon models & learn all about them


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  • C300 Mark II
  • C100 Mark II
  • EOS C700
  • EOS C200
Canon EOS C300 Mark II

Canon's second generation C300 model incorporates new Canon technologies to further advance the Cinema EOS line. The front-end has a new CMOS sensor with the critically-acclaimed Dual-Pixel AF technology for reliable and smooth autofocus. At the back end, Dual Canon DIGIC DV 5 processors can record 4K XF-AVC files to CFAST 2.0 cards and output 4K raw data streams.

Top Highlights
  • Super 35mm CMOS Sensor
  • 4K,1920x1080 60/50i, 23.98/25p True 24p
  • Canon XF AVC H.264 Codec
Reg $15,999.00 Save $4,000.00 Shop Now
Canon EOS C100 Mark II

Ever the darling of event videographers, documentarians, and indie filmmakers, Canon's C100 series has always offered Canon's cinema-grade hardware at a more affordable price point. The second iteration of the C100 series offers updates by the way of Dual-Pixel AF, a tilting/swiveling viewfinder screen and updated EVF, and internal MP4 recording.

Top Highlights
  • Super 35mm 8.3MP CMOS Sensor + EF Mount
  • 1920x1080p 59.94/50/29.97/25/23.98
  • Built-In Dual Pixel CMOS AF Hardware
  • AVCHD + MP4 Recording
Reg $5,499.00 Save $1,500.00 Shop Now
Canon EOS C700 Cinema Camera

Canon's new flagship camera is a production powerhouse all on its own, with built-in flexibility that adapts to almost every type of shooting scenario.

The C700 features a customizable, modular design with video, audio, control, and power inputs and outputs suitable for everything from ENG-style run-and-gun to high-budget cinema productions, plus native V-mount battery support via an installed IDX battery plate — a first for Cinema EOS cameras.

Featured Highlights
  • Super 35mm CMOS Sensor
  • EF Cinema Lock Type Mount
  • Up to 15 Stops of Dynamic Range
  • Dual Pixel CMOS AF
Canon EOS C200 EF Cinema Camera

Canon's EOS C200 EF Cinema Camera features a built-in EVF, 4" LCD screen, top handle, Super 35mm CMOS sensor, and Dual Pixel Autofocus. The EF lens mount on the EOS C200 offers compatibility not only with Canon's existing broad range of DSLR lenses but also with their line of EF-mount CN-E cinema prime and zoom lenses. The Super 35mm sensor is paired with Canon's Dual DIGIC DV 6 image processor, allowing it to capture and record up to 4K DCI resolution.

