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1954 Views
Posted 07/09/13
Shure's new LensHopper mics are designed specifically for DSLRs and camcorders. The Shure VP83F even features an integrated flash recorder.
465 Views
Posted 09/17/13
The Novation Bass Station II features two oscillators, a sub-oscillator, Classic and Acid filters, an arpeggiator, and effects, making the Bass Station II a powerful machine for bass sounds and more.
2254 Views
Posted 05/12/14
In the following video, Rob Rives, from B&H, discusses the  Beachtek DXA-SLR Ultra 2-Channel XLR Adapter, and how it can improve in-camera audio with a DSLR camera. Rives explores the adapter's form factor, how it attaches beneath the camera, and considers the included detachable rail system with 3" rods. Rives also points out the two Neutrik Combo XLR and 1/4" input connections, which can be switched from line level to mic level and provide Phantom Power, as well as advanced features such as gain control, limiters, and audio playback. The video concludes with a brief look at two other audio-adapter options from Beachtek: the DXA-SLR Mini and the DXA-SLR Pure Passive Audio Adapter. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com. 
6166 Views
Posted 07/30/14
With the growing popularity of using iPads and iPhones to record video, more and more people are running into the same problem- how to get good sound. While the camera is great and the built-in mic is probably fine for phone calls and FaceTime, videographers demand more professional options. In this video, Rob from B&H takes us through some third-party audio solutions to consider, from entry-level consumer up to ENG-grade professional gear. The video explores both wireless systems like the Azden WMS-PRO+I and Sennheiser EW 100 G3 as well as hard-wire options including the Polsen MO-PL1 and Rode VideoMic GO. Since the mic input on the iPad and iPhone wasn't designed for pro audio gear, the video also explores some adapters and mounts to consider when rigging up your mic, and delves into the issues of audio monitoring. Do you monitor through the iPad/iPhone and live with delay or monitor through your audio equipment—assuming it has a headphone out—and risk not knowing what levels are being recorded?
11957 Views
Posted 02/17/15
In the following video, Rob Rives gets hands-on with Beachtek’s DXA-Pocket audio adapter, and compares it to three other Beachtek products to see how the features match up. He examines the DXA-Pocket's available I/O and how Blackmagic Pocket Cinema Camera and DSLR shooters might use the adapter to help get better audio compared to their camera’s built-in microphone. Rives shows you how the form factor works with your camera, and discusses its battery life and power options. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3615 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
5557 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
1020 Views
Posted 05/21/15
In the following video, Rob Rives, from B&H, demonstrates the d:fine IN-Ear Broadcast Headset Microphone from DPA. Rives explores the headset’s design, interchangeable microphone capsules, and the available physical variations for using the headset in your production. He also showcases features that make the headset comfortable to wear, for example, how the modular design makes it easy for the user to replace parts as needed to repair the headset over time. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
29003 Views
Posted 06/09/15
In the following video, Rob Rives, from B&H, discusses the new  RØDE RodeLink Wireless Filmmaker Kit, a camera-mounted digital wireless microphone solution. With the system mounted on a Canon 5D mk III, the video explores the system’s 100-meter wireless range and ease of use in pairing the transmitter to the receiver when using the 2.4GHz spectrum. The system supports 8 discrete channels with 8,000 channel combinations and utilizes dual internal antennas at 90-degree angles for maximum signal radiation and space diversity at both ends. The video demonstrates the system’s shoe mount, which allows you to attach the receiver to your camera, as well as the additional 3/8" thread for expanded mounting options. Powered by a pair of AA batteries or via a USB port, both the transceiver and receiver have a battery life of at least 7 hours. The receiver’s OLED screen shows you levels, battery status, mute, and channel selection. The video further explores the system’s user interface, as well as the gain, pad, and mute functions, to ensure your camera receives a signal at the appropriate level. The video also demonstrates the included omnidirectional lavalier mic (with foam windscreen), and shares Rives’s advice on getting the most of the system in real-life applications. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
8687 Views
Posted 06/23/15
In the following video, Rob Rives demonstrates Audio-Technica’s System 10 camera-mount digital wireless system, and how it can be integrated into your camera rig for wireless audio. The video explores some of the functionality of the system, as well as discusses its digital audio quality and operating range. Rives shows off both the lavalier and handheld microphone options, letting you hear their sound quality firsthand. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
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