Refine
Done
678 Views
Posted 07/29/19
In this sixth video in our audio-for-video series, AB gives us a simple introduction to post-production, highlighting the different steps of treating your audio once you’re finished shooting your video. From naming your files correctly to thinking about your final output levels, this video will give you a general sense of the common practices used to get your audio sounding just right. Check it out! If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
2958 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
6513 Views
Posted 12/21/16
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit works. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3300 Views
Posted 10/05/16
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
3206 Views
Posted 05/22/16
We're taking a look and a listen to the Lectrosonics Digital Hybrid Wireless System.
1601 Views
Posted 04/06/16
In the following video, Rob Rives, from B&H, discusses how to improve the audio in your video without the use of a dedicated audio editor. He explores the basics of audio levels during recording, and what to do once audio is inside the video-editing software, including normalizing and compression. We also briefly look at what to be aware of during final audio output. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
11080 Views
Posted 10/29/15
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.  Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an Auray Boompole with a Schoeps shockmount, Rives makes a direct comparison of sound quality at 24-bit/192 kHz resolution between the Zoom F8 Field Recorder and the more expensive Sound Devices 688 Professional Field Recorder.    The video explores the F8’s features including timecode support, three power options, dual SD card slots, redundant recording, its use as a multi-channel audio interface for Mac and PC, and compatibility with the company’s microphone capsules. It also includes wireless control with a mobile device using a dedicated app. These features make the F8 a powerful tool for everything from multi-tracking band rehearsals, recording sound for picture, and Foley work, among others—all in a portable and durable form factor.        We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
3181 Views
Posted 10/12/15
In the following video, Rob Rives demonstrates the five new products from Shure’s MOTIV series, and how they can be implemented in a variety of recording applications. This video explores the functions, controls, and features of the MV5, MV51, MVi, MV88 and MVL, including the ShurePlus MOTIV application, which allows control over the microphones from any iOS device. The video showcases the sound quality of each mic and demonstrates how simple they are to set up and use in any situation. Rives also shows you the onboard DSP modes, to help you achieve the perfect recording. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1396 Views
Posted 07/17/15
In the following video, Rob Rives demonstrates Universal Audio’s next-generation Apollo Thunderbolt 2 audio interfaces (Thunderbolt 2 lets you connect to the latest hi-res displays and doubles the bandwidth of the original Thunderbolt by offering 20 Gb/s of speed via two channels in both directions). This video showcases the three rackmount models, including the Apollo 8, Apollo 8p and the Apollo 16, as well as the desktop Apollo Twin. Topics covered include the physical input and outputs of each interface, the front-panel layout, and how the console software allows you to record with included UAD2 effects in real time. Rives also discusses the use of the Unison preamp technology, which is a preamp emulation that changes the impedance, gain staging, and circuit behavior of the preamp being modeled. Furthermore, Rives talks about the included UAD plug-ins, the new monitor section of the interfaces, and the updated A/D and D/A converters. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
1 — 11 of 42 items

Pages

Close

Close

Close