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1243 Views
Posted 10/19/17
In the following video, Rob Rives discusses how you can improve your studio mixing with Mackie’s latest line of monitors and controllers. This video explores the Mackie MR524, with its rear-panel controls for adapting the speakers to different room configurations, as well as adding the MRS10 subwoofer to extend bass response. Rives also looks at the latest Mackie XR-Series monitors and investigates the latest Big Knob monitor controller / audio interface. The Big Knob offers an integrated audio interface for recording and playing back with a built-in microphone preamp and a USB return from your computer. Other features include monitor switching, zero latency monitoring, and a dedicated mono button for checking your mix’s mono compatibility. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
2958 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
10188 Views
Posted 11/09/16
In the following video, Rob Rives demonstrates the Zoom F4 Field Recorder, and how it can be a useful addition to any professional sound engineer’s inventory. This video explores the functions, controls, and features of the Zoom F4, including the inputs and outputs, signal flow, and peripherals, including the EXH-6 module for adding an additional set of inputs. We showcase the super-low-noise preamps, which offer 75 dB of gain and are taken from the flagship F8 recorder. Rives also shows off the integrated mixer, limiters with 10 dB of headroom, high-pass filters, mid-side decoding, and the high-quality monochromatic display. Additional topics covered include powering the unit with 8 AA batteries, Hirose connection for battery packs, or the included AC adapter. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
3300 Views
Posted 10/05/16
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
2554 Views
Posted 09/29/16
In the following video, Rob Rives demonstrates the QSC TouchMix–30 Pro Digital Mixer, and how it can be a useful addition to any band setup, rehearsal room, club, concert hall, house of worship, school, or broadcast studio. This video explores the functions, controls, and features of the TouchMix–30 Pro, including the large 10" multi-touch screen, anti-feedback and room-tuning wizards, two real-time analyzers (RTA), the patch matrix, sub groups, and 32 channels of recording and playback with computer integration. We showcase all the inputs and outputs and demonstrate how to work with the six onboard effects processors. Rives also shows you how to access the 120+ instrument presets to help you get up and running in no time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
7066 Views
Posted 12/03/15
In this video, Rob Rives shows us a new six-track audio field recorder from Tascam, the DR-701D. An update to the DR-70D, the DR-701D now represents Tascam's flagship audio recorder for single-shooter video production. Designed specifically as an audio-recording solution for DSLR video applications, the DR-701D boasts dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power. In addition, the recorder features time code support, HDMI Start/Stop, improved audio quality, and the track count has been expanded from four to six so each XLR input can be recorded to an individual track and the stereo mix of those inputs can also be recorded to two tracks. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1396 Views
Posted 07/17/15
In the following video, Rob Rives demonstrates Universal Audio’s next-generation Apollo Thunderbolt 2 audio interfaces (Thunderbolt 2 lets you connect to the latest hi-res displays and doubles the bandwidth of the original Thunderbolt by offering 20 Gb/s of speed via two channels in both directions). This video showcases the three rackmount models, including the Apollo 8, Apollo 8p and the Apollo 16, as well as the desktop Apollo Twin. Topics covered include the physical input and outputs of each interface, the front-panel layout, and how the console software allows you to record with included UAD2 effects in real time. Rives also discusses the use of the Unison preamp technology, which is a preamp emulation that changes the impedance, gain staging, and circuit behavior of the preamp being modeled. Furthermore, Rives talks about the included UAD plug-ins, the new monitor section of the interfaces, and the updated A/D and D/A converters. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
29136 Views
Posted 06/09/15
In the following video, Rob Rives, from B&H, discusses the new  RØDE RodeLink Wireless Filmmaker Kit, a camera-mounted digital wireless microphone solution. With the system mounted on a Canon 5D mk III, the video explores the system’s 100-meter wireless range and ease of use in pairing the transmitter to the receiver when using the 2.4GHz spectrum. The system supports 8 discrete channels with 8,000 channel combinations and utilizes dual internal antennas at 90-degree angles for maximum signal radiation and space diversity at both ends. The video demonstrates the system’s shoe mount, which allows you to attach the receiver to your camera, as well as the additional 3/8" thread for expanded mounting options. Powered by a pair of AA batteries or via a USB port, both the transceiver and receiver have a battery life of at least 7 hours. The receiver’s OLED screen shows you levels, battery status, mute, and channel selection. The video further explores the system’s user interface, as well as the gain, pad, and mute functions, to ensure your camera receives a signal at the appropriate level. The video also demonstrates the included omnidirectional lavalier mic (with foam windscreen), and shares Rives’s advice on getting the most of the system in real-life applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
5582 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
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