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125 Views
Posted 07/29/19
In this sixth video in our audio-for-video series, AB gives us a simple introduction to post-production, highlighting the different steps of treating your audio once you’re finished shooting your video. From naming your files correctly to thinking about your final output levels, this video will give you a general sense of the common practices used to get your audio sounding just right. Check it out! If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1600 Views
Posted 03/14/18
Watch B&H’s AB as he takes to Central Park to demonstrate Sennheiser’s AMBEO SMART HEADSET. You’ll see him wearing the dual-purpose earphones/binaural-recording headset, which captures stereophonic 3D audio fit for use in immersive entertainment content. Whether it’s VR, experimental podcasting, or recording an acapella band with lifelike you-are-there placement, this headset will handle the job. You’ll hear this immediately, as we at B&H were fortunate enough to catch the talented Cover Story doo-wopping their way into glorious harmony. The microphones themselves capture high-quality audio, to be sure, but that’s only part of the picture. With preamps, conversion, and soft-limiting brought to you by Apogee, the AMBEO SMART HEADSET is truly the smart choice.
1081 Views
Posted 01/03/18
Join B&H’s Rob Rives as he shows off two new Lectrosonics transmitters: The SMWB and the SMDWB. The only difference between these two transmitters is the battery capacity, with the SMDWB providing room for an additional AA battery to increase your operating time. Watch as Rives demonstrates the switchable output power of these units, as well as their ability to record audio in situations where transmitting sound is impossible.
1407 Views
Posted 07/05/17
Join B&H’s Rob Rives as he takes to the financial district to test out the DPA’s d:vice 2-channel interface, which connects microphones to mobile devices and USB ports, allowing you to record clear, crystalline audio on location. Hear its low-noise preamps and high-quality A/D converters in action, as Greg Johnson plays a ragtime tune on a piano near a fountain. This instrument, placed in New York City by the Sing for Hope Organization, has been miked in stereo, and sports a clear, articulate sound—even in the midst of this bustling New York City location. Come for the d:vice, stay for the excellent music, available in the public domain, and played wonderfully in a public domain.
2874 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
6370 Views
Posted 12/21/16
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit works. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
15707 Views
Posted 05/18/16
In the following video, Rob Rives, from B&H, demonstrates how to mike talent using lavalier microphones. Rives explores the reasons for using a lavalier over a boom microphone, the actual placement of the lavalier, and how to deal with issues of clothing noise. We also showcase alternate locations for mounting lavaliers, and provide some solutions for frequency attenuation that occurs when lavaliers are hidden, as opposed to being exposed. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1593 Views
Posted 04/06/16
In the following video, Rob Rives, from B&H, discusses how to improve the audio in your video without the use of a dedicated audio editor. He explores the basics of audio levels during recording, and what to do once audio is inside the video-editing software, including normalizing and compression. We also briefly look at what to be aware of during final audio output. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
4752 Views
Posted 11/03/15
In the following video, Rob Rives demonstrates the Sennheiser ClipMic Digital and MKE2 Digital microphones for iOS, and how they can be a useful addition to any pro audio/video setup. This video explores the functions, controls, and features of both microphones, including Apogee’s Pure Digital preamp and audio converter, which plugs directly into the lightning connector to bypass the noisy phone electronics. We showcase the Apogee MetaRecorder software app, offering control over input monitoring, gain adjustment, and input processing with settings for compression, limiting, and EQ. Rives also shows you how to utilize an Apple Watch to control remote operations, such as transport control, adding markers, and gain adjustment. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
11042 Views
Posted 10/29/15
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.  Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an Auray Boompole with a Schoeps shockmount, Rives makes a direct comparison of sound quality at 24-bit/192 kHz resolution between the Zoom F8 Field Recorder and the more expensive Sound Devices 688 Professional Field Recorder.    The video explores the F8’s features including timecode support, three power options, dual SD card slots, redundant recording, its use as a multi-channel audio interface for Mac and PC, and compatibility with the company’s microphone capsules. It also includes wireless control with a mobile device using a dedicated app. These features make the F8 a powerful tool for everything from multi-tracking band rehearsals, recording sound for picture, and Foley work, among others—all in a portable and durable form factor.        We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
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