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656 Views
Posted 07/29/19
In this sixth video in our audio-for-video series, AB gives us a simple introduction to post-production, highlighting the different steps of treating your audio once you’re finished shooting your video. From naming your files correctly to thinking about your final output levels, this video will give you a general sense of the common practices used to get your audio sounding just right. Check it out! If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
123 Views
Posted 07/19/18
In this video, AB from B&H reviews five of the top synths available through B&H for $500 or less. He discusses the features of each and explains why some (or all) could be a great addition to your music-production ecosystem. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1875 Views
Posted 05/29/18
AB takes a close look at Moog’s newest semi-modular synth, The Grandmother. He is joined by Nick from Moog, who gives demonstrations and in-depth explanations of the Grandmother’s many powerful features. Check it out! We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
59 Views
Posted 05/15/18
Our experts, “AB” Belinfanti and Andrew Eisele, from B&H, discuss the basics of modular synths, their origins, components, and how you can integrate them into your workflow. Eisele also gives a short performance to showcase some of the sounds that can be generated by these synthesizers. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2921 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
13299 Views
Posted 06/20/16
Join B&H’s own Robert Rives, as he discusses new features of the H4n Pro Handy Recorder from Zoom, including its stereo microphone, built-in preamps, and onboard effects processing. In this video, Rives engages the talents of colleague Nick Messitte to test-drive the Zoom H4n on acoustic and electric guitars. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1599 Views
Posted 04/06/16
In the following video, Rob Rives, from B&H, discusses how to improve the audio in your video without the use of a dedicated audio editor. He explores the basics of audio levels during recording, and what to do once audio is inside the video-editing software, including normalizing and compression. We also briefly look at what to be aware of during final audio output. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
357 Views
Posted 06/24/15
In the following video, B&H’s resident audio guru, Rob Rives, demonstrates the Arturia Virtual Collection 4, an amalgam of 13 of the company’s 64-bit virtual instruments. Rives runs through a handful of demos, giving you a taste of what some of the included virtual instruments’ capabilities, as well as how their sounds can complement each other while building a track. He also demonstrates some of the included presets, demonstrating what the software can do right out of the box. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
2122 Views
Posted 05/14/15
Adrian Toto has an important piece of advice for wedding videographers: think about audio! Quality audio bridges the gap between fine art and storytelling and is imperative for a successful wedding video. Toto outlines the basic audio gear and mic setups needed to record a wedding, whether you are shooting solo or with assistants, and he mentions a few pitfalls that you can expect along the way, and how best to avoid them. His pointers are apt for a video team or anyone shooting solo, but his most practical tip—hire an assistant who is as comfortable with sound as with image.
3422 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
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