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1601 Views
Posted 04/06/16
In the following video, Rob Rives, from B&H, discusses how to improve the audio in your video without the use of a dedicated audio editor. He explores the basics of audio levels during recording, and what to do once audio is inside the video-editing software, including normalizing and compression. We also briefly look at what to be aware of during final audio output. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
2958 Views
Posted 02/09/17
This 4-capsule Ambisonics microphone is designed to capture immersive “spherical” audio for VR and surround applications.
3425 Views
Posted 12/18/14
While we generally recommend getting closer to the subject and using a dual-system solution to avoid recording the camera's noisy preamps, in many one-shooter, run-and-gun situations, that's not always possible. This video is designed to give you an idea of what some of these microphones sound like in such situations. We begin by listening to the poor audio recorded from the built-in mic on a DSLR, followed by examples of how six camera-mountable microphones sound, individually. The featured microphones include: Polsen SCL-1075, RØDE VideoMic Go, sE Electronics ProMic Laser, Sennheiser MKE 400, Shure VP83, and the Senal SCS-98. 
1115 Views
Posted 11/17/14
In the following video, Rob Rives runs through a handful of USB microphones and some of their outstanding features. The video demonstrates the sound quality of USB microphones, such as the RØDE NT-USB, Audio-Technica AT2020USB+, Apogee MiC 96K, and sE Electronics X1 USB, allowing you to hear the mics and formulate some idea of what each is capable of doing. Rives demonstrates the differences in controls between the microphones, highlighting the strengths of each one. We hope you enjoy the video, and invite you to view the wide selection of other instructional and informative videos at B&H.com.
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