Refine
Done
11080 Views
Posted 10/29/15
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.  Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an Auray Boompole with a Schoeps shockmount, Rives makes a direct comparison of sound quality at 24-bit/192 kHz resolution between the Zoom F8 Field Recorder and the more expensive Sound Devices 688 Professional Field Recorder.    The video explores the F8’s features including timecode support, three power options, dual SD card slots, redundant recording, its use as a multi-channel audio interface for Mac and PC, and compatibility with the company’s microphone capsules. It also includes wireless control with a mobile device using a dedicated app. These features make the F8 a powerful tool for everything from multi-tracking band rehearsals, recording sound for picture, and Foley work, among others—all in a portable and durable form factor.        We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
1848 Views
Posted 08/10/15
In this video, Rob Rives creates a voice recording using several microphones from a new division of Gibson Guitars called Neat Microphones. These distinctively styled yellow and black mics, the Bumblebee, the Beecaster, the Worker Bee, and the King Bee, are all members of  Neat’s Bee microphone series. We hope you enjoy the video, and invite you to view the wide selection of other  instructional and informative videos  at BandH.com.
27725 Views
Posted 07/14/15
In the following video, Rob Rives, from B&H, discusses the Sennheiser AVX Camera-Mountable Digital Wireless Audio System —designed to streamline your workflow significantly when recording sound for picture. The video focuses on Sennheiser’s rich history of building world-class wireless solutions, and shows off the capabilities of the ME2 lavalier microphone when it’s attached to the SK bodypack transmitter, as well as the AVX-42 handheld transmitter. Rives shows us the EKP XLR receiver’s sleek form factor, which weighs only 3 oz and attaches directly to the XLR input on your video camera, with the ability to rotate 320 degrees to accommodate different setups. He also demonstrates the system’s adaptability to DSLRs with the included shoe mount and XLR to mini cable, USB powering options, and battery-power option when phantom is not available. Additional features include the system’s ability to find the cleanest operating frequency in the 1920 to 1930 MHz range automatically, boost transmission power as needed, and provide excellent Automatic Gain Control.    We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
8712 Views
Posted 06/23/15
In the following video, Rob Rives demonstrates Audio-Technica’s System 10 camera-mount digital wireless system, and how it can be integrated into your camera rig for wireless audio. The video explores some of the functionality of the system, as well as discusses its digital audio quality and operating range. Rives shows off both the lavalier and handheld microphone options, letting you hear their sound quality firsthand. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
1502 Views
Posted 05/21/15
In the following video, B&H’s own Rob Rives demonstrates the new QLX-D digital wireless audio system, and some of the applications in which it can be useful. The video’s audio is all recorded through the QLX-D system, allowing you to hear exactly what it’s capable of capturing. Rives gives us a rundown of its specs, including the extended frequency range and AES 256-bit encryption. He also switches up the microphones he uses, demonstrating the line’s range. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com 
3624 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
11958 Views
Posted 02/17/15
In the following video, Rob Rives gets hands-on with Beachtek’s DXA-Pocket audio adapter, and compares it to three other Beachtek products to see how the features match up. He examines the DXA-Pocket's available I/O and how Blackmagic Pocket Cinema Camera and DSLR shooters might use the adapter to help get better audio compared to their camera’s built-in microphone. Rives shows you how the form factor works with your camera, and discusses its battery life and power options. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3425 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
1115 Views
Posted 11/17/14
In the following video, Rob Rives runs through a handful of USB microphones and some of their outstanding features. The video demonstrates the sound quality of USB microphones, such as the RØDE NT-USB, Audio-Technica AT2020USB+, Apogee MiC 96K, and sE Electronics X1 USB, allowing you to hear the mics and formulate some idea of what each is capable of doing. Rives demonstrates the differences in controls between the microphones, highlighting the strengths of each one. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
6548 Views
Posted 06/06/14
In the following video, Rob Rives gets his hands on the Sony PCM-D100 High Resolution Audio Portable Recorder and demonstrates the sound quality it is capable of capturing with its built-in stereo microphones. Rives explores the functions and features of the PCM-D100, including its multiple digital audio format recording capability, and 24-bit/192kHz PCM and 2.8MHz DSD. The video showcases the way the recorder sounds when capturing acoustic guitar, as well as an outdoor scene. Rives also talks about its 32GB of internal storage and its support of external SD cards for expanded memory. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
11 — 21 of 22 items

Pages

Close

Close

Close