Refine
Done
1538 Views
Posted 03/14/18
Watch B&H’s AB as he takes to Central Park to demonstrate Sennheiser’s AMBEO SMART HEADSET. You’ll see him wearing the dual-purpose earphones/binaural-recording headset, which captures stereophonic 3D audio fit for use in immersive entertainment content. Whether it’s VR, experimental podcasting, or recording an acapella band with lifelike you-are-there placement, this headset will handle the job. You’ll hear this immediately, as we at B&H were fortunate enough to catch the talented Cover Story doo-wopping their way into glorious harmony. The microphones themselves capture high-quality audio, to be sure, but that’s only part of the picture. With preamps, conversion, and soft-limiting brought to you by Apogee, the AMBEO SMART HEADSET is truly the smart choice.
2795 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
15261 Views
Posted 05/18/16
In the following video, Rob Rives, from B&H, demonstrates how to mike talent using lavalier microphones. Rives explores the reasons for using a lavalier over a boom microphone, the actual placement of the lavalier, and how to deal with issues of clothing noise. We also showcase alternate locations for mounting lavaliers, and provide some solutions for frequency attenuation that occurs when lavaliers are hidden, as opposed to being exposed. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1582 Views
Posted 04/06/16
In the following video, Rob Rives, from B&H, discusses how to improve the audio in your video without the use of a dedicated audio editor. He explores the basics of audio levels during recording, and what to do once audio is inside the video-editing software, including normalizing and compression. We also briefly look at what to be aware of during final audio output. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
2099 Views
Posted 05/14/15
Adrian Toto has an important piece of advice for wedding videographers: think about audio! Quality audio bridges the gap between fine art and storytelling and is imperative for a successful wedding video. Toto outlines the basic audio gear and mic setups needed to record a wedding, whether you are shooting solo or with assistants, and he mentions a few pitfalls that you can expect along the way, and how best to avoid them. His pointers are apt for a video team or anyone shooting solo, but his most practical tip—hire an assistant who is as comfortable with sound as with image.
397 Views
Posted 04/17/15
Known for its innovative effects, audio-correction software, and mastering/mixing tools, iZotope has used NAB 2015 to unveil its next step, farther into the world of post-production and broadcast. RX Loudness Control looks to combine global loudness standards with the ease of use for which iZotope has become known. Working in faster-than-real-time, the software renders your audio to your selected loudness standard, and creates a history graph and loudness report that shows you where any overflows may be occurring. If an overage does occur, the software includes iZotope’s IRC II transparent limiting. Catering to multiple channels counts, it supports mono, stereo, and surround channel counts up to 5.1. Please check back for pricing and availability.
1124 Views
Posted 04/16/15
Rob Rives, of B&H, chats with Jeff Laity, of Tascam, about the company’s newly announced budget-minded TM-80 Studio Condenser Microphone, which is designed to be a workhorse for vocals, instruments, strings, and podcasters without breaking the bank. Also, Tascam is showing off the latest addition to its stalwart Portastudio line, giving you the ability to track directly to an SD card in 24-bit quality, in addition to a number of other upgrades.
496 Views
Posted 04/16/15
DPA microphones are known for their reference-quality clarity, providing accurate sonic reproduction. At this year’s NAB, the company has announced an addition to its d:facto line, in the form of an interview microphone. Like your typical handheld interview mic, it boasts an omnidirectional polar pattern, giving you freedom of movement while interviewing. DPA has employed a number of wind and handling-noise suppression techniques to help the mic be as quiet as possible in the field.  Please check back for pricing and availability.
2628 Views
Posted 04/13/15
Rob Rives from B&H joins Erich Barto from Zoom as he talks about their new 8-channel portable field recorder.
3415 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
1 — 11 of 18 items

Pages

Close

Close

Close