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318 Views
Posted 02/25/13
"Keith Cenname gives us a tour of this soundproof room in the Pro Audio dept. where customers check out reference monitors, powered PAs, electronic drums, and DJ audio and lighting gear."
1981 Views
Posted 07/09/13
Shure's new LensHopper mics are designed specifically for DSLRs and camcorders. The Shure VP83F even features an integrated flash recorder.
83 Views
Posted 07/25/13
In this video we take a look at the Launchpad S, see what’s been updated, and check out how it functions as a controller for Ableton Live.
6178 Views
Posted 07/30/14
With the growing popularity of using iPads and iPhones to record video, more and more people are running into the same problem- how to get good sound. While the camera is great and the built-in mic is probably fine for phone calls and FaceTime, videographers demand more professional options. In this video, Rob from B&H takes us through some third-party audio solutions to consider, from entry-level consumer up to ENG-grade professional gear. The video explores both wireless systems like the Azden WMS-PRO+I and Sennheiser EW 100 G3 as well as hard-wire options including the Polsen MO-PL1 and Rode VideoMic GO. Since the mic input on the iPad and iPhone wasn't designed for pro audio gear, the video also explores some adapters and mounts to consider when rigging up your mic, and delves into the issues of audio monitoring. Do you monitor through the iPad/iPhone and live with delay or monitor through your audio equipment—assuming it has a headphone out—and risk not knowing what levels are being recorded?
3425 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
6385 Views
Posted 04/01/15
In this video, our in-house audio expert, Rob Rives, demonstrates two condenser shotgun microphones from RØDE: the NTG4 and NTG4+. Featuring a supercardioid polar pattern and the ability to withstand up to 135 dB SPL, these mics offer an ideal solution for ENG, filmmaking, field recording, sound design, and broadcast applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2632 Views
Posted 04/13/15
Rob Rives from B&H joins Erich Barto from Zoom as he talks about their new 8-channel portable field recorder.
1519 Views
Posted 04/14/15
Go tiny or go home: that’s the battle cry for Lectrosonics at NAB 2015, which is introducing a brand new transmitter that fits into the palm of your hand. Concealable so that the talent doesn’t notice it, the smaller, lighter transmitter also features a removable, rechargeable lithium battery. Check out the full video here. Please check back for pricing and availability
1249 Views
Posted 04/15/15
In broadcasting, it seems there is always a debate as to what kind of microphone is best to use—dynamic or condenser. Both have a list of pros and cons for any given broadcast application, and with the newly announced BP40 Large Diaphragm Dynamic Broadcast Microphone, it appears Audio-Technica is looking to combine the best of both worlds into a dynamic package. The mic sports a large (for a dynamic mic) 37.5mm diaphragm that provides some condenser-like articulation without betraying the low-end oomph of a dynamic. If you do need to tame that low end because of a rumbling room or extra-boomy voice, the mic does have a selectable high-pass filter. Also featured in the video is a look at the new AT2020USBi, a refresh to their popular USB mic that sees no changes to the capsule or sound capture quality, but an increase of its maximum sampling rate to 24-bit/96 kHz and the inclusion of both USB and Lightning connectors for hooking directly up to your iOS devices. Please check back for pricing and availability.
496 Views
Posted 04/16/15
DPA microphones are known for their reference-quality clarity, providing accurate sonic reproduction. At this year’s NAB, the company has announced an addition to its d:facto line, in the form of an interview microphone. Like your typical handheld interview mic, it boasts an omnidirectional polar pattern, giving you freedom of movement while interviewing. DPA has employed a number of wind and handling-noise suppression techniques to help the mic be as quiet as possible in the field.  Please check back for pricing and availability.
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