Top Highlights
  • Super 35mm CMOS Sensor
  • Dual Pixel CMOS AF Technology
  • Dual DIGIC DV 6 Processors
  • 4K DCI and UHD, 1920 x 1080
C300 Mark II
C100 Mark II
EOS C700
EOS C200
Sensor Super 35mm (4096 x 2160 effective) Super 35mm (3840 x 2160 effective) Super 35mm (4512 x 2376 effective) Super 35mm (4096 x 2160 effective)
Processor Dual DIGIC DV 5 DIGIC DV 4 Triple DIGIC DV 5 Dual DIGIC DV 6
INTERNAL RECORDING FORMATS XF-AVC (MXF File Format) AVC, MP4 ProRes 4444, ProRes 422HQ, XF-AVC Cinema RAW Light, MP4
MAXIMUM RESOLUTION 4K (4096x2160) FULL HD (1920x1080) 4.5K (4512x2376) 4K (4096x2160)
MAXIMUM BIT RATE/DEPTH 410 Mbps (4K), 12-Bit (2K), 10-Bit (4K) 35 Mbps, 8-bitHDR10 content support [55⿝ and above] 2.65 Gbps (4K Raw 30fps), Up to 810Mbps (XF- AVC), 12-BitDolby Vision⿢ and HDR10 content support Up to 1Gbps (Cinema RAW Light), Up to 150Mbps (MP4), 12-Bit (4K Cinema RAW Light)
CODEX CDX-36150 RECORDER N/A N/A 4.5K RAW to 100fps, 4K ProRes to 60fps, 2K ProRes to 120fps, 2K ProRes (with crop) to 240fps N/A
MAX FRAME RATES 4K up to 30fps, 2K up to 60fps 60fps 120fps in 4K, 240fps in 2K (with crop) 60fps in 4K (Cinema RAW Light & MP4), 120fps in HD (MP4)
LENS MOUNT EF or PL (Switchable to Locking EF) EF Locking EF or PL EF
MEDIA CARD SLOTS 2x CFast, 1x SD 2x SD 2x CFast, 1x SD 2x SD (MP4), 1x CFast (Cinema RAW Light)
Video Output 3G-SDI, HDMI HDMI SDI (4 sets), HDMI HDMI, SDI
Output Resolutions 4K RAW up to 30fps (3G-SDI), 1920x1080 HDMI (4:2:2, 8-bit) 1920x1080 HDMI (4:2:2, 8-bit) 4K RAW up to 60fps FULL HD over SDI, 4K HDMI (8-bit, 4:2:2)
AUTOFOCUS SYSTEM Dual Pixel CMOS AF Dual Pixel CMOS AF Dual Pixel CMOS AF Dual Pixel CMOS AF with Touch Screen
WEIGHT (body only) 3.9 lbs 2.5 lbs 7.6 lbs 3.2 lbs
Filmmakers and Cinematographers Who Use Canon
Interview with Martin Scorsese Interview with Martin Scorsese
Interview with John Pope Interview with John Pope
Interview with Lauren Greenfield Interview with Lauren Greenfield
Interview with Max Joseph Interview with Max Joseph


Canon Prime Lenses

Spanning the range of 14 to 135mm, these six prime lenses comprise a comprehensive shooting package that covers full-frame and Super 35mm production. Each lens is designed with optics for 4K capture and focus and iris gears that share the same position from lens to lens. The wide-angle lenses feature minimal edge distortion for a sharp images corner-to-corner, while the longer lenses in the set maintain a fast maximum aperture for shallow depth of field or low-light shooting.

Canon Zoom Lenses

Designed to support 4K resolution in Super 35 sensors, these CN-E lenses collectively cover from 14.5 to 300mm in either short or long zoom ranges. Available in either PL or Canon EF mount, the lenses incorporate an 11-blade iris that produces a natural looking bokeh and share focus and zoom gear positions for rapid lens changes without having to adjust your lens accessories. The CINE-SERVO 50-1000mm features a removable ENG-style zoom drive and incorporates a 1.5x extender that increases its range to 75 to 1500mm.


