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The Odyssey7 and Odyssey7Q boldly surpass Convergent Design’s previous offerings with a progressive feature set that not only serves the needs of today’s cutting-edge video technology but also attempts to “future-proof” the new product line with a range of optional firmware upgrades.
Blackmagic Design announced two new digital cinema cameras at NAB 2013, the Blackmagic Production Camera 4K and the Blackmagic Pocket Cinema Camera. These new models will join the current Blackmagic Cinema Camera, which was itself announced last year at NAB 2012. The Production Camera 4K will be the first of Blackmagic Design’s new Ultra HD product line.
ikan's new D-series monitors include the D5, the D5w, the D7 and the D7w. The D5 and the D7 feature either a 5.6- or 7-inch IPS LCD display with 1280 x 800 resolution. The “w” tacked onto the D5w and the D7w models denotes the addition of built-in waveform, vectorscope and RGB parade. These LCD panels benefit from In-Plane Switching technology, which enables improved viewing angles and color rendition.
Way back—five years ago—if you shot video, you used a video camera, and if you shot photographs, you used a still camera. Today, that distinction is all but meaningless. Almost every video camera today captures stills, and virtually every still camera now shoots video.
Off the cuff, one might think there are few, if any, differences between packing a DSLR system and an HDSLR system, but once you look beyond the basics, i.e. the camera bodies, lenses and tripod (the legs, but not necessarily the head), the differences start adding up.
While LCDs on some cameras have a high resolution, at 3" most objects appear too small to accurately judge focus and frame a shot. It is also difficult to see the LCD in bright daylight. Most HDSLRs (except for cameras with an electronic viewfinder) disable the optical viewfinder during video/live mode, so it's of no use other than for setting up a shot before going into live mode.