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5513 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3600 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
491 Views
Posted 04/01/15
In the following video, Rob Rives takes a quick look at Apogee’s refresh of its Ensemble audio interface, the Ensemble Thunderbolt. The video touches upon its high-quality, 32-bit conversion, along with how it employs its Thunderbolt connectivity for extremely low roundtrip latency. Rives discusses how the Ensemble eases strain on your Mac’s processor, leaving you more power for plug-ins and effects. He also runs down the interface’s extensive I/O, including its built-in re-amping capabilities. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com http://blogd7.bhphotovideo.com/explora/node/19646/edit
11955 Views
Posted 02/17/15
In the following video, Rob Rives gets hands-on with Beachtek’s DXA-Pocket audio adapter, and compares it to three other Beachtek products to see how the features match up. He examines the DXA-Pocket's available I/O and how Blackmagic Pocket Cinema Camera and DSLR shooters might use the adapter to help get better audio compared to their camera’s built-in microphone. Rives shows you how the form factor works with your camera, and discusses its battery life and power options. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1432 Views
Posted 01/07/15
In the following video, join B&H’s own Rob Rives as he examines the ProCast SST USB Mic & Audio Interface from MikTek. In the video, Rives examines some of the uses to which you can put this mic, including podcasting and home studio applications, and he reviews its build, as well as what kind of sound quality you can expect from this all-in-one unit. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3420 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
1688 Views
Posted 12/05/14
In the following video, Rob Rives, of B&H fame, gives a hands-on demonstration of six different portable digital audio recorders, examining their features and differences. He explores their available input and output capabilities, recording functions, and built-in microphones. Rives showcases their multiple features and points out some of their more advanced options. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
21791 Views
Posted 10/30/14
The DR-70D is a 4 channel audio recorder with a form factor and feature set specifically designed for DSLR video shooters. 2 built-in mics on the front and 4 XLR-1/4" combo inputs with phantom power and a stereo 1/8" input with plug-in power.
2761 Views
Posted 09/09/14
In the following video, Rob Rives, from B&H, overviews the new Presonus AudioBox iOne and iTwo audio interfaces for recording one or two tracks at up to 24-bit 96 kHz resolution into your Mac, PC, or iPad.   Rives explores the different methods of powering the interfaces, the input connectors, and features such as phantom power for condenser microphones and the available gain of the Class A microphone preamplifiers.  The video also showcases the user controls for monitoring, MIDI I/O capabilities, as well as the included Presonus Studio One Artist DAW for computers and Capture Duo app for iPad. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
857 Views
Posted 08/12/14
In the following video, Rob Rives, from B&H, demonstrates the Focusrite iTrack Dock for the iPad. He explores the dock’s form factor, input capability, and monitor control knob. The video showcases the dock's microphone preamps, taken from Focusrite’s Scarlett interfaces, and Rives mentions its maximum recording resolution of 24-bit/96kHz. He also demonstrates the iTrack’s app compatibility. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
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