Orders placed after 4pm on weekdays will not ship until the next business day. Orders placed after 12pm Fridays will not ship until the following Monday.
Faster shipping methods may be available; just upgrade during checkout.
*Some exclusions apply.
Enter new zip code to refresh estimated delivery time.
Every so often, a piece of audio gear is released that quickly builds a loyal base of users to the point that it becomes almost ubiquitous, just an obvious choice for a given application because it works so well. The rise in popularity of the Zoom H4n is such an example.
If you gather ten sound engineers in a room and ask them what’s the best way to record something, don’t be surprised when you get ten different answers. One thing that makes sound engineering such a fun field is that all ten answers will probably be right.
At the NAMM Show in Anaheim, California, it’s not uncommon for the old and the new to cross paths. For more than a century, NAMM has been the place to showcase the latest innovations in music-related products. In 2013, we witnessed the rebirth of a synthesizer that was originally released in the late 1970s, and we were also introduced to a new kind of interface.
Join Rob Rives in this B&H video as he test-drives the Nagra LINO and PICO portable digital audio recorders. You get to hear what they sound like in action, with recorded examples of dialog and acoustic guitar. Rob also walks you through all of the controls on both devices, and shares a great deal of pertinent information about each recorder’s features and capabilities.
Software isn’t always the most convenient way to make a recording. If you’re on the road or just trying to document a performance, all the necessary accessories to utilize a DAW can be overwhelming and delicate. A portable multi-track recorder, on the other hand, provides an all-in-one solution.
Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
When most people record audio in stereo, they usually go to the most common mic configurations, such as a matched pair of microphones arranged in an X/Y pattern, or possibly those same matched mics in an ORTF pattern for a wider stereo field.
A clever new piece of equipment is available that corrects all of the shortcomings of HDSLR audio, in a single compact, camera-mountable box. The Fostex DC-R302 is a three-channel field mixer, with a two-channel high-resolution audio recorder built in.
Two new portable digital recorders from Olympus do an excellent job of spanning the gap between being useful voice recorders (for recording memos and lectures), and high-resolution audio recorders (for recording music and detailed ambient sounds).