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1144 Views
Posted 06/24/19
In Part 4 of our multi-part Audio for Video series, AB walks you through the pros and cons of recording audio to your camera versus using an external audio recorder. Learn about when direct-to-camera recording may be ideal, and when you’ll need to start thinking about additional devices, such as mixer adapters and external multi-track recorders. As usual, AB breaks down many important considerations and helpful tips that you need to know for high-quality audio capture in the field. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1284 Views
Posted 05/27/19
Welcome to the first video in our multi-part Audio for Video series. In this introductory episode, AB kicks things off with a quick overview of topics that will be covered in this series. After that, he dives into the basics of audio for video, covering everything from environment prep to situational mic use. If you’re looking for a solid intro to audio for video gear, tips, and techniques, this is a great place to start. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1373 Views
Posted 10/16/18
Join AB and Doug Guerra as they discuss the different challenges and techniques with which one is faced when recording and mixing audio for video. They cover topics such as equipment choice, EQ, compression, room acoustics, and more, and there are in-depth demos with screen captures that show how to go from an initial draft to a completed product. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
185 Views
Posted 10/11/18
In this video, AB talks about six wrong things you might be doing when you record your vocals. From improper mic choice to bad acoustics, you’ll learn about some of the most common mistakes people make when tracking vocals. Check it out!
372 Views
Posted 05/08/18
In this video, AB looks at the Sound Devices MixPre 10M, a multichannel recorder and USB interface with features that enable musicians to make simple, professional-sounding recordings. From overdubbing parts to bouncing tracks, the 10M gives you the versatility of a simple DAW without need for a computer, though it is extremely capable as a USB audio interface. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2537 Views
Posted 09/29/16
In the following video, Rob Rives demonstrates the QSC TouchMix–30 Pro Digital Mixer, and how it can be a useful addition to any band setup, rehearsal room, club, concert hall, house of worship, school, or broadcast studio. This video explores the functions, controls, and features of the TouchMix–30 Pro, including the large 10" multi-touch screen, anti-feedback and room-tuning wizards, two real-time analyzers (RTA), the patch matrix, sub groups, and 32 channels of recording and playback with computer integration. We showcase all the inputs and outputs and demonstrate how to work with the six onboard effects processors. Rives also shows you how to access the 120+ instrument presets to help you get up and running in no time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
2521 Views
Posted 12/28/15
Join Rob Rives as he talks with resident DAC expert Dan Bockrath about the ever-growing portable listening amp and digital-to-analog converter category, here at B&H. The two focus on the newly released Shure SHA900, as well as the TEAC Ha-P50, the Denon DA-10, the tube-driven Fostex HP-V1, and the Sony PHA-3. They compare the feature sets between the five models, and provide some idea of the scenarios in which you might want to employ a DAC or headphone amp in your mobile setup. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3178 Views
Posted 10/12/15
In the following video, Rob Rives demonstrates the five new products from Shure’s MOTIV series, and how they can be implemented in a variety of recording applications. This video explores the functions, controls, and features of the MV5, MV51, MVi, MV88 and MVL, including the ShurePlus MOTIV application, which allows control over the microphones from any iOS device. The video showcases the sound quality of each mic and demonstrates how simple they are to set up and use in any situation. Rives also shows you the onboard DSP modes, to help you achieve the perfect recording. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3016 Views
Posted 09/11/14
Dave Roberts, from MOTU, explains the ins and outs of the new Thunderbolt-compatible 1248, 16M, and 8M audio interfaces. He also explains how the separately available MOTU AVB (Audio Video Bridge) box enables you to network with multiple computers and extend cable runs, and he emphasizes how the interfaces themselves are outfitted with top-notch components. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com. 
6166 Views
Posted 07/30/14
With the growing popularity of using iPads and iPhones to record video, more and more people are running into the same problem- how to get good sound. While the camera is great and the built-in mic is probably fine for phone calls and FaceTime, videographers demand more professional options. In this video, Rob from B&H takes us through some third-party audio solutions to consider, from entry-level consumer up to ENG-grade professional gear. The video explores both wireless systems like the Azden WMS-PRO+I and Sennheiser EW 100 G3 as well as hard-wire options including the Polsen MO-PL1 and Rode VideoMic GO. Since the mic input on the iPad and iPhone wasn't designed for pro audio gear, the video also explores some adapters and mounts to consider when rigging up your mic, and delves into the issues of audio monitoring. Do you monitor through the iPad/iPhone and live with delay or monitor through your audio equipment—assuming it has a headphone out—and risk not knowing what levels are being recorded?
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