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652 Views
Posted 07/03/12
In this video, we step inside the B&H mic room and take a look at various microphones and pre-amps.
318 Views
Posted 02/25/13
"Keith Cenname gives us a tour of this soundproof room in the Pro Audio dept. where customers check out reference monitors, powered PAs, electronic drums, and DJ audio and lighting gear."
1063 Views
Posted 03/09/15
In this video, Rob Rives shows the the OD-11 from Teenage Engineering, a Wi-Fi-enabled wireless speaker that supports streaming from most computers and portable devices, and that is specifically intended for cloud-based music listening. The OD-11speaker features a two-way omnidirectional design that allows the sound to be dispersed evenly throughout your acoustic space. It features one long-throw woofer, one high-efficiency tweeter, and also has a flow-optimized bass-reflex duct for improved low-frequency response. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
6320 Views
Posted 04/01/15
In this video, our in-house audio expert, Rob Rives, demonstrates two condenser shotgun microphones from RØDE: the NTG4 and NTG4+. Featuring a supercardioid polar pattern and the ability to withstand up to 135 dB SPL, these mics offer an ideal solution for ENG, filmmaking, field recording, sound design, and broadcast applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2632 Views
Posted 04/13/15
Rob Rives from B&H joins Erich Barto from Zoom as he talks about their new 8-channel portable field recorder.
1519 Views
Posted 04/14/15
Go tiny or go home: that’s the battle cry for Lectrosonics at NAB 2015, which is introducing a brand new transmitter that fits into the palm of your hand. Concealable so that the talent doesn’t notice it, the smaller, lighter transmitter also features a removable, rechargeable lithium battery. Check out the full video here. Please check back for pricing and availability
1249 Views
Posted 04/15/15
In broadcasting, it seems there is always a debate as to what kind of microphone is best to use—dynamic or condenser. Both have a list of pros and cons for any given broadcast application, and with the newly announced BP40 Large Diaphragm Dynamic Broadcast Microphone, it appears Audio-Technica is looking to combine the best of both worlds into a dynamic package. The mic sports a large (for a dynamic mic) 37.5mm diaphragm that provides some condenser-like articulation without betraying the low-end oomph of a dynamic. If you do need to tame that low end because of a rumbling room or extra-boomy voice, the mic does have a selectable high-pass filter. Also featured in the video is a look at the new AT2020USBi, a refresh to their popular USB mic that sees no changes to the capsule or sound capture quality, but an increase of its maximum sampling rate to 24-bit/96 kHz and the inclusion of both USB and Lightning connectors for hooking directly up to your iOS devices. Please check back for pricing and availability.
496 Views
Posted 04/16/15
DPA microphones are known for their reference-quality clarity, providing accurate sonic reproduction. At this year’s NAB, the company has announced an addition to its d:facto line, in the form of an interview microphone. Like your typical handheld interview mic, it boasts an omnidirectional polar pattern, giving you freedom of movement while interviewing. DPA has employed a number of wind and handling-noise suppression techniques to help the mic be as quiet as possible in the field.  Please check back for pricing and availability.
1152 Views
Posted 04/16/15
Rob Rives, of B&H, chats with Jeff Laity, of Tascam, about the company’s newly announced budget-minded TM-80 Studio Condenser Microphone, which is designed to be a workhorse for vocals, instruments, strings, and podcasters without breaking the bank. Also, Tascam is showing off the latest addition to its stalwart Portastudio line, giving you the ability to track directly to an SD card in 24-bit quality, in addition to a number of other upgrades.
398 Views
Posted 04/17/15
Known for its innovative effects, audio-correction software, and mastering/mixing tools, iZotope has used NAB 2015 to unveil its next step, farther into the world of post-production and broadcast. RX Loudness Control looks to combine global loudness standards with the ease of use for which iZotope has become known. Working in faster-than-real-time, the software renders your audio to your selected loudness standard, and creates a history graph and loudness report that shows you where any overflows may be occurring. If an overage does occur, the software includes iZotope’s IRC II transparent limiting. Catering to multiple channels counts, it supports mono, stereo, and surround channel counts up to 5.1. Please check back for pricing and availability.
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