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83 Views
Posted 07/25/13
In this video we take a look at the Launchpad S, see what’s been updated, and check out how it functions as a controller for Ableton Live.
1195 Views
Posted 09/08/13
More than just keyboards, the Axiom A.I.R. line of controllers feature pads, faders, rotary knobs, buttons, and more. They also use HyperControl technology to automatically map those controls to supported DAWs.
2451 Views
Posted 11/20/13
With a 40-bit floating point DSP mix engine, 100mm motorized faders, 40 channels, MIDAS mic-preamps, gates, dynamics processing, EQ, 8 built-in FX engines, remote control, and more.
1419 Views
Posted 01/21/14
The new Studio model is the largest of NI’s Maschine controllers and ships with the 2.0 version of the software. Featuring pads for playing drums and melodies, sequencing, sampling, effects, and an 8GB library of drum sounds, loops, and instruments.
3098 Views
Posted 01/22/14
In this video David Roman of Universal Audio visits and gives us a tour of the new Apollo Twin desktop thunderbolt audio interface with Unison mic preamp technology and Realtime plug-in processing.
3401 Views
Posted 02/02/14
The Zoom iQ5 is a lightweight, inexpensive Mid-Side stereo microphone for lightning iOS devices. Let's take a look and a listen...
1416 Views
Posted 03/24/14
In the following video, Rob Rives demonstrates the QCon Pro DAW controller from Icon Digital, and how it is capable of streamlining your workflow when tracking and mixing. The video explores the unit's compatibility and functionality with a variety of common DAWS such as Pro Tools, Logic Pro, and Ableton Live, including its mapped controls. Rives discusses how the QCon Pro's eight touch-sensitive, motorized faders can be used to control different banks of tracks in your project, as well as how its rotary controls can work with your plug-ins.  We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
1362 Views
Posted 05/06/14
In the following video, Rob Rives, from B&H, discusses budget options for improving the audio quality of your DSLR shoots. Rives explores on-camera microphone options, including the lightweight RØDE VideoMic GO shotgun microphone and the Tascam TM-2X stereo microphone. Rives also looks at the Zoom H1 Ultra-Portable Audio Recorder, a dual-system option that records both internally to SD cards; it also sends a signal to your camera for backup. Lastly, Rives highlights the benefits of using lavalier microphones and provides both wired and wireless options to consider.
2254 Views
Posted 05/12/14
In the following video, Rob Rives, from B&H, discusses the  Beachtek DXA-SLR Ultra 2-Channel XLR Adapter, and how it can improve in-camera audio with a DSLR camera. Rives explores the adapter's form factor, how it attaches beneath the camera, and considers the included detachable rail system with 3" rods. Rives also points out the two Neutrik Combo XLR and 1/4" input connections, which can be switched from line level to mic level and provide Phantom Power, as well as advanced features such as gain control, limiters, and audio playback. The video concludes with a brief look at two other audio-adapter options from Beachtek: the DXA-SLR Mini and the DXA-SLR Pure Passive Audio Adapter. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com. 
3422 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
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