Pro Tools is a brand that defines an industry. It's part of our vernacular. A product doesn't attain this privilege by accident. This is a powerful tool that professionals have relied upon since the 1990s. Many people who strive for the highest quality choose Pro Tools HD, and the new Pro Tools|HD Native systems make it more affordable than ever. But should you step up to HD?
When you're checking out Avid's Pro Tools line of products, the letters "HD" are an important distinction to be aware of, especially if you're looking for a solution that will provide the highest sound quality and the most seamless interoperability in the industry.
It's an oversimplification to say that you should use Pro Tools because it's an industry standard. There are many excellent DAW (digital audio workstation) programs available, and professional production facilities are not all married to Pro Tools. However, when you get down to brass tacks, you cannot refute the fact that Avid systems still provide the most seamless and widely accepted software and hardware-based post production pipeline in professional music, video and film production.
Avid's Pro Tools HD systems all connect to Mac and Windows computers though PCI cards and they enable you to run the full Pro Tools HD software, including TDM plug-ins and a full host of video time-code tools (Pro Tools HD software is included when you purchase a Native HD card). The unmatched speed of the PCI connection coupled with the power of the Pro Tools HD software makes these systems a natural choice for serious users.
You may be familiar with the Mbox, a hardware/software solution that runs Pro Tools LE software. It's an excellent production tool for sound work, especially for mobile use, students and musicians on a budget. But Pro Tools LE is not the version that is used in major music studios and broadcast grade video post-production houses.
Until the new HD Native system was unveiled, most professional production facilities were equipped with the original Pro Tools HD systems, which were a combination of a PCI interface card and additional Pro Tools processing cards. Studios demanded the ultra-low latency that these PCI card systems provided, but their computers also needed help processing the audio. Before HD Native, someone setting up an HD system needed to choose the number of processor cards that were necessary to conduct their work. The original Pro Tools HD systems were versatile and scalable, but the required additional processing cards made them prohibitively expensive.
Thankfully, in a relatively short amount of time, computers have become much more powerful. Additional processing cards are no longer a necessity for many varieties of production work. For a long time there was a severe price gap in the Pro Tools product line. The cost differences between a Pro Tools LE system and a Pro Tools HD system was immense. Now the new Pro Tools|HD Native systems are here to bridge that gap. They are more affordable because HD Native doesn't use processor cards. All of the processing for the audio, instruments, routing and effects is handled by your computer's processor. This is why the term "native" is used.
So who is Pro Tools Native HD for? Obviously, it's a shoe-in for professional production studios. They need to be able to exchange projects with other studios seamlessly, and be able to open and work on these projects using all the same TDM plug-ins that the previous studio had used (Pro Tools LE cannot run TDM plug-ins). A fully prepared music studio should also have computers running Logic Pro, Ableton Live and other popular production software, and fully prepared video post houses should also support Final Cut Pro and other popular non-linear editing programs. But in professional circles, Avid systems remain the most widely used platform for both audio and video.
It's always been a smart idea to learn Pro Tools if you aspire to make music or video post your livelihood. Anyone who gets deeply involved in creating sound design for post production should consider the upgrade to HD Native. If the only boundary keeping you from mixing professional productions at your home studio is your lack of an HD system, the new HD Native option might be the ticket.
It also doesn't hurt to have a comprehensive understanding of the technology behind these systems when you aspire to make a living from this kind of work. The best way to truly be an authority is to purchase an HD system and build it into your studio. This is not to diminish the real work for which an audio or video professional should be valued. You should aspire to work in a studio if you have a sharp ear for sound, and/or an eye for moving images. The creative decisions you make in the studio are what will really set you apart. But it certainly doesn't hurt if you can prove to people that you are a master of the nuts and bolts that keep the machine running.
So how does this all work? To get into HD|Native you're going to need three things: an HD Native PCI card, an HD Native compatible interface, and a compatible Mac Pro or Windows desktop computer. It's a wise move to use the most powerful computer you can afford, and to verify that the model you intend to use is supported by Avid.
What interface should you use? This depends entirely on your needs. The HD OMNI is a great single rack-space solution that provides dual combo XLR inputs on its face, with two additional XLR inputs on the rear. There are four TRS line-level inputs, and the ability to expand the number of inputs with ADAT Lightpipe and a host of other digital inputs, supporting sampling rates up to 192kHz.
If you like the idea of having digital and analog inputs, but also want the option to expand the I/O in the future, then the HD I/O is the way to go. There are three versions of this interface available. A versatile option is the 8 x 8 x 8, which can handle eight channels of analog and digital inputs and outputs. If you need more I/O options in the future, an empty slot is provided. You can add more analog or digital cards, depending on your needs. There are also two 16 x 16 x 16 versions of the HD I/O, one with 16 analog inputs and outputs and the other with 16 digital inputs and outputs.
