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1418 Views
Posted 01/26/18
It’s NAMM 2018, and you know what that means: Guitars, guitars, and more guitars—and basses! With that in mind, B&H’s very own Aaron Belinfanti took a run around the showroom to show you six of our favorite entries this year. First, you’ll see new extended-range multiscale guitars from ESP, some with pickup options from Fishman and Bare Knuckle. You’ll also note our exposé on Boss Katana Amps and Waza Craft stompboxes. Will we profile new iRig gear from IK Multimedia, Line 6’s HX Effects, and more! Or is this video actually an elaborate, pun-based ruse to foist our six favorite plectra upon you? Watch the video to find out...
628 Views
Posted 06/07/17
In the following video, Rob Rives demonstrates the Arturia AudioFuse Desktop USB Audio Interface, and how the device fits into an audio engineers or musician’s workflow. This video explores the functions, controls, and features of the AudioFuse, including the array of connections that allow you to record and play back up to 14 audio tracks. We showcase the Discrete/PRO microphone preamp, with its 75 dB of high-quality, low-noise gain and how to utilize the digital ADAT and S/PDIF connections to get the most out of the interface. Rives also shows you the MIDI I/O, the 3-port USB hub, and demonstrates the AudioFuse Control Center software. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
439 Views
Posted 12/26/16
In this video, Greg Johnson demonstrates the Korg Monologue, a monophonic all-analog synthesizer with a fully programmable single-voice architecture and 100 fully editable presets, well suited for musicians and analog enthusiasts. Building upon the success of the Minilogue Polyphonic Synthesizer, Korg reworked the knob-per-function layout, voicing, and sound-sculpting abilities to create a distinctive-sounding instrument for all types of musicians and sound designers. The synth offers two VCOs and a redesigned filter with powerful low-end punch, and a drive circuit has been added to apply aggressive overtones and distortion, ideal for huge bass sounds and sharp lead tones.
1421 Views
Posted 01/26/16
Join Enrique Martinez as he composes a dance track—on the spot—using the Novation Launchpad Pro with Ableton Live. Though it’s been designed specifically for Ableton Live, the Launchpad will work equally as well with any DAW or hardware MIDI device. The enhanced RGB LED back-lit pads are velocity and pressure sensitive, allowing for fluid expression and creativity when composing and performing. The layout is designed to keep your focus on the performance, giving you hands-on access to all your sounds, effects, and mixer controls. We hope you enjoy the video, and invite you to view the wide selection of other  instructional and informative videos at BandH.com.
2353 Views
Posted 09/08/15
In the following video, we demonstrate the  Roland JD-XA Analog/Digital Hybrid Synthesizer, giving a quick listen to this powerful new synth, exploring its functions, controls, and features. The sequencer, which allows you to record up to 16 tracks, mute parts, and record knob and fader moves, is put through its paces. Finally, our very own Rob Rives and Greg Johnson paint an audible picture of what this machine can do when you let loose! We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1034 Views
Posted 05/21/15
In the following video, Rob Rives, from B&H, demonstrates the d:fine IN-Ear Broadcast Headset Microphone from DPA. Rives explores the headset’s design, interchangeable microphone capsules, and the available physical variations for using the headset in your production. He also showcases features that make the headset comfortable to wear, for example, how the modular design makes it easy for the user to replace parts as needed to repair the headset over time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3624 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
496 Views
Posted 04/16/15
DPA microphones are known for their reference-quality clarity, providing accurate sonic reproduction. At this year’s NAB, the company has announced an addition to its d:facto line, in the form of an interview microphone. Like your typical handheld interview mic, it boasts an omnidirectional polar pattern, giving you freedom of movement while interviewing. DPA has employed a number of wind and handling-noise suppression techniques to help the mic be as quiet as possible in the field.  Please check back for pricing and availability.
1249 Views
Posted 04/15/15
In broadcasting, it seems there is always a debate as to what kind of microphone is best to use—dynamic or condenser. Both have a list of pros and cons for any given broadcast application, and with the newly announced BP40 Large Diaphragm Dynamic Broadcast Microphone, it appears Audio-Technica is looking to combine the best of both worlds into a dynamic package. The mic sports a large (for a dynamic mic) 37.5mm diaphragm that provides some condenser-like articulation without betraying the low-end oomph of a dynamic. If you do need to tame that low end because of a rumbling room or extra-boomy voice, the mic does have a selectable high-pass filter. Also featured in the video is a look at the new AT2020USBi, a refresh to their popular USB mic that sees no changes to the capsule or sound capture quality, but an increase of its maximum sampling rate to 24-bit/96 kHz and the inclusion of both USB and Lightning connectors for hooking directly up to your iOS devices. Please check back for pricing and availability.
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