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10476 Views
Posted 03/09/18
In the following video, “AB” demonstrates the Zoom F1 Field Recorder, and how it can be a useful addition to any professional sound engineers inventory. This video explores the functions, controls, and features of the Zoom F1, including the inputs and outputs, signal flow, and peripherals including the SGH-6 shotgun mic module and the LMF-1 omnidirectional lavalier microphone. We discuss how easy it is to attach the F1SP to a camera with the included SMF-1 shockmount. AB also shows off the 1.25" monochrome display and how to set up the Rec Format, Lo Cut, Limiter, and Rec Level functions. Additional topics covered include powering the unit with two AAA batteries, volume controls, the test tone, and the sound markers. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
2539 Views
Posted 09/29/16
In the following video, Rob Rives demonstrates the QSC TouchMix–30 Pro Digital Mixer, and how it can be a useful addition to any band setup, rehearsal room, club, concert hall, house of worship, school, or broadcast studio. This video explores the functions, controls, and features of the TouchMix–30 Pro, including the large 10" multi-touch screen, anti-feedback and room-tuning wizards, two real-time analyzers (RTA), the patch matrix, sub groups, and 32 channels of recording and playback with computer integration. We showcase all the inputs and outputs and demonstrate how to work with the six onboard effects processors. Rives also shows you how to access the 120+ instrument presets to help you get up and running in no time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
2521 Views
Posted 12/28/15
Join Rob Rives as he talks with resident DAC expert Dan Bockrath about the ever-growing portable listening amp and digital-to-analog converter category, here at B&H. The two focus on the newly released Shure SHA900, as well as the TEAC Ha-P50, the Denon DA-10, the tube-driven Fostex HP-V1, and the Sony PHA-3. They compare the feature sets between the five models, and provide some idea of the scenarios in which you might want to employ a DAC or headphone amp in your mobile setup. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
7025 Views
Posted 12/03/15
In this video, Rob Rives shows us a new six-track audio field recorder from Tascam, the DR-701D. An update to the DR-70D, the DR-701D now represents Tascam's flagship audio recorder for single-shooter video production. Designed specifically as an audio-recording solution for DSLR video applications, the DR-701D boasts dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power. In addition, the recorder features time code support, HDMI Start/Stop, improved audio quality, and the track count has been expanded from four to six so each XLR input can be recorded to an individual track and the stereo mix of those inputs can also be recorded to two tracks. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
11055 Views
Posted 10/29/15
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.  Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an Auray Boompole with a Schoeps shockmount, Rives makes a direct comparison of sound quality at 24-bit/192 kHz resolution between the Zoom F8 Field Recorder and the more expensive Sound Devices 688 Professional Field Recorder.    The video explores the F8’s features including timecode support, three power options, dual SD card slots, redundant recording, its use as a multi-channel audio interface for Mac and PC, and compatibility with the company’s microphone capsules. It also includes wireless control with a mobile device using a dedicated app. These features make the F8 a powerful tool for everything from multi-tracking band rehearsals, recording sound for picture, and Foley work, among others—all in a portable and durable form factor.        We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
3178 Views
Posted 10/12/15
In the following video, Rob Rives demonstrates the five new products from Shure’s MOTIV series, and how they can be implemented in a variety of recording applications. This video explores the functions, controls, and features of the MV5, MV51, MVi, MV88 and MVL, including the ShurePlus MOTIV application, which allows control over the microphones from any iOS device. The video showcases the sound quality of each mic and demonstrates how simple they are to set up and use in any situation. Rives also shows you the onboard DSP modes, to help you achieve the perfect recording. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3016 Views
Posted 09/11/14
Dave Roberts, from MOTU, explains the ins and outs of the new Thunderbolt-compatible 1248, 16M, and 8M audio interfaces. He also explains how the separately available MOTU AVB (Audio Video Bridge) box enables you to network with multiple computers and extend cable runs, and he emphasizes how the interfaces themselves are outfitted with top-notch components. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com. 
6166 Views
Posted 07/30/14
With the growing popularity of using iPads and iPhones to record video, more and more people are running into the same problem- how to get good sound. While the camera is great and the built-in mic is probably fine for phone calls and FaceTime, videographers demand more professional options. In this video, Rob from B&H takes us through some third-party audio solutions to consider, from entry-level consumer up to ENG-grade professional gear. The video explores both wireless systems like the Azden WMS-PRO+I and Sennheiser EW 100 G3 as well as hard-wire options including the Polsen MO-PL1 and Rode VideoMic GO. Since the mic input on the iPad and iPhone wasn't designed for pro audio gear, the video also explores some adapters and mounts to consider when rigging up your mic, and delves into the issues of audio monitoring. Do you monitor through the iPad/iPhone and live with delay or monitor through your audio equipment—assuming it has a headphone out—and risk not knowing what levels are being recorded?
65 Views
Posted 11/21/12
We're checking out 4 B&H bundles designed to help podcasters get better audio quality in their productions.
39 Views
Posted 10/22/12
This 16 input 10 output live sound mixer uses the iPad for wireless remote control over mixing functions.
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