If you're upgrading from Pro Tools LE, you'll be pleased to find other improvements with Pro Tools HD, besides the speed and the army of included top-tier instruments and effects. HD will arm you with much-needed Delay Compensation. You'll have the ability to play and edit multiple video tracks and playlists. There is full AAF, OMF and MXF interchange between Avid and Final Cut Pro. You can create and work on sessions with up to 192 audio tracks. There are advanced automation features, a time code ruler and 7.1 surround mixing.
So should you step up to Pro Tools|HD Native? While it is a sizable investment, if you're involved with work that centers around this equipment, Native may be the best solution for you. If you're working closely with other studios or transitioning your own project studio into a formidable commercial one, going HD Native is a welcome new option.
Thanks for checking out this B&H Insights article! If you have any questions about Pro Tools|HD Native, we encourage you to post them in the Comments section below!
I have benn away from pro tools for a while. I have a digi 003 console pro tools rig. I would like to sell that and buy a native HD system. I have an 8 core mac pro with 10meg ram from about 2010. Will this run native and is it equiped for thunderbolt? Wil native get rid of latency when using plugins during recording? What is the best inteface for Native HD at the moment? Thanks, I'm trying to get back in the saddle after a long break. Bob
Your computer should be able to handle Avid Pro Tools HD 11 - Professional Audio Software without problems. Concerning the thunderbolt compatibility, you will need to get a thunderbolt adapter card. There seem to be some stability issues. Pro Tools 11 is compatible with third party hardware so you can choose from a wide range of options available,
Here are some suggestions:
Universal Audio Apollo 16 Audio Interface with Thunderbolt Card and Realtime UAD Processing
Apogee Electronics Ensemble 30 x 34 Thunderbolt Audio Interface
MOTU 1248 - Thunderbolt and USB Audio Interface With AVB Networking and DSP (32x34, 4 Mic)
How would I go about setting up a Pro Tools hd native setup on a Mac book Pro Rentina. Are there any 3rd party hardware manufactures that produce a simpler system. I have an on the road soloution but really feel it lacks i/o of compared to a 192.
Other than using Avid hardware, there are some Apogee products that are compatible with the HD systems, such as the Symphony I/O.
Chuck [[email protected]]
Can Pro Tools 11 and Pro Tools 11 HD be successfully installed on the same computer?
Hi Daniel -
It is not advised and has not been tested at B&H. A dual installation offers all kinds of potential pitfalls including: I/O conflicts, slowed performance, driver conflicts and file issues.
Please contact us via e-mail if you have additional questions: [email protected]
Great Heade Up statement.
Thanks For explaining and of wave the flage for an Excelant product..
You tie every thing togther..
after having researched ProTools 11 HD Native and the "full PT 11 HD version It's STILL unclear to me exactly what is setting them apart. For instabce will investing in ProTools 11 HD Native provide full HD software functionality such as surround sound / VCA master tracks and / or accelerate my native instruments and Izotope AAX 64 plugins compaired to the standard PT 11 version??
AVID seem to have a nack for remaining diffuse on thie subject, not to mention how adapt they are avoiding answering direct questions or even asnwer email requests?!
Sincerely [email protected].
Hi Carl -
ProTools HD uses RTAS only plug-ins. Surround sound requires building a template of 5 tracks per fader (stems = 1 fader to 5 tracks = 70 tracks) . You need this Avid system for surround sound mastering.
HD Native uses their own card interface, so you can use their high end audio interfaces. Some acceleration will be realized with this upgrade as well. Your Izotope plug-ins are RTAS compatible with this system as well.
The Pro Tools HD Native with HD I/O 8x8x8 Analog/Digital Interface Bundle from Avid is a music and post-production core system that allows the professional to create complex, high-quality audio productions, using the full capabilities of Pro Tools HD software in a lower-cost native solution.
The HD I/O 8x8x8 Analog and Digital interface provides control of all inputs, outputs, and routing right from the Pro Tools software, while delivering pristine audio clarity with ultra low latency. The Digital I/O card contains connectors for 8 channels each of AES/EBU I/O, TDIF I/O, and optical (ADAT) I/O. (Only one digital format can be used at a time.) Sample rate conversion is available on the digital card.
Together, the core system and interface provide all the benefits of the company's HD Accel systems, without the upfront cost and the need for multiple PCIe slot computers.
Please contact us via e-mail if you have additional questions: [email protected]
Really straight forward explination of the very confusing world of "Pro Tools".