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16172 Views
Posted 05/18/16
In the following video, Rob Rives, from B&H, demonstrates how to mike talent using lavalier microphones. Rives explores the reasons for using a lavalier over a boom microphone, the actual placement of the lavalier, and how to deal with issues of clothing noise. We also showcase alternate locations for mounting lavaliers, and provide some solutions for frequency attenuation that occurs when lavaliers are hidden, as opposed to being exposed. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
10586 Views
Posted 03/09/18
In the following video, “AB” demonstrates the Zoom F1 Field Recorder, and how it can be a useful addition to any professional sound engineers inventory. This video explores the functions, controls, and features of the Zoom F1, including the inputs and outputs, signal flow, and peripherals including the SGH-6 shotgun mic module and the LMF-1 omnidirectional lavalier microphone. We discuss how easy it is to attach the F1SP to a camera with the included SMF-1 shockmount. AB also shows off the 1.25" monochrome display and how to set up the Rec Format, Lo Cut, Limiter, and Rec Level functions. Additional topics covered include powering the unit with two AAA batteries, volume controls, the test tone, and the sound markers. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
3425 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
2958 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
2632 Views
Posted 04/13/15
Rob Rives from B&H joins Erich Barto from Zoom as he talks about their new 8-channel portable field recorder.
2592 Views
Posted 12/07/16
The Lectrosonics PDR, or Personal Digital Recorder, is a compact, easy to conceal, audio recorder with timecode support that’s ready to go wherever your talent goes.
2555 Views
Posted 11/20/13
With a 40-bit floating point DSP mix engine, 100mm motorized faders, 40 channels, MIDAS mic-preamps, gates, dynamics processing, EQ, 8 built-in FX engines, remote control, and more.
2501 Views
Posted 10/26/17
The new iZotope Spire Studio is the perfect piece of technology for tracking and recording music or musical ideas while on the go. This mini studio features an omnidirectional mic, a soundcheck feature for adjusting gain, built-in effects, and an easy-to-use mobile app for additional options.
2470 Views
Posted 11/15/17
Watch B&H’s Rob Rives as he walks you through using the Sound Devices MixPre 10-T, a multi-channel audio recorder and USB interface. As you hear the dulcet tones of his voice through the unit’s Kashmir mic preamps, Rives will expound on the device’s channel count, I/O combinations, Timecode capabilities, 32-bit A/D conversion, control methodologies, and more. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
2122 Views
Posted 01/18/17
We’re checking out UA’s new and improved desktop audio interface for Mac and Windows and demoing it’s Unison mic preamp technology and UAD-2 plug-ins.
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