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91 Views
Posted 05/22/12
In this video we check out the Apollo interface which allows you to Record and Mix with UA's vast library of analog emulating plug-ins.
1981 Views
Posted 07/09/13
Shure's new LensHopper mics are designed specifically for DSLRs and camcorders. The Shure VP83F even features an integrated flash recorder.
3098 Views
Posted 01/22/14
In this video David Roman of Universal Audio visits and gives us a tour of the new Apollo Twin desktop thunderbolt audio interface with Unison mic preamp technology and Realtime plug-in processing.
1519 Views
Posted 03/06/14
In this video, Rob Rives shows us around the MOTU 828x, a professional digital audio interface that features a total of 28 inputs and 30 outputs. The unit, which is equipped with bothThunderbolt and USB connections, can be used with 32- or 64-bit Mac or PC systems. The interface is rackmountable and offers eight channels of 192kHz analog recording and playback, combined with 16 channels of ADAT optical digital I/O (8 channels at 96kHz), stereo S/PDIF, MIDI I/O, word clock, two headphone jacks, and stereo XLR main outs.
6178 Views
Posted 07/30/14
With the growing popularity of using iPads and iPhones to record video, more and more people are running into the same problem- how to get good sound. While the camera is great and the built-in mic is probably fine for phone calls and FaceTime, videographers demand more professional options. In this video, Rob from B&H takes us through some third-party audio solutions to consider, from entry-level consumer up to ENG-grade professional gear. The video explores both wireless systems like the Azden WMS-PRO+I and Sennheiser EW 100 G3 as well as hard-wire options including the Polsen MO-PL1 and Rode VideoMic GO. Since the mic input on the iPad and iPhone wasn't designed for pro audio gear, the video also explores some adapters and mounts to consider when rigging up your mic, and delves into the issues of audio monitoring. Do you monitor through the iPad/iPhone and live with delay or monitor through your audio equipment—assuming it has a headphone out—and risk not knowing what levels are being recorded?
1224 Views
Posted 08/12/14
In the following video, Rob Rives shows off the Resident Audio T4 Thunderbolt Audio Interface. Rives discusses the features of the interface, including how it provides four mic preamps with phantom power while being exclusively bus powered, its color LED gain indicators, and its master volume knob. Rives also shows you the unit's multiple output options and MIDI I/O. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com. 
3033 Views
Posted 09/11/14
Dave Roberts, from MOTU, explains the ins and outs of the new Thunderbolt-compatible 1248, 16M, and 8M audio interfaces. He also explains how the separately available MOTU AVB (Audio Video Bridge) box enables you to network with multiple computers and extend cable runs, and he emphasizes how the interfaces themselves are outfitted with top-notch components. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com. 
497 Views
Posted 04/01/15
In the following video, Rob Rives takes a quick look at Apogee’s refresh of its Ensemble audio interface, the Ensemble Thunderbolt. The video touches upon its high-quality, 32-bit conversion, along with how it employs its Thunderbolt connectivity for extremely low roundtrip latency. Rives discusses how the Ensemble eases strain on your Mac’s processor, leaving you more power for plug-ins and effects. He also runs down the interface’s extensive I/O, including its built-in re-amping capabilities. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com http://blogd7.bhphotovideo.com/explora/node/19646/edit
3624 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
5582 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Shure PG ALTA line of microphones. The microphones are designed to provide high-quality sound at an approachable price point for musicians and performers in a wide range of recording and live applications. The video explores ten different microphones, as well as three different kits for various applications. Specifically, Rives looks at: the PGA27 Large Diaphragm Side-Address Cardioid Condenser Microphone, the PGA58 and PGA48 Dynamic Vocal Microphones, the PGA181 Side-Address Condenser Microphone, the PGA81 Cardioid Condenser Microphone for Instruments, the PGA98H Condenser Microphone for Brass and Woodwinds, the PGA98D Condenser Microphone for Drums and Percussion, the PGA57 Dynamic Instrument Microphone, as well as the PGADRUMKIT7, PGADRUMKIT5, and PGASTUDIOKIT4 drum kits.             We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
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