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16172 Views
Posted 05/18/16
In the following video, Rob Rives, from B&H, demonstrates how to mike talent using lavalier microphones. Rives explores the reasons for using a lavalier over a boom microphone, the actual placement of the lavalier, and how to deal with issues of clothing noise. We also showcase alternate locations for mounting lavaliers, and provide some solutions for frequency attenuation that occurs when lavaliers are hidden, as opposed to being exposed. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1601 Views
Posted 04/06/16
In the following video, Rob Rives, from B&H, discusses how to improve the audio in your video without the use of a dedicated audio editor. He explores the basics of audio levels during recording, and what to do once audio is inside the video-editing software, including normalizing and compression. We also briefly look at what to be aware of during final audio output. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
27725 Views
Posted 07/14/15
In the following video, Rob Rives, from B&H, discusses the Sennheiser AVX Camera-Mountable Digital Wireless Audio System —designed to streamline your workflow significantly when recording sound for picture. The video focuses on Sennheiser’s rich history of building world-class wireless solutions, and shows off the capabilities of the ME2 lavalier microphone when it’s attached to the SK bodypack transmitter, as well as the AVX-42 handheld transmitter. Rives shows us the EKP XLR receiver’s sleek form factor, which weighs only 3 oz and attaches directly to the XLR input on your video camera, with the ability to rotate 320 degrees to accommodate different setups. He also demonstrates the system’s adaptability to DSLRs with the included shoe mount and XLR to mini cable, USB powering options, and battery-power option when phantom is not available. Additional features include the system’s ability to find the cleanest operating frequency in the 1920 to 1930 MHz range automatically, boost transmission power as needed, and provide excellent Automatic Gain Control.    We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
8712 Views
Posted 06/23/15
In the following video, Rob Rives demonstrates Audio-Technica’s System 10 camera-mount digital wireless system, and how it can be integrated into your camera rig for wireless audio. The video explores some of the functionality of the system, as well as discusses its digital audio quality and operating range. Rives shows off both the lavalier and handheld microphone options, letting you hear their sound quality firsthand. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
986 Views
Posted 06/22/15
In this video, Rob Rives shows us a cost-effective ear-set mic that is just at home on stage, in the classroom, or in the pulpit. The Mogan Standard Ear Set features a transparent earpiece, providing low visibility on stage, as well as a comfortable fit. A discreet 3mm omnidirectional condenser element captures every nuance of your presentation, with crisp detail. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
29136 Views
Posted 06/09/15
In the following video, Rob Rives, from B&H, discusses the new  RØDE RodeLink Wireless Filmmaker Kit, a camera-mounted digital wireless microphone solution. With the system mounted on a Canon 5D mk III, the video explores the system’s 100-meter wireless range and ease of use in pairing the transmitter to the receiver when using the 2.4GHz spectrum. The system supports 8 discrete channels with 8,000 channel combinations and utilizes dual internal antennas at 90-degree angles for maximum signal radiation and space diversity at both ends. The video demonstrates the system’s shoe mount, which allows you to attach the receiver to your camera, as well as the additional 3/8" thread for expanded mounting options. Powered by a pair of AA batteries or via a USB port, both the transceiver and receiver have a battery life of at least 7 hours. The receiver’s OLED screen shows you levels, battery status, mute, and channel selection. The video further explores the system’s user interface, as well as the gain, pad, and mute functions, to ensure your camera receives a signal at the appropriate level. The video also demonstrates the included omnidirectional lavalier mic (with foam windscreen), and shares Rives’s advice on getting the most of the system in real-life applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
1502 Views
Posted 05/21/15
In the following video, B&H’s own Rob Rives demonstrates the new QLX-D digital wireless audio system, and some of the applications in which it can be useful. The video’s audio is all recorded through the QLX-D system, allowing you to hear exactly what it’s capable of capturing. Rives gives us a rundown of its specs, including the extended frequency range and AES 256-bit encryption. He also switches up the microphones he uses, demonstrating the line’s range. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com 
1034 Views
Posted 05/21/15
In the following video, Rob Rives, from B&H, demonstrates the d:fine IN-Ear Broadcast Headset Microphone from DPA. Rives explores the headset’s design, interchangeable microphone capsules, and the available physical variations for using the headset in your production. He also showcases features that make the headset comfortable to wear, for example, how the modular design makes it easy for the user to replace parts as needed to repair the headset over time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
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