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182 Views
Posted 08/15/19
Are you just getting started in the world of audio recording? Today, we're going to help you translate some of the words and phrases you may come across when recording and editing. AB takes you through some of the most common lingo and gives you some tips for getting started in audio recording and editing. Are there other words or phrases you've come across that you need help with? Let us know in the Comments section, below.
763 Views
Posted 07/15/19
In this fifth video in the Audio for Video series, AB discusses tips and techniques for how to best capture audio with lavalier and boom mics. From ways to conceal lavs on talent to proper operation of a boompole, you’ll see real-world examples of some of the methods that are used to enable great audio capture, regardless of environment or application.  If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content  here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
512 Views
Posted 06/16/19
In Part 3 of our Audio for Video series, AB dives deeper into the process of properly setting recording levels. Follow along as he breaks down everything you need to know about recording levels, from the differences between Mic and Line level recording to the the different types of tools that can assist in the recording process. Along the way, AB also dishes out plenty of crucial tips to help you get the best possible audio out of your recordings.  If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
948 Views
Posted 06/11/19
In this second video in the Audio for Video series, AB discusses ways to choose the best mic for the type of content you’re recording. He discusses pickup patterns, lavalier and shotgun mics, mic placement, and more. If you want to know how to use the right mic to capture audio for different video applications effectively, this is a great resource. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1290 Views
Posted 05/27/19
Welcome to the first video in our multi-part Audio for Video series. In this introductory episode, AB kicks things off with a quick overview of topics that will be covered in this series. After that, he dives into the basics of audio for video, covering everything from environment prep to situational mic use. If you’re looking for a solid intro to audio for video gear, tips, and techniques, this is a great place to start. If you would like to continue reading about the Audio for Video series, be sure to check out all of our related content here. If you have any additional questions, comments, or you would like to make a request, be sure to leave a message down below.
1137 Views
Posted 01/03/18
Join B&H’s Rob Rives as he shows off two new Lectrosonics transmitters: The SMWB and the SMDWB. The only difference between these two transmitters is the battery capacity, with the SMDWB providing room for an additional AA battery to increase your operating time. Watch as Rives demonstrates the switchable output power of these units, as well as their ability to record audio in situations where transmitting sound is impossible.
1408 Views
Posted 07/05/17
Join B&H’s Rob Rives as he takes to the financial district to test out the DPA’s d:vice 2-channel interface, which connects microphones to mobile devices and USB ports, allowing you to record clear, crystalline audio on location. Hear its low-noise preamps and high-quality A/D converters in action, as Greg Johnson plays a ragtime tune on a piano near a fountain. This instrument, placed in New York City by the Sing for Hope Organization, has been miked in stereo, and sports a clear, articulate sound—even in the midst of this bustling New York City location. Come for the d:vice, stay for the excellent music, available in the public domain, and played wonderfully in a public domain.
6453 Views
Posted 12/21/16
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit works. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
4755 Views
Posted 11/03/15
In the following video, Rob Rives demonstrates the Sennheiser ClipMic Digital and MKE2 Digital microphones for iOS, and how they can be a useful addition to any pro audio/video setup. This video explores the functions, controls, and features of both microphones, including Apogee’s Pure Digital preamp and audio converter, which plugs directly into the lightning connector to bypass the noisy phone electronics. We showcase the Apogee MetaRecorder software app, offering control over input monitoring, gain adjustment, and input processing with settings for compression, limiting, and EQ. Rives also shows you how to utilize an Apple Watch to control remote operations, such as transport control, adding markers, and gain adjustment. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
11055 Views
Posted 10/29/15
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.  Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an Auray Boompole with a Schoeps shockmount, Rives makes a direct comparison of sound quality at 24-bit/192 kHz resolution between the Zoom F8 Field Recorder and the more expensive Sound Devices 688 Professional Field Recorder.    The video explores the F8’s features including timecode support, three power options, dual SD card slots, redundant recording, its use as a multi-channel audio interface for Mac and PC, and compatibility with the company’s microphone capsules. It also includes wireless control with a mobile device using a dedicated app. These features make the F8 a powerful tool for everything from multi-tracking band rehearsals, recording sound for picture, and Foley work, among others—all in a portable and durable form factor.        We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
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