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656 Views
Posted 07/29/19
In this sixth video in our audio-for-video series, AB gives us a simple introduction to post-production, highlighting the different steps of treating your audio once you’re finished shooting your video. From naming your files correctly to thinking about your final output levels, this video will give you a general sense of the common practices used to get your audio sounding just right. Check it out! If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
763 Views
Posted 07/15/19
In this fifth video in the Audio for Video series, AB discusses tips and techniques for how to best capture audio with lavalier and boom mics. From ways to conceal lavs on talent to proper operation of a boompole, you’ll see real-world examples of some of the methods that are used to enable great audio capture, regardless of environment or application.  If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content  here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1144 Views
Posted 06/24/19
In Part 4 of our multi-part Audio for Video series, AB walks you through the pros and cons of recording audio to your camera versus using an external audio recorder. Learn about when direct-to-camera recording may be ideal, and when you’ll need to start thinking about additional devices, such as mixer adapters and external multi-track recorders. As usual, AB breaks down many important considerations and helpful tips that you need to know for high-quality audio capture in the field. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
509 Views
Posted 06/16/19
In Part 3 of our Audio for Video series, AB dives deeper into the process of properly setting recording levels. Follow along as he breaks down everything you need to know about recording levels, from the differences between Mic and Line level recording to the the different types of tools that can assist in the recording process. Along the way, AB also dishes out plenty of crucial tips to help you get the best possible audio out of your recordings.  If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
945 Views
Posted 06/11/19
In this second video in the Audio for Video series, AB discusses ways to choose the best mic for the type of content you’re recording. He discusses pickup patterns, lavalier and shotgun mics, mic placement, and more. If you want to know how to use the right mic to capture audio for different video applications effectively, this is a great resource. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1284 Views
Posted 05/27/19
Welcome to the first video in our multi-part Audio for Video series. In this introductory episode, AB kicks things off with a quick overview of topics that will be covered in this series. After that, he dives into the basics of audio for video, covering everything from environment prep to situational mic use. If you’re looking for a solid intro to audio for video gear, tips, and techniques, this is a great place to start. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1373 Views
Posted 10/16/18
Join AB and Doug Guerra as they discuss the different challenges and techniques with which one is faced when recording and mixing audio for video. They cover topics such as equipment choice, EQ, compression, room acoustics, and more, and there are in-depth demos with screen captures that show how to go from an initial draft to a completed product. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2122 Views
Posted 05/14/15
Adrian Toto has an important piece of advice for wedding videographers: think about audio! Quality audio bridges the gap between fine art and storytelling and is imperative for a successful wedding video. Toto outlines the basic audio gear and mic setups needed to record a wedding, whether you are shooting solo or with assistants, and he mentions a few pitfalls that you can expect along the way, and how best to avoid them. His pointers are apt for a video team or anyone shooting solo, but his most practical tip—hire an assistant who is as comfortable with sound as with image.
1416 Views
Posted 03/24/14
In the following video, Rob Rives demonstrates the QCon Pro DAW controller from Icon Digital, and how it is capable of streamlining your workflow when tracking and mixing. The video explores the unit's compatibility and functionality with a variety of common DAWS such as Pro Tools, Logic Pro, and Ableton Live, including its mapped controls. Rives discusses how the QCon Pro's eight touch-sensitive, motorized faders can be used to control different banks of tracks in your project, as well as how its rotary controls can work with your plug-ins.  We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
1511 Views
Posted 03/06/14
In this video, Rob Rives shows us around the MOTU 828x, a professional digital audio interface that features a total of 28 inputs and 30 outputs. The unit, which is equipped with bothThunderbolt and USB connections, can be used with 32- or 64-bit Mac or PC systems. The interface is rackmountable and offers eight channels of 192kHz analog recording and playback, combined with 16 channels of ADAT optical digital I/O (8 channels at 96kHz), stereo S/PDIF, MIDI I/O, word clock, two headphone jacks, and stereo XLR main outs.
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