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Bart The classic story of "Boy-Meets-Girl," except that the "Boy," in this case the titular protagonist, Bart, walks around with an arrow in his chest. Shot with the Canon EOS C100 camera. Bart
Battle of the Ages Shot on the XC10 4K camcorder, it is an action-packed comedy from YouTube filmmaker Scott Winn. Riffing on the 1980s crime drama trope, two young thugs learn the hard way that appearances can be deceiving. Battle of the Ages
Pulse Can a camera detect a user's heart rate and generate custom music? BioBeats created a world where our devices adapt to the way we feel. Pulse was shot with the Canon EOS C100 camera. Pulse
Trick Shot A classic con movie with a twist, Trick Shot is a film about a family of con artists who travel across the country to pay off their son's gambling debt and get more than they bargain for. Trick Shot
Bart Behind the Scenes Director, Rich Landes and Cinematographer, Peter Simonite discuss their short film, Bart, that was shot entirely on the Canon EOS C100 camera. They share how they were able to run and gun 90 set-ups in two days. Bart Behind the Scenes
Battle of the Ages Behind the Scenes Go behind the scenes with YouTube filmmaker Scott Winn (ScottDW) on his shoot for "Battle of the Ages," shot in 4K on Canon's XC10 camcorder. Battle of the Ages Behind the Scenes
Fragments Behind the Scenes Go behind the scenes of the short film, "Fragments" by Joe Simon, and learn how he uses the features of the EOS C100 Mark II to creatively capture a love story. Fragments Behind the Scenes
Need for Speed Behind the Scenes Cinematographer Shane Hurlbut takes you on an adrenaline-pumping ride of the blockbuster Need for Speed. Shane relied on the C500 4K, the Cinema EOS-1DC, and Canon lenses to capture the racing action. Need for Speed Behind the Scenes
Pulse Behind The Scenes How do you shoot a documentary in 3 countries in just over a week? With the Canon EOS C100 camera, which allowed still motion to work in a run-and-gun situation, while maximizing the story they were telling. Pulse Behind The Scenes
Trick Shot Behind the Scenes A behind the scenes look at the making of Trick Shot. Director Evan Kaufmann and Director of Photography Gale Tattersall share their impressions of working with Canon's EOS C300 Mark II camera. Trick Shot Behind the Scenes
Canon EOS C100 Mark II The new C100 Mark II includes advanced features like the OLED display panel, an adjustable EVF, DIGIC DV 4 Image Processor and more. Learn about the new tweaks and why filmmakers will find it popular. Canon EOS C100 Mark II
Canon EOS C300 Mark II Join Canon Technical Advisor Brent Ramsey as he goes over the EOS C300 Mark II. This camera is an evolutionary CINEMA EOS System model, redesigned and re-engineered with the input of thousands of users. Canon EOS C300 Mark II
Canon EOS C500 and the 4K Workflow Join Oscar nominee and Director of Photography for Saturday Night Live Alex Buono on his "The Art of Visual Storytelling Tour" where he teaches cinematographers how to create dynamic and impactful films. Canon EOS C500 and the 4K Workflow
Canon XC-10 The XC-10 is a compact designed camera that records in UHD 4K at broadcast ready frame rates. It features a 1'' sensor coupled to a 10x zoom lens and a 3-inch. Canon XC-10
Canon Cine-Servo Lens 50-1000mm Join Canon U.S.A.'s Larry Thorpe as he discusses the features and benefits of the Canon cine-servo 50-1000mm lens. Canon Cine-Servo Lens 50-1000mm
Canon The Science Behind 4K Optics Real 4K technology goes far beyond the label. Canon 4K optics are born from decades of research and design, creating brilliant, vivid, rich images. And it all begins with the lens. Canon The Science Behind 4K Optics
Interview with Martin Scorsese Martin Scorsese about Canon EOS. Interview with Martin Scorsese
IInterview with John Pope Cinematographer John Pope talks to us about "Blood Brother," and how the small form factor of the EOS 5D Mark II and EOS 7D helped him capture some of his most moving scenes without being intrusive. Interview with John Pope about non-fiction production
Interview with Lauren Greenfield Photographer and filmmaker Lauren Greenfield has been a Canon shooter since 2007. Find out why. Interview with Lauren Greenfield
Interview with Lauren Greenfield Cinematographer Max Joseph, of MTV's "Catfish," explains how the XF105, XA25 and the PowerShot S100 help him quickly capture his moments with his subjects. Interview with Max Joseph about non-fiction production
The Calling 4K Cinematographer Russell Carpenter, ASC and Canon Explorer Of Light Tyler Stableford team up for the first U.S. based EOS C700 shoot which shows off the versatility and low light capabilities of Canon's new EOS C700. The Calling 4K
The Making of IMAX A Beautiful Planet Learn about how IMAX shot A Beautiful Planet from space from Director Toni Myers, DP James Neihouse and Astronaut Marsha Ivins. The Making of IMAX A Beautiful Planet