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1417 Views
Posted 01/26/18
It’s NAMM 2018, and you know what that means: Guitars, guitars, and more guitars—and basses! With that in mind, B&H’s very own Aaron Belinfanti took a run around the showroom to show you six of our favorite entries this year. First, you’ll see new extended-range multiscale guitars from ESP, some with pickup options from Fishman and Bare Knuckle. You’ll also note our exposé on Boss Katana Amps and Waza Craft stompboxes. Will we profile new iRig gear from IK Multimedia, Line 6’s HX Effects, and more! Or is this video actually an elaborate, pun-based ruse to foist our six favorite plectra upon you? Watch the video to find out...
1228 Views
Posted 10/19/17
In the following video, Rob Rives discusses how you can improve your studio mixing with Mackie’s latest line of monitors and controllers. This video explores the Mackie MR524, with its rear-panel controls for adapting the speakers to different room configurations, as well as adding the MRS10 subwoofer to extend bass response. Rives also looks at the latest Mackie XR-Series monitors and investigates the latest Big Knob monitor controller / audio interface. The Big Knob offers an integrated audio interface for recording and playing back with a built-in microphone preamp and a USB return from your computer. Other features include monitor switching, zero latency monitoring, and a dedicated mono button for checking your mix’s mono compatibility. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
4013 Views
Posted 08/10/17
In the following video, Rob Rives demonstrates the Zoom LiveTrak L12 Digital Mixer and Multitrack Recorder, and how it can be a useful addition to a small club, live band’s rehearsal space, or project studio. This video explores the functions, controls and features of the LiveTrak L12, including the 8 mono tracks and two stereo tracks, which not only allow you to mix your live instruments, but records each track individually to the on-board SD recorder. We showcase the on-board FX processors, use of instantly recallable scenes, and the setup of the five monitor sends. Rob also shows you how play back up to four channels of audio from your computer or iOS device for recording overdubs and craft your sound using the on-board 3-band EQ and compressor. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
614 Views
Posted 06/07/17
In the following video, Rob Rives demonstrates the Arturia AudioFuse Desktop USB Audio Interface, and how the device fits into an audio engineers or musician’s workflow. This video explores the functions, controls, and features of the AudioFuse, including the array of connections that allow you to record and play back up to 14 audio tracks. We showcase the Discrete/PRO microphone preamp, with its 75 dB of high-quality, low-noise gain and how to utilize the digital ADAT and S/PDIF connections to get the most out of the interface. Rives also shows you the MIDI I/O, the 3-port USB hub, and demonstrates the AudioFuse Control Center software. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
6370 Views
Posted 12/21/16
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit works. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
8643 Views
Posted 06/23/15
In the following video, Rob Rives demonstrates Audio-Technica’s System 10 camera-mount digital wireless system, and how it can be integrated into your camera rig for wireless audio. The video explores some of the functionality of the system, as well as discusses its digital audio quality and operating range. Rives shows off both the lavalier and handheld microphone options, letting you hear their sound quality firsthand. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
5512 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3596 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
491 Views
Posted 04/01/15
In the following video, Rob Rives takes a quick look at Apogee’s refresh of its Ensemble audio interface, the Ensemble Thunderbolt. The video touches upon its high-quality, 32-bit conversion, along with how it employs its Thunderbolt connectivity for extremely low roundtrip latency. Rives discusses how the Ensemble eases strain on your Mac’s processor, leaving you more power for plug-ins and effects. He also runs down the interface’s extensive I/O, including its built-in re-amping capabilities. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com http://blogd7.bhphotovideo.com/explora/node/19646/edit
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