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3804 Views
Posted 08/10/17
In the following video, Rob Rives demonstrates the Zoom LiveTrak L12 Digital Mixer and Multitrack Recorder, and how it can be a useful addition to a small club, live band’s rehearsal space, or project studio. This video explores the functions, controls and features of the LiveTrak L12, including the 8 mono tracks and two stereo tracks, which not only allow you to mix your live instruments, but records each track individually to the on-board SD recorder. We showcase the on-board FX processors, use of instantly recallable scenes, and the setup of the five monitor sends. Rob also shows you how play back up to four channels of audio from your computer or iOS device for recording overdubs and craft your sound using the on-board 3-band EQ and compressor. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
6207 Views
Posted 12/21/16
In this video, Rob Rives demonstrates the RØDElink Newsshooter Kit, which utilizes an RX-Cam wireless receiver in conjunction with a TX-XLR wireless transmitter, thus allowing you the option of using handheld XLR microphones in a roaming, wireless fashion. Rives shows off its power abilities, gain-reduction switches, and line-of sight range. With Rives positioned far away from the camera, you’ll be able to see—and more importantly, hear—how this kit works. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
5433 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3556 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
5966 Views
Posted 04/01/15
In this video, our in-house audio expert, Rob Rives, demonstrates two condenser shotgun microphones from RØDE: the NTG4 and NTG4+. Featuring a supercardioid polar pattern and the ability to withstand up to 135 dB SPL, these mics offer an ideal solution for ENG, filmmaking, field recording, sound design, and broadcast applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3415 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
83 Views
Posted 07/25/13
In this video we take a look at the Launchpad S, see what’s been updated, and check out how it functions as a controller for Ableton Live.
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