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1408 Views
Posted 07/05/17
Join B&H’s Rob Rives as he takes to the financial district to test out the DPA’s d:vice 2-channel interface, which connects microphones to mobile devices and USB ports, allowing you to record clear, crystalline audio on location. Hear its low-noise preamps and high-quality A/D converters in action, as Greg Johnson plays a ragtime tune on a piano near a fountain. This instrument, placed in New York City by the Sing for Hope Organization, has been miked in stereo, and sports a clear, articulate sound—even in the midst of this bustling New York City location. Come for the d:vice, stay for the excellent music, available in the public domain, and played wonderfully in a public domain.
2915 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
3271 Views
Posted 10/05/16
We’re trying out Rycote’s model-specific “Perfect For” Series of windshields and shock mounts for popular Sennheiser and Rode microphones.
13299 Views
Posted 06/20/16
Join B&H’s own Robert Rives, as he discusses new features of the H4n Pro Handy Recorder from Zoom, including its stereo microphone, built-in preamps, and onboard effects processing. In this video, Rives engages the talents of colleague Nick Messitte to test-drive the Zoom H4n on acoustic and electric guitars. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
7016 Views
Posted 12/03/15
In this video, Rob Rives shows us a new six-track audio field recorder from Tascam, the DR-701D. An update to the DR-70D, the DR-701D now represents Tascam's flagship audio recorder for single-shooter video production. Designed specifically as an audio-recording solution for DSLR video applications, the DR-701D boasts dual built-in omnidirectional microphones and four XLR/TRS inputs with phantom power. In addition, the recorder features time code support, HDMI Start/Stop, improved audio quality, and the track count has been expanded from four to six so each XLR input can be recorded to an individual track and the stereo mix of those inputs can also be recorded to two tracks. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1831 Views
Posted 08/10/15
In this video, Rob Rives creates a voice recording using several microphones from a new division of Gibson Guitars called Neat Microphones. These distinctively styled yellow and black mics, the Bumblebee, the Beecaster, the Worker Bee, and the King Bee, are all members of  Neat’s Bee microphone series. We hope you enjoy the video, and invite you to view the wide selection of other  instructional and informative videos  at BandH.com.
1490 Views
Posted 05/21/15
In the following video, B&H’s own Rob Rives demonstrates the new QLX-D digital wireless audio system, and some of the applications in which it can be useful. The video’s audio is all recorded through the QLX-D system, allowing you to hear exactly what it’s capable of capturing. Rives gives us a rundown of its specs, including the extended frequency range and AES 256-bit encryption. He also switches up the microphones he uses, demonstrating the line’s range. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com 
1018 Views
Posted 05/21/15
In the following video, Rob Rives, from B&H, demonstrates the d:fine IN-Ear Broadcast Headset Microphone from DPA. Rives explores the headset’s design, interchangeable microphone capsules, and the available physical variations for using the headset in your production. He also showcases features that make the headset comfortable to wear, for example, how the modular design makes it easy for the user to replace parts as needed to repair the headset over time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
5544 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3422 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
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