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2295 Views
Posted 12/18/17
In the following video, Rob Rives compares several hardware synthesizers for anyone looking to acquire their first synth. This video explores analog versus digital and module versus keyboard. We showcase the Roland SE-02, the Waldorf Bloefeld, and the Korg Minilogue, Monologue, and Arp Odyssey. Other synthesizers discussed include the Novation Bass Station II, the Arturia MicroBrute, the Behringer DeepMind 6, and the Moog Sub Phatty. Other topics include multitimbral versus single-voice, monophonic versus polyphonic, and mini-keys versus full-sized keys. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
2933 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
1307 Views
Posted 10/14/16
In the following “Quick Listen” video, Gregory Johnson and Prentiss Thompson demonstrate the handmade Minimoog Model D, with its authentic vintage analog sound engine. Each player explores the three oscillators, modifiers, and the classic Moog low-pass ladder filter with resonance. Check out examples of the hardwired overdrive modification, the Fatar keyboard, which offers velocity and aftertouch, and the use of an expression pedal to control the filter during a performance. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
3278 Views
Posted 10/05/16
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
1414 Views
Posted 01/26/16
Join Enrique Martinez as he composes a dance track—on the spot—using the Novation Launchpad Pro with Ableton Live. Though it’s been designed specifically for Ableton Live, the Launchpad will work equally as well with any DAW or hardware MIDI device. The enhanced RGB LED back-lit pads are velocity and pressure sensitive, allowing for fluid expression and creativity when composing and performing. The layout is designed to keep your focus on the performance, giving you hands-on access to all your sounds, effects, and mixer controls. We hope you enjoy the video, and invite you to view the wide selection of other  instructional and informative videos at BandH.com.
32182 Views
Posted 11/23/15
In this video, Rob Rives shows us the RØDE VideoMicro, a compact camera-mountable microphone that features a cardioid condenser capsule for capturing pro-quality recordings. Highly portable, and great indoors or outdoors, the mic is powered by plug-in power from your camera, and it comes with a 3.5mm coiled connection cable, Rycote shockmount and furry windshield. It’s an ideal choice for ENG, wedding videos, film, and much more. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3617 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
6320 Views
Posted 04/01/15
In this video, our in-house audio expert, Rob Rives, demonstrates two condenser shotgun microphones from RØDE: the NTG4 and NTG4+. Featuring a supercardioid polar pattern and the ability to withstand up to 135 dB SPL, these mics offer an ideal solution for ENG, filmmaking, field recording, sound design, and broadcast applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3422 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
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