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3178 Views
Posted 10/12/15
In the following video, Rob Rives demonstrates the five new products from Shure’s MOTIV series, and how they can be implemented in a variety of recording applications. This video explores the functions, controls, and features of the MV5, MV51, MVi, MV88 and MVL, including the ShurePlus MOTIV application, which allows control over the microphones from any iOS device. The video showcases the sound quality of each mic and demonstrates how simple they are to set up and use in any situation. Rives also shows you the onboard DSP modes, to help you achieve the perfect recording. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1831 Views
Posted 08/10/15
In this video, Rob Rives creates a voice recording using several microphones from a new division of Gibson Guitars called Neat Microphones. These distinctively styled yellow and black mics, the Bumblebee, the Beecaster, the Worker Bee, and the King Bee, are all members of  Neat’s Bee microphone series. We hope you enjoy the video, and invite you to view the wide selection of other  instructional and informative videos  at BandH.com.
357 Views
Posted 06/24/15
In the following video, B&H’s resident audio guru, Rob Rives, demonstrates the Arturia Virtual Collection 4, an amalgam of 13 of the company’s 64-bit virtual instruments. Rives runs through a handful of demos, giving you a taste of what some of the included virtual instruments’ capabilities, as well as how their sounds can complement each other while building a track. He also demonstrates some of the included presets, demonstrating what the software can do right out of the box. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
1490 Views
Posted 05/21/15
In the following video, B&H’s own Rob Rives demonstrates the new QLX-D digital wireless audio system, and some of the applications in which it can be useful. The video’s audio is all recorded through the QLX-D system, allowing you to hear exactly what it’s capable of capturing. Rives gives us a rundown of its specs, including the extended frequency range and AES 256-bit encryption. He also switches up the microphones he uses, demonstrating the line’s range. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com 
1018 Views
Posted 05/21/15
In the following video, Rob Rives, from B&H, demonstrates the d:fine IN-Ear Broadcast Headset Microphone from DPA. Rives explores the headset’s design, interchangeable microphone capsules, and the available physical variations for using the headset in your production. He also showcases features that make the headset comfortable to wear, for example, how the modular design makes it easy for the user to replace parts as needed to repair the headset over time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
5544 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3615 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2122 Views
Posted 05/14/15
Adrian Toto has an important piece of advice for wedding videographers: think about audio! Quality audio bridges the gap between fine art and storytelling and is imperative for a successful wedding video. Toto outlines the basic audio gear and mic setups needed to record a wedding, whether you are shooting solo or with assistants, and he mentions a few pitfalls that you can expect along the way, and how best to avoid them. His pointers are apt for a video team or anyone shooting solo, but his most practical tip—hire an assistant who is as comfortable with sound as with image.
275 Views
Posted 04/22/15
The Ferrofish A32 is a 32-channel AD/DA that gives you a wide range of analog and digital connectivity, including MADI and ADAT digital inputs. 4 front-panel TFT display screens give you access to a wide variety of parameters in addition to basic metering functions. Two units can be daisy-chained together for a total of 64 channels of audio. Please check back for pricing and availability.
451 Views
Posted 04/20/15
Whenever Sound Devices releases a new piece of equipment, most pros stand up and take notice. Known for its flexibility, sound quality, and rugged field-readiness, Sound Devices’ gear has found a home in the rigs of many pros and amateurs alike. With the announcement of the 688 12-input field production mixer and 16-track recorder, the company builds upon the popularity and quality of its 664 mixer and recorder, doubling the input count, and now accommodating resolutions up to 192 kHz/24-bit. The 688 also features the company’s MixAssist software, which employs a proprietary algorithm that automatically mixes your inputs while maintaining consistent background sound levels. The system tracks to SD and CompactFlash cards for a variety of recording options, including redundancy and simultaneous WAV/MP3 recording. 
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