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21920 Views
Posted 10/30/14
The DR-70D is a 4 channel audio recorder with a form factor and feature set specifically designed for DSLR video shooters. 2 built-in mics on the front and 4 XLR-1/4" combo inputs with phantom power and a stereo 1/8" input with plug-in power.
13371 Views
Posted 06/20/16
Join B&H’s own Robert Rives, as he discusses new features of the H4n Pro Handy Recorder from Zoom, including its stereo microphone, built-in preamps, and onboard effects processing. In this video, Rives engages the talents of colleague Nick Messitte to test-drive the Zoom H4n on acoustic and electric guitars. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
12898 Views
Posted 07/04/17
Join B&H’s Rob Rives as he discusses Sound Device’s Mix Pre-3 and Mix Pre-6 audio recorders, in depth. First you’ll hear the Mix Pre-6’s Kashmir mic preamps in action as they pick up the dulcet tones of Rives’s voice. Then, he covers the units extensively, giving you an overview of their gain range, filtering options, connectivity complements, linear timecode capabilities, 32-bit ADC, powering options, corresponding iOS app, and more. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
11957 Views
Posted 02/17/15
In the following video, Rob Rives gets hands-on with Beachtek’s DXA-Pocket audio adapter, and compares it to three other Beachtek products to see how the features match up. He examines the DXA-Pocket's available I/O and how Blackmagic Pocket Cinema Camera and DSLR shooters might use the adapter to help get better audio compared to their camera’s built-in microphone. Rives shows you how the form factor works with your camera, and discusses its battery life and power options. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
11057 Views
Posted 10/29/15
In the following video, Rob Rives, from B&H, discusses the Zoom F8 Professional Multi-Track Field Recorder for Filmmaking and Sound Design.  Using both an Audio-Technica AT899 Condenser Lavalier Microphone, as well as a Schoeps CMC6 MK41 microphone mounted on an Auray Boompole with a Schoeps shockmount, Rives makes a direct comparison of sound quality at 24-bit/192 kHz resolution between the Zoom F8 Field Recorder and the more expensive Sound Devices 688 Professional Field Recorder.    The video explores the F8’s features including timecode support, three power options, dual SD card slots, redundant recording, its use as a multi-channel audio interface for Mac and PC, and compatibility with the company’s microphone capsules. It also includes wireless control with a mobile device using a dedicated app. These features make the F8 a powerful tool for everything from multi-tracking band rehearsals, recording sound for picture, and Foley work, among others—all in a portable and durable form factor.        We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
10476 Views
Posted 03/09/18
In the following video, “AB” demonstrates the Zoom F1 Field Recorder, and how it can be a useful addition to any professional sound engineers inventory. This video explores the functions, controls, and features of the Zoom F1, including the inputs and outputs, signal flow, and peripherals including the SGH-6 shotgun mic module and the LMF-1 omnidirectional lavalier microphone. We discuss how easy it is to attach the F1SP to a camera with the included SMF-1 shockmount. AB also shows off the 1.25" monochrome display and how to set up the Rec Format, Lo Cut, Limiter, and Rec Level functions. Additional topics covered include powering the unit with two AAA batteries, volume controls, the test tone, and the sound markers. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com
4102 Views
Posted 08/10/17
In the following video, Rob Rives demonstrates the Zoom LiveTrak L12 Digital Mixer and Multitrack Recorder, and how it can be a useful addition to a small club, live band’s rehearsal space, or project studio. This video explores the functions, controls and features of the LiveTrak L12, including the 8 mono tracks and two stereo tracks, which not only allow you to mix your live instruments, but records each track individually to the on-board SD recorder. We showcase the on-board FX processors, use of instantly recallable scenes, and the setup of the five monitor sends. Rob also shows you how play back up to four channels of audio from your computer or iOS device for recording overdubs and craft your sound using the on-board 3-band EQ and compressor. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com
3617 Views
Posted 05/20/15
In the following video, Rob Rives, from B&H, discusses the Audio-Technica AT8024 camera-mount microphone. With the microphone mounted on a Canon 5D mk III, the video explores the microphone’s two settings: one for a mono cardioid pickup pattern and one for an internally matrixed mid-side stereo pattern.  The video compares the sound quality of the microphone to the camera’s built-in microphone, demonstrates the integrated shock mount that attaches to the camera’s shoe mount, as well as noting the 100-hour battery life from a single AA battery. The microphone includes a-10 dB and a-20 dB pad for recording sounds up to 148 dB, and an optional 80 Hz high-pass filter to help reduce hum and wind noise. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at BandH.com.
3422 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
3402 Views
Posted 02/02/14
The Zoom iQ5 is a lightweight, inexpensive Mid-Side stereo microphone for lightning iOS devices. Let's take a look and a listen